Pacific Rim

Entertainment is not just a story. It is not just drama or social commentary. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. THIS IS A SINCERE MOVIE.

Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.

This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.

I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).

This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.

PACIFIC RIM is Guillermo del Toro's tribute to the kaiju and Japanese sci-fi movies of his youth; you know, the ones involving giant monsters trashing cities and huge robots sent out to protect mankind. I had an inkling he wanted to make this movie after the giant plant creature in HELLBOY 2; well, now he has.

And this is a lot of fun, a decent popcorn flick for a change and a film that's well made enough to erase memories of the disappointing TRANSFORMERS movies. It's a great Hollywood tribute to Japanese cinema, filled with all of the wonderful effects and super-sized action that you'd hope for. Del Toro is one of those directors who hasn't made a bad film yet; you can always rely on him for entertainment.

Sure, the stuff with the human characters isn't as interesting as the giant stuff. But at least we get plenty of British actors in the cast (Burn Gorman, Idris Elba, Rob Kazinsky, Charlie Hunnam) which keeps it fresh and interesting. The CGI effects are excellent, as you'd expect, and while the storyline is very predictable, that's not the point. The point is to deliver huge bouts of destructive action, and that's what del Toro does. And it's a lot of fun.

This film starts of with a monologue that explains in twenty seconds how big monsters start appearing from the sea and destroying everything. The only defence against them is to kick their heads in with massive robots. Cool! Starting so quickly out the blocks I expected this to be a fast paced action movie.

It really isn't. About every film element ever used, runs its course before the inevitable big battle. You get a fall from grace, a rivalry, a training period, a love story, forgiveness, reconciliation, etc. etc.

The battle sequences are epic, the monsters and robots are amazing, Kids especially will love them, and the action goes on and on.

The dialogue is cheesier and hammier than a 60 foot pizza monsters, and coupled with the extended scope of this film can make watching it gruelling if you are not instantly gripped.

This will keep any kids gripped for hours (nearly three of them) but if sci-fi isn't your thing get comfy and bring a pillow.

I usually don't watch action films. They just aren't my sort of thing. However, my daughter insisted that I watch "Pacific Rim" and I was feeling absolutely horrible when I watched the film, as I had just gone through some painful surgery that morning. So, to take my mind off my aches, I gave it a try. And, thankfully, it turned out to be exactly the sort of tonic I needed--entertaining and crazy fun. While I didn't see it in the theater (the best way to see this type of movie), I did see it on a very large screen at home and watching it on a small screen is practically a waste of time. For once, I loved that a film has eye- popping visuals, explosions and action--and it manages to deliver an entertaining experience without leaving you feeling dumb for having enjoyed it--a problem too often associated with movie of this style. Well worth your time.

It was a curious thing being on line for certain Hollywood programmers in summer 2013, mediocre stuff like 2 Guns or White House Down that neither impressed nor offended too much, and then the split in hearing some other folks talking about Pacific Rim and how awful it looked.

Perhaps I came to it with a small chip on the shoulder – this is THE Guillermo mother-flipping del Toro, after all, a man who has created dark, supremely designed imaginations with Pan's Labyrinth and the Hellboy movies, and here he is getting to take on stuff he loves in a completely B-movie landscape: gnarly monsters, giant robots, comic-book stakes, and action with some substance. And Pacific Rim, for what it set out to accomplish as a sensational blockbuster, reached its aims for what I wanted. When taken in total, it may not have much more or less action than a Man of Steel, but it is much smarter, or just more creative and skilled and knowing of its audience, in layering out its action set pieces, and even in the broad strokes it takes as, basically, a B-level Saturday matinée flick. Del Toro cares about these characters, or at least tries to, deep down, and can show some of that like with the Asian pilot Mako Maori.

Is any of this deep? I'm still not sure. Does it need to be an artistic meditation on the cancelling of the apocalypse? Maybe another watch or two of five - because there will always be a part of me that can keep a hold on to an inner 13 year old - will bring that into focus. And aside from the monsters-and-robot work, which contains such good sights to behold, weight and depth to the designs, and the know-how to pace the action and to let us see it – in 2D, anyway, I didn't bother with 3D so I can't speak to that experience – there's some just good fun dialog (Charlie Day! Ron Perlman!!) and a sense that, 'Yes, this is a Godzilla experience, but we can still make it EXCITING'. So much of what I wanted this summer and only got in smaller doses (look at the end of the article for a bit on that) was in full-bloom in this production, which had a 190 million budget and the money looked like it was up on the screen, and not just in the CG but in the big sets and technology, and a story told by a Big Kid that would only hope the rest of the audience can genuinely feel like Big Kids if they aren't young already.

In other words, the director accomplished what Michael Bay has, over and over again, failed to do: inspire wonder, and put some basic thought into the process itself, in story and craft, and without a large dollop of cynicism.