Life in a Day - Ein Tag auf unserer Erde

By its very nature, Life in a Day is an ambitious film. It seeks to encapsulate the human experience and all that it entails: life and death; love and hate; poverty and wealth; our dreams and our fears; and so on. I would argue that it does so successfully - or at least as successfully as possible for an undertaking of such scope (80,000 submissions totalling 4,500 hours of footage cut down to just an hour and a half!). It manages to strike a balance between the beauty of professional shooting and the raw visceral power of amateur footage. Very little seems contrived or awkward, and the editing and music do not usually distract from the simple energy of the vignettes being shown. In fact, the score is quite good and the editing only comes to the forefront when it's doing something meaningful - revealing links, emphasizing contrasts, or completing a thought.

A few stories are highlighted and revisited as the film progresses, but in general it never lingers too long on one scene. You would think this might hinder the presentation of some of the slower, more peaceful aspects of life, but it really doesn't. In fact, the lasting impression from this film is not one of chaos but one of unity and connection. That being said, at times the emotional roller-coaster you are being put through can be slightly bewildering. Some viewers might dislike how quickly they are brought from one emotion to another, but most will probably be too engaged to feel more than a twinge of regret that a particular scene couldn't last longer.

Some might argue that the more brutal realities of life are underrepresented (war, death, crime, prejudice, etc.), but I think that perception is probably due to how much we are bombarded with them by our daily news and entertainment. Don't get me wrong, there is plenty of misery on display here (whether it be as simple as the sting of rejection or as profound as the fear of dying), but it's often more subtle than explicit and it's tempered by a positivity that sometimes seems to be lacking in our view of the world.

As a cinema enthusiast, this film excites me with the prospect of increasing interactivity and grassroots power. As a human, it gives me hope that we can live in harmony and understanding. And I'm usually quite the cynic.

Final summary: 9/10 | A

Morning, July 24, 2010. "It'll all end well," a man says to his younger son, who is currently throwing a tantrum. "It'll all end well," he reassures the boy. What will end well? This situation? This day? This life?

As Life in a Day progresses, the viewer travels through the lives on many, literally living vicariously through others. This amazing documentary, produced by the Scott Brothers (one of which is the famous Ridley Scott) and directed by Kevin MacDonald, travels all over the world on one all too regular day: July 24, 2010. Starting in the morning, a time filled with a happiness and renewal, and ending in the evening, a time of reconciling and sadness, Life in a Day profiles things that should be commonplace. The best part: these things are certainly not commonplace. The Earth is a beautiful place. Our lives are great. Why not display them on film? And that is just the point.

Like any great documentary, Life in a Day is a poignant film. But unlike many great documentaries, it follows a subject that should not be poignant. If you have ever seen Amelie, you know the great beginning sequence. An unseen narrator shows us two glasses dancing on a table, a firefly dashing across a yellow-lighted French street, and a man erasing the name of a dead friend out of his address book. Imagine a movie like this entire opening sequence and you've got Life in a Day. Beautiful imagery, such as a teenage boy shaving for the first time, is common throughout the entire film. One shot especially, that of a skydiver falling to Earth, is probably the best part of the entire film. In a scene reminiscent of Koyaanisqatsi, a woman tumbles through the upper layers of Earth's atmosphere. It is quiet for a brief minute, and then, as the clouds engulf her, the noise of the people seeps in. The couple laughs together, sharing a time like no other together.

And yet, there are some truly disturbing scenes. At a Love Parade, multiple people are shown getting trampled to death. A few rush over to help the fallen victims, but many carry on, screaming to their heart's content. One part that people will surely have a reaction to is the slaughterhouse scene. Fair warning: a cow is shot in the head twice. The cow is later decapitated graphically. As these scenes show, sometimes life isn't always great. The images may be ugly and bleak, but they are always beautiful.

Life in a Day is a beautiful time capsule of people in the new millennium. Simply put, it's a wonderful portrait of people who do regular things. On a more complex level, it's a documentary about how lives are constantly changing. Every action we do changes the next action that is going to happen. Time is important. It's also shaping these actions. What's going to happen tomorrow? After all, as Scarlett O'Hara once said, "Tomorrow is a new day."

Life in a Day is a historic cinematic experiment that attempts to capture what life looks like on one day, July 24th, 2010, around the entirety of the world. Thousands of hours of video were captured and then compiled to give a glimpse into what constitutes an average day amongst humanity.

This film is ultimately about connection; the connection of humans to one another and all of the mundane, regular, everyday things that we share despite our differences in culture, location, and upbringing. The fact that we all sleep. We all wake up in the morning. We all eat breakfast. We brush our teeth. We walk around. We smile. We love. We fear. We breathe. This film is an affirmation of the simple joys and sorrows that we experience merely as a result of living on this earth and being human. It is an affirmation of life at its rawest, truest, grittiest, and loveliest.

The summarization of this project can be found in the words a young teenage girl who vocalizes that, although she went through her whole day with nothing particularly out of the ordinary occurring, merely by partaking in this social experiment and something greater than just her own life, she was left with the feeling that something amazing was happening.

This simple statement speaks of our innate human desire to be a part of something that is larger than just ourselves. We long to belong, to connect, to be understood, and to be a part of something meaningful and worthwhile. This film speaks directly to this need and is able to transcend religion, culture, age, and gender to get at the heart of what it means to be a human being on earth today. What an amazing time capsule treasure for generations to come.

Imagine a film , shot in one day , by 80,000 people. it sounds unbelievable but that is exactly what "Life in day" is. This fascinating film is made from footage of YouTube clips from people asked to film there everyday activities and do you know what ? It really works.

How the director managed to edit down 4,500 hours of footage is beyond me but the final cut is excellent none the less.

If there ever was a film just about people , this is it. In a way it restores your faith in human nature when you watch this and it's also a film that is so fascinating the time flies by.

If your a fan of the YouTube phenomenon or not i recommend Life in a day.

Just saw this at a preview and its mind blowing.

As you might expect from a Youtube content generated film, the clips and there are hundreds...are short, punchy and vary from fuzzy mobile footage, of a lonely girl talking at her phone, a guy asking a girl on a date, to timelapsed high definition clouds brewing into a dark thunderous storm, suns setting over Himalayan peak, and goats staring knowingly at me ...more goats please!

All walks of life, all parts of the world, everywhere on this little blue planet is the location, where shared themes common to all humanity are explored and humoured, exploited and tragically true of us all...there's a lingering sadness which underlies the frequent fun and humour so many of these clips portray...us making the best of what we have, which for so many is nothing much at all, and yes there is darkness, a lot of it, but what we do, our nature is to laugh at it, and celebrate the victory of being alive.

The resulting feature length montage is profound, emotional, hard to watch at times, and if you're not empathising with the rest of the world and grateful of your shared humanity by the time the snail minds its own business...you ain't' go no soul, noooooo, none!

Expect more of this, coz its all true, and just a glimpse of what the digital age can do.