Tabloid

Trust me. Watch this movie. Grab some popcorn and get ready for a good time.

Greetings again from the darkness. Truth is often stranger than fiction. But what happens when the truth is elusive? Well "Tabloid" proves it doesn't matter ... strange is still strange! Superb documentarian Errol Morris serves up his most 'whacked out' profile yet.

Mr. Morris has described his work in documentary films as falling into one of two categories: 'Completely Whacked Out' and 'Politically Concerned'. The latter category includes his brilliant films "The Fog of War" and "The Thin Blue Line". The 'whacked' category includes "Fast, Cheap & Out of Control" and "Mr. Death: The Rise and Fall of Fred A Leuchter". I highly recommend any and all of these.

This latest subject, Joyce McKinney, may not be immediately familiar to you. In 1977, she became infamous as the key player in the British tabloid storyline named "Case of the Manacled Mormon". She was accused of following a Mormon missionary to the U.K., kidnapping him, handcuffing him to a bed, and using him as her sex slave. To really understand the story, one must realize the lack of knowledge that the British press had towards the Mormon church at the time. They truly viewed it as a cult.

Ms. McKinney has never stopped her accusations that the Mormon leaders created a cult environment, and brain washed men and women alike. Her stance is a huge part of why her story, or stories, are impossible to take seriously. Her story is that she and Kirk Anderson fell in love and the church forced them apart by shipping Anderson off on a missionary trip to England. Mr. Anderson has refused all interview requests since his release, but he claimed he requested the trip to escape the obsessive clutches of Joyce.

The amazing thing that I noticed while watching this film is that I didn't care about the truth. Even the filmmaker, Mr. Morris, doesn't seem to care about the truth. The fascination is with the personality of the enigmatic Joyce McKinney. Her direct interviews are mesmerizing. When she states "a person can tell a lie so many times that they believe it's true", we have to laugh outloud. Her stories are so convoluted, yet told with such conviction.

I certainly don't wish to spoil the entertainment value afforded by her first person story telling, so I will concentrate on the presentation by Mr. Morris. He seems to really enjoy the tabloid approach and uses graphics and imagery to add detail and structure. His use of the score is highly effective and quite unusual for a documentary. He provides the stage for this former Miss Wyoming to perform. And perform she does!

For comparison purposes, I have nothing. My first thought was a train wreck. Then a circus side show. Neither of those do justice to this unique story of a most unusual woman presented by a visionary filmmaker. All I can say is, you must see it to believe it ... or not.

Some people are serial fantastists, or serial self-publicists: it can be hard to tell the difference. Errol Morris' entertaining film 'Tabloid: Sex in Change' will seem familiar to anyone whose seen the (altogether more serious) film 'True Lies': in both cases, someone collaborates with a contemporary film-maker to tell "their story", even though the film-maker is able to simultaneously compile a large body of evidence to suggest that this story is utter tosh. The protagonists of both films could be considered con-artists, but if so, neither of them are exactly very good: in taking part in these films, they manage not to control the narrative, but to destroy themselves (although, if self-publicity is the aim, they do succeed, albeit in a peculiar fashion). Joyce McKinney's story (both the real one, and the one that she tells) is straightforwardly bizarre; while the linked tale of the behaviour of tabloid newspapers is predictably depressing, although one can't help but wonder whether or not Morris would have done better to let sleeping dogs lie (something McKinney didn't do when she had her dead pet cloned) rather than give the whole affair another publicising blast of the oxygen. It's hard to draw many conclusions from such a weird tale about the state of our society, or even about the interior workings of McKinney's mind; yet it's also impossible not to be entertained, albeit in a prurient way, by the extraordinary details of her tale.

Behind the adorable blonde hair and sweet, innocent-girl smile lies a checkered and intriguing past in Joyce McKinney's life. Errol Morris's Tabloid is one of the most mature documentaries I've ever witnessed. The documentarian who is known for making very deep and personal stories goes out of his way to shed light on a scandal that hasn't gotten much talk or publicity in recent years. But maybe that is for the best.

In 1977, a young Mormon missionary named Kirk Anderson was abducted by an unknown woman from The Church of Jesus Christ of Latter-Day Saints in Ewell, Surrey. A few days later, he returned claiming he was kidnapped by a woman named Joyce McKinney, a young woman who was crowned Miss Wyoming, who attempted to seduce him and rape him while he lay bounded on a bed.

McKinney was arrested, and the case was dubbed "The Mormon sex in chains case." It was shocking and absurd for the time period as well. Keep in mind that back in the 1970's, Mormonism was thought to be more of a strange cult than a religion. Society wasn't as accepting as today, and that's why people were so quick to jump over everyone involved.

When conducting interviews with numerous people, Morris doesn't dare interrupt. It's a one-setting documentary involving Errol Morris's famous "Interrotron " method. The Interrotron is where Morris places a two way mirror in front of the camera so both parties can see each others faces. It's a way of pretending the camera doesn't exist or isn't really there. This method is used to try and get more out of the person and not have the eerie feeling of being filmed while discussing.

But I don't believe Joyce McKinney or anyone else in the film really cares that they're being filmed. I think they're so flattered that they're finally telling their side of the story. Why did I call this "on of the most mature documentaries I've ever witnessed?" Because Morris doesn't incorporate any opinion or stance within the film. He doesn't even state if he believes the characters are telling the truth or not. He just wants each person to tell their side of the story the way they feel it should be told.

It's also interesting to note that the music in the documentary is so radiant and so important to the storytelling in the film. Never do we really pay attention or notice the music in a documentary, but the tonality in Tabloid is depicted strongly throughout the background music. After all, the film doesn't move around too much. It's shot in a one-setting location against a gray backdrop with the characters talking one on one with the camera.

We see montages from older films, reenactments of certain key events, and little animated tabloid pictures compiled into a creative montage to tell certain parts of the story. The film is titled "Tabloid" because Joyce McKinney began to develop into a popular figure publicized in magazines. So many stories were published about her that the truth became distorted. She states honestly and chillingly in the documentary "a person can tell a lie so many times that they believe it's true." You will definitely leave Tabloid confused and curious. We learned so much, but how much of it is true? We may never really know. I personally believe most everything brought to the table here, but then again, the lack of evidence on McKinney's part perplexes me. It is explained at the end where all the evidence went, but the believability is highly questionable.

According to Former Missionary Troy Williams, the story of the Mormon sex in chains case has been brought to light in three scenarios. Scenario one he was chloroformed, tied up, raped, and forced to be the sex slave of McKinney. Otherwise known as Kirk's side of the story. Scenario two is Joyce McKinney's side of the story where she wanted Kirk to be "free" of the Mormon's ways. So she "rescued" him from the church and they planned to run off, have kids, and life a life of peace. Scenario three is a hybrid of the two. Where Joyce and Kirk planned a life together, but somewhere along the line he refused it and backed out.

Joyce McKinney's last time in the light before this film was when she hired a Korean doctor to clone her own dog "Booger" after his death. McKinney even states in the film that she herself believes it strange that a person could go from someone who "kidnaps a Mormon man and uses him as a sex slave" to someone who hires a person to clone her own dog.

McKinney now resides in the mountain ranges of North Carolina living a life of celibacy, solitude, and peace from the people and the press. Maybe that's for the best on both parts. Here we have a woman who has spent most of her life in the spotlight for such a shady case, maybe it's time to just let her rest.

Tabloid is one of 2011's best documentaries, but the subject matter will have a lot of potential viewers looking the other way. Ignore the subject matter, just dive into the film hoping to see a very thought-provoking, well made, serious documentary made by a filmmaker who knows how to dish out a very personal story. The film's way of style and tonality is beautifully crafted, and erects one of the most shocking yet intriguing sex scandals in history.

Starring: Joyce McKinney and Troy Williams. Directed by: Errol Morris.

Errol Morris hits a home run with "Tabloid," letting the main subject, Joyce McKinney, pontificate for long stretches at a time; and Ms. McKinney never disappoints. This is a sad and compelling news story from 1977, well known in Britain as "The Manacled Mormon" case. An American Mormon missionary claimed to be abducted and raped by Ms. McKinney and what follows is a tragic but often funny documentary that is truly stranger than fiction. I can't find better adjectives(used by someone interviewed) than barking mad to describe this delusional, obsessed, and sorry figure.

The missing element is Kirk Anderson, the alleged victim and abductee, as he refused to be interviewed. Director Morris has a field day with Mormon beliefs, from magic underwear to planets ruled by deceased true believers. The Salt Lake City elders will not be pleased with this film. I highly recommend it to everyone else.