Anything Goes

Sutton Foster made this performance worth watching. She was absolutely brilliant! And she can act, which is more than anyone can say about the rest of the cast. Lindsay and Kendal should never, ever try to do an American accent-and they wildly overacted, spending the entire time pulling faces. In a word, Lindsay and Kendal stank.

Foster is a renowned Broadway star. She deserves better than the main cast; she carried the entire film. Such a shame that she didn't have the Broadway cast-although the dancers were superb.

I'm being generous with my review. Sutton on her own deserves a 10. Lindsay, Kendal and the rest of the gurners deserve a zero.

Music by Cole Porter, P G Wodehouse wrote the book, some of the best musical tunes, fabulous performances, if you can't get to the theatre then this is the next best thing and I cannot recommend it too highly.

By the end I felt uplifted! It is, for me, one of the real greats of the theatre, alongside Kiss Me Kate and Crazy for you, to send you away with tunes in your head and a smile on your face!

The entire cast contributed to making this a real pleasure to watch.

It felt as if We were at the theater watching this. The orchestra was excellent and the film crew got it right.

I love most musicals, but I certainly couldn't recommend this one.

Given the number of classic Cole Porter songs in the show, and a talented lead actress, I assumed this had to be well worth watching. I was wrong. The acting was cartoonish, with the performers virtually winking at the audience. The corny dialogue was like something out of a bad vaudeville routine, the attempts at humor fell flat, and the juvenile plot was dreadful. The sets were uninspired and one-dimensional. And there was virtually no choreography during most of the songs, with the performers just standing there and singing. The vocal talent was about the only thing this show has going for it, but it was wasted in this effort.

It was so weak, that I eventually stopped watching less than halfway through.

Look, I know this was well-intentioned.

Get some big names in a production, film it, screen it in cinemas as a way of trying to coax people back into cinemas and theatres after the pandemic.

It was very well-intentioned, and that intention is admirable, don't get me wrong.

Unfortunately the production then had to be good.

It is not. The lead isn't great, the musical numbers aren't much better. It drags along at a snails pace, and if they were going to film it, why not wait until they had an audience who were up for it??

It's always a tricky thing trying to capture live theatre on film, but musicals tend to be able to do it more successfully.

This one didn't.