Daniel kommt in Peking an, wo Mr. Han ihn aufgesucht hat. Han hat einen neuen Schützling, Li Fong.Daniel kommt in Peking an, wo Mr. Han ihn aufgesucht hat. Han hat einen neuen Schützling, Li Fong.Daniel kommt in Peking an, wo Mr. Han ihn aufgesucht hat. Han hat einen neuen Schützling, Li Fong.
- Regie
- Drehbuch
- Hauptbesetzung
Mig Buenacruz
- Conor's Sparring Partner
- (as Miguelito Taylor Buenacruz)
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Unlike some other reviews, I appreciated that it honored the same clichés of this franchise: moves to a new city, meets a girl, run into trouble with girl's ex, fight it out in tournament. For what this movie offered, I really wish the movie was a bit longer for more character and plot developments without feeling so rushed and choppy. It felt like 2 separate movies compacted into one short movie of only 1.5 hours. Especially the entire second half which felt like a montage throughout to the end. One thing I did not appreciate was the animations with big fonts and vivid colors. It seemed like they were targeting more younger audiences to join the Karate Kid fandom which is fine, but the animations were just too much and felt over-done. Really wish they used Jackie Chan and Ralph Macchio better throughout the entire movie. It was a little disappointing to get so little of them in the movie. Did love getting Joshua Jackson though. The final scene before rolling into the end credits was extremely appreciated. Ultimately, the movie was a fun watch and overall enjoyable thanks to the awesome choreographies. The movie was good but it could've been great. If they continue to expand this franchise, which I hope they do, I hope they will put the actors to better use for better storytelling than trying so hard to appeal to a younger audience.
Listen, this film has it's flaws. But it does not deserve the hate it's getting right now. Is it the best karate kid movie I have watched NO. BUT it's not the worst either. People are saying this film is HEAVILY flawed. What? Did I just watch the same movie as other people YES. This film is good, just good, it has a very similar story but changed a few things which I liked not ALL of them but yeah. Yes I know they back half is rushed but we know the main character is gonna fight the villain at the end so why spend time for the climax when we know what's gonna happen?
Conclusion: Cinematography - 8 Acting - 6.5 Story - 6 Action - 10 Pacing - 6
That's my thoughts of Karate Kid : Legends.
Conclusion: Cinematography - 8 Acting - 6.5 Story - 6 Action - 10 Pacing - 6
That's my thoughts of Karate Kid : Legends.
What Karate Kid Legends attempts is, in theory, an interesting experiment. It tries to pick up the thread left dangling at the end of Cobra Kai, while also tying it to a completely separate reboot from 2010 that never quite earned its place in the franchise. The result is a film that looks like it should have emotional weight but somehow feels like a corporate brainstorm session disguised as a sequel.
The nostalgic pull that once powered Cobra Kai is back, at least in intention. The show began with something rare, a sense of care for its legacy characters. Ralph Macchio and William Zabka were never reduced to sentimental walk-ons. They were fully fleshed-out leads, still shaped by their past but stumbling through the present with a level of emotional realism that surprised people. For a moment, it worked. The first two seasons had a charm that honored the original films without pandering. You could tell the people behind it actually loved the material.
But when Netflix stepped in for Season Three, something shifted. What began as a lean, character-driven revival turned into an overcrowded, hyperactive drama designed to feed on algorithmic success. It became more interested in spinning off plotlines and inflating rivalries than in deepening the characters it started with. The show leaned heavily on Karate Kid Part III, arguably the weakest installment of the original trilogy, and replicated its mistakes on a larger, glossier scale. What should have been emotionally intimate became bloated. Too many characters, too many arcs, and not nearly enough patience.
By the time the show ended, it was clear that the heart of Cobra Kai still resided in the performances of Macchio and Zabka, but the storytelling had been handed over to a different agenda, one that prioritized noise over nuance. The younger audience loved it, but there's a difference between engagement and emotional investment. Reddit may still be debating the motives of every secondary character, but that obsession with quantity says more about the current media landscape than it does about the story's quality.
So when Karate Kid Legends announced itself as a continuation, expectations were mixed. The decision to set the story three years after the series hinted at a deliberate effort to create space, to reset the tone and allow something new to develop. There is one well-placed cameo that acknowledges the past, but otherwise the film steers clear of the show's tangled narrative. This could have worked. The idea of Macchio returning as a mentor in a stand-alone story held potential. A full-length feature could offer emotional clarity that episodic television no longer had room for. This was a chance to return to character, to quiet moments, to storytelling with restraint.
But instead of using that opportunity, the film makes a strange and ultimately misguided decision. It chooses to merge its narrative with the 2010 remake of The Karate Kid, the one starring Jaden Smith and Jackie Chan. That film, while technically competent and commercially successful, was not a continuation of the original saga. It took the brand name, moved the story to China, and replaced karate with kung fu. Will Smith's production company had purchased the rights, and unsurprisingly, his son was cast in the lead. The film had moments of charm but lacked the emotional architecture of the original. It was a different story entirely, built on different values.
Bringing those elements into Karate Kid Legends creates a dissonance that never resolves. The new protagonist, Ali Fong, arrives in New York from China with his single mother. He is already highly skilled in kung fu, which undermines much of the tension that should come from a student's journey. The familiar beats are all here, a school setting, a love interest, a group of bullies, but they feel recycled rather than reinterpreted. When Mr. Han, played again by Jackie Chan, enters the picture, he brings warmth and screen presence, but not the emotional gravity of Mr. Miyagi. That role, once inhabited with deep humanity by Pat Morita, is impossible to replicate, and this film doesn't find a new angle on the mentor figure to justify trying.
Ralph Macchio returns as Daniel LaRusso, and as always, he treats the character with respect and dedication. He remains the connective tissue of the entire franchise. But the script gives him little to work with. He appears not as a natural evolution of the character but as a symbolic nod to nostalgia. His presence feels obligatory rather than essential. The emotional center never quite finds its balance, and what could have been a meditation on mentorship becomes a checklist of familiar tropes.
The film borrows from Cobra Kai's tone without its tighter emotional stakes. It borrows from the reboot without any real thematic bridge. The action scenes are competent but inflated. And the ending, rather than resolving anything, leaves the door open for more, as if the story has become less about telling something meaningful and more about keeping a brand alive for one more round.
This is not a terrible film. It is watchable, sometimes even entertaining. But it feels like a missed opportunity, a film made by people who knew what worked once but didn't know how to recreate it without repeating themselves. It wants to mean something. It just doesn't earn it.
Ralph Macchio, through all of this, remains a figure of sincere affection. He holds onto the character of Daniel with quiet dignity, and for many people of a certain generation, that is enough to keep watching. But if this franchise wants to move forward, it needs to stop looking sideways. The heart of The Karate Kid was never in the fights or the callbacks. It came from how seriously the story was taken. The sincerity, that created. A coming of age movie that looked the characters and the audience in the eye, is what carried this story for forty years.
KK legends, tried to do it but it got lost on the way.
Still, Ralph Macchio, if you're reading this, you'll always be the Karate Kid to me.
The nostalgic pull that once powered Cobra Kai is back, at least in intention. The show began with something rare, a sense of care for its legacy characters. Ralph Macchio and William Zabka were never reduced to sentimental walk-ons. They were fully fleshed-out leads, still shaped by their past but stumbling through the present with a level of emotional realism that surprised people. For a moment, it worked. The first two seasons had a charm that honored the original films without pandering. You could tell the people behind it actually loved the material.
But when Netflix stepped in for Season Three, something shifted. What began as a lean, character-driven revival turned into an overcrowded, hyperactive drama designed to feed on algorithmic success. It became more interested in spinning off plotlines and inflating rivalries than in deepening the characters it started with. The show leaned heavily on Karate Kid Part III, arguably the weakest installment of the original trilogy, and replicated its mistakes on a larger, glossier scale. What should have been emotionally intimate became bloated. Too many characters, too many arcs, and not nearly enough patience.
By the time the show ended, it was clear that the heart of Cobra Kai still resided in the performances of Macchio and Zabka, but the storytelling had been handed over to a different agenda, one that prioritized noise over nuance. The younger audience loved it, but there's a difference between engagement and emotional investment. Reddit may still be debating the motives of every secondary character, but that obsession with quantity says more about the current media landscape than it does about the story's quality.
So when Karate Kid Legends announced itself as a continuation, expectations were mixed. The decision to set the story three years after the series hinted at a deliberate effort to create space, to reset the tone and allow something new to develop. There is one well-placed cameo that acknowledges the past, but otherwise the film steers clear of the show's tangled narrative. This could have worked. The idea of Macchio returning as a mentor in a stand-alone story held potential. A full-length feature could offer emotional clarity that episodic television no longer had room for. This was a chance to return to character, to quiet moments, to storytelling with restraint.
But instead of using that opportunity, the film makes a strange and ultimately misguided decision. It chooses to merge its narrative with the 2010 remake of The Karate Kid, the one starring Jaden Smith and Jackie Chan. That film, while technically competent and commercially successful, was not a continuation of the original saga. It took the brand name, moved the story to China, and replaced karate with kung fu. Will Smith's production company had purchased the rights, and unsurprisingly, his son was cast in the lead. The film had moments of charm but lacked the emotional architecture of the original. It was a different story entirely, built on different values.
Bringing those elements into Karate Kid Legends creates a dissonance that never resolves. The new protagonist, Ali Fong, arrives in New York from China with his single mother. He is already highly skilled in kung fu, which undermines much of the tension that should come from a student's journey. The familiar beats are all here, a school setting, a love interest, a group of bullies, but they feel recycled rather than reinterpreted. When Mr. Han, played again by Jackie Chan, enters the picture, he brings warmth and screen presence, but not the emotional gravity of Mr. Miyagi. That role, once inhabited with deep humanity by Pat Morita, is impossible to replicate, and this film doesn't find a new angle on the mentor figure to justify trying.
Ralph Macchio returns as Daniel LaRusso, and as always, he treats the character with respect and dedication. He remains the connective tissue of the entire franchise. But the script gives him little to work with. He appears not as a natural evolution of the character but as a symbolic nod to nostalgia. His presence feels obligatory rather than essential. The emotional center never quite finds its balance, and what could have been a meditation on mentorship becomes a checklist of familiar tropes.
The film borrows from Cobra Kai's tone without its tighter emotional stakes. It borrows from the reboot without any real thematic bridge. The action scenes are competent but inflated. And the ending, rather than resolving anything, leaves the door open for more, as if the story has become less about telling something meaningful and more about keeping a brand alive for one more round.
This is not a terrible film. It is watchable, sometimes even entertaining. But it feels like a missed opportunity, a film made by people who knew what worked once but didn't know how to recreate it without repeating themselves. It wants to mean something. It just doesn't earn it.
Ralph Macchio, through all of this, remains a figure of sincere affection. He holds onto the character of Daniel with quiet dignity, and for many people of a certain generation, that is enough to keep watching. But if this franchise wants to move forward, it needs to stop looking sideways. The heart of The Karate Kid was never in the fights or the callbacks. It came from how seriously the story was taken. The sincerity, that created. A coming of age movie that looked the characters and the audience in the eye, is what carried this story for forty years.
KK legends, tried to do it but it got lost on the way.
Still, Ralph Macchio, if you're reading this, you'll always be the Karate Kid to me.
Karate Kid: Legends might be the only movie with such a rushed pacing that i still end up recommending, i completely understand why some people might not enjoy it, the pacing really is all over the place, and the story editing moves way too fast, but despite that, Ben Wang, Sadie Stanley, and the rest of the cast brought enough charm and authenticity to their characters that i found myself liking them in a surprisingly short amount of time.
And yes i was desperate with the movie when they trying to get Daniel finally on the screen, but when the time comes, it's a great relief, also lifted by the spark Jackie Chan brought to the film, his portrayal felt like another version of Mr. Han, not quite the same one who trained Jaden Smith in the 2010 Karate Kid remake, but still recognizably Jackie, wise, quirky, and effortlessly entertaining.
Ralph Macchio return as Daniel was brief, but enjoyable enough, there's a fun, short-lived chemistry between him and Jackie Chan, and that alone made parts of the movie worth watching, if only the film had taken a bit more time to develop its story and give these likeable characters more room to breathe, it could've been something really special.
The fighting sequences and choreography are exciting, charismatic, energetic, and fun, there are some genuinely funny moments too, and a fun surprise at the end that left me smiling.
Yes, it's incredibly rushed, and especially after watching the whole saga of Cobra Kai, what a weird timeline and little visit Daniel had during this whole movie, but in the end, i had fun, and maybe even more on a rewatch.
And yes i was desperate with the movie when they trying to get Daniel finally on the screen, but when the time comes, it's a great relief, also lifted by the spark Jackie Chan brought to the film, his portrayal felt like another version of Mr. Han, not quite the same one who trained Jaden Smith in the 2010 Karate Kid remake, but still recognizably Jackie, wise, quirky, and effortlessly entertaining.
Ralph Macchio return as Daniel was brief, but enjoyable enough, there's a fun, short-lived chemistry between him and Jackie Chan, and that alone made parts of the movie worth watching, if only the film had taken a bit more time to develop its story and give these likeable characters more room to breathe, it could've been something really special.
The fighting sequences and choreography are exciting, charismatic, energetic, and fun, there are some genuinely funny moments too, and a fun surprise at the end that left me smiling.
Yes, it's incredibly rushed, and especially after watching the whole saga of Cobra Kai, what a weird timeline and little visit Daniel had during this whole movie, but in the end, i had fun, and maybe even more on a rewatch.
To talk about this movie, we have to start by saying how amazing it was to see Karate and Kung Fu mixed in just the right way, creating a great film with an original story that manages to please both longtime fans and new audiences alike.
I'd also like to briefly share a personal story. Karate has been present in my family for years, and we gathered on Mother's Day to watch this movie, which made it even more special for me. We're big fans of the franchise, and I'm truly grateful for this film, which I consider just as great as its predecessors.
Speaking of the cast, the new Karate Kid, Li Fong, played by Ben Wang, proved to be a perfect casting choice. He's just as good as the previous protagonists. His story starts out similar to Dre's, but as we get to know him better, we see that it's more moving than we expected. The way he tries to move forward through martial arts is truly inspiring.
When we talk about the cast, it's impossible not to mention Ralph Macchio and Jackie Chan, who are now tasked with training a new Karate Kid. Seeing them together again made me incredibly happy, and they manage to captivate fans of both the original trilogy and the 2010 movie.
As for Mr. Han, it was amazing to see him again. Honestly, I'd love to learn more about how he became such a great Kung Fu teacher. His relationship with Li Fong is very special, and the story between them adds more depth to the movie than I expected.
Regarding Daniel's return-someone we've seen a lot in Cobra Kai-it's always a joy to see him back. I was genuinely happy, though I did hope he'd have more screen time. Still, seeing him again was wonderful, and especially the scenes where he and Mr. Han team up to train the new Karate Kid-those were so much fun.
About Sadie Stanley, I really liked her character and her relationship with Li Fong. It's sweet, lighthearted, and makes the audience root for them as a couple.
Joshua Jackson, who plays her father, also did a great job. His character is funny and interesting, and his scenes with Li are quite engaging. Speaking of fun characters, Wyatt Oleff's character also stands out, bringing a lot of humor and lightness to the story.
Every Karate Kid movie has had villains that make us really angry, and this one is no different. Connor, played by Aramis Knight, is a very compelling character who gets under our skin, all thanks to Aramis's excellent performance.
Regarding the story and script-it's much deeper than I expected. The way Li Fong overcomes everything is truly inspiring, especially with the help of Mr. Han and Daniel LaRusso. On top of that, the fight scenes, as in every Karate Kid movie, are thrilling and incredible. All the professionals involved deserve praise.
So it's no exaggeration to say that this film is just as grand as the previous ones. It brings back nostalgic elements that longtime fans will appreciate, but also introduces fresh originality that can captivate even those who aren't fans of the franchise.
Finally, I'd like to thank everyone involved once again. I sincerely hope there will be future projects that are just as epic as this one. Thank you once again for being part of such a special moment in my life.
I'd also like to briefly share a personal story. Karate has been present in my family for years, and we gathered on Mother's Day to watch this movie, which made it even more special for me. We're big fans of the franchise, and I'm truly grateful for this film, which I consider just as great as its predecessors.
Speaking of the cast, the new Karate Kid, Li Fong, played by Ben Wang, proved to be a perfect casting choice. He's just as good as the previous protagonists. His story starts out similar to Dre's, but as we get to know him better, we see that it's more moving than we expected. The way he tries to move forward through martial arts is truly inspiring.
When we talk about the cast, it's impossible not to mention Ralph Macchio and Jackie Chan, who are now tasked with training a new Karate Kid. Seeing them together again made me incredibly happy, and they manage to captivate fans of both the original trilogy and the 2010 movie.
As for Mr. Han, it was amazing to see him again. Honestly, I'd love to learn more about how he became such a great Kung Fu teacher. His relationship with Li Fong is very special, and the story between them adds more depth to the movie than I expected.
Regarding Daniel's return-someone we've seen a lot in Cobra Kai-it's always a joy to see him back. I was genuinely happy, though I did hope he'd have more screen time. Still, seeing him again was wonderful, and especially the scenes where he and Mr. Han team up to train the new Karate Kid-those were so much fun.
About Sadie Stanley, I really liked her character and her relationship with Li Fong. It's sweet, lighthearted, and makes the audience root for them as a couple.
Joshua Jackson, who plays her father, also did a great job. His character is funny and interesting, and his scenes with Li are quite engaging. Speaking of fun characters, Wyatt Oleff's character also stands out, bringing a lot of humor and lightness to the story.
Every Karate Kid movie has had villains that make us really angry, and this one is no different. Connor, played by Aramis Knight, is a very compelling character who gets under our skin, all thanks to Aramis's excellent performance.
Regarding the story and script-it's much deeper than I expected. The way Li Fong overcomes everything is truly inspiring, especially with the help of Mr. Han and Daniel LaRusso. On top of that, the fight scenes, as in every Karate Kid movie, are thrilling and incredible. All the professionals involved deserve praise.
So it's no exaggeration to say that this film is just as grand as the previous ones. It brings back nostalgic elements that longtime fans will appreciate, but also introduces fresh originality that can captivate even those who aren't fans of the franchise.
Finally, I'd like to thank everyone involved once again. I sincerely hope there will be future projects that are just as epic as this one. Thank you once again for being part of such a special moment in my life.
New and Upcoming Family Friendly Films
New and Upcoming Family Friendly Films
Get a closer look at all of the most exciting new family films this season.
Wusstest du schon
- WissenswertesRalph Macchio was 63 at the time of this film's release, 12 years older than Pat Morita was when Karate Kid (1984) was released.
- PatzerThe film opens with a scene from Karate Kid II: Entscheidung in Okinawa (1986) in Okinawa that is stated to take place in 1986. While the film was released in 1986, the events of the film take place in 1985.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: Part of Halle's World (2022)
- SoundtracksOriginal Karate Kid Themes
written by Bill Conti
Top-Auswahl
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Child Stars, Then and Now
Child Stars, Then and Now
See these Hollywood favorites who started their careers as kids. How many do you recognize?
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Karate Kid: Leyendas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 44.404.276 $
- Eröffnungswochenende in den USA und in Kanada
- 20.302.016 $
- 1. Juni 2025
- Weltweiter Bruttoertrag
- 90.204.276 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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