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3096 Tage

  • 2013
  • 16
  • 1 Std. 51 Min.
IMDb-BEWERTUNG
6,5/10
17.764
IHRE BEWERTUNG
BELIEBTHEIT
3.893
617
3096 Tage (2013)
True CrimeBiographyCrimeDrama

Ein junges österreichisches Mädchen wird entführt und acht Jahre lang in Gefangenschaft gehalten. Basierend auf dem Sachverhalt von Natascha Kampusch.Ein junges österreichisches Mädchen wird entführt und acht Jahre lang in Gefangenschaft gehalten. Basierend auf dem Sachverhalt von Natascha Kampusch.Ein junges österreichisches Mädchen wird entführt und acht Jahre lang in Gefangenschaft gehalten. Basierend auf dem Sachverhalt von Natascha Kampusch.

  • Regie
    • Sherry Hormann
  • Drehbuch
    • Ruth Toma
    • Bernd Eichinger
    • Natascha Kampusch
  • Hauptbesetzung
    • Antonia Campbell-Hughes
    • Thure Lindhardt
    • Millie Pidgeon
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    17.764
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.893
    617
    • Regie
      • Sherry Hormann
    • Drehbuch
      • Ruth Toma
      • Bernd Eichinger
      • Natascha Kampusch
    • Hauptbesetzung
      • Antonia Campbell-Hughes
      • Thure Lindhardt
      • Millie Pidgeon
    • 50Benutzerrezensionen
    • 33Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Fotos11

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    Topbesetzung20

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    Antonia Campbell-Hughes
    Antonia Campbell-Hughes
    • Natascha Kampusch
    Thure Lindhardt
    Thure Lindhardt
    • Wolfgang Priklopil
    Millie Pidgeon
    Millie Pidgeon
    • Young Natascha
    • (as Amelia Pidgeon)
    Trine Dyrholm
    Trine Dyrholm
    • Natascha's Mother
    Dearbhla Molloy
    Dearbhla Molloy
    • Wolfgang's Mother
    Roeland Wiesnekker
    Roeland Wiesnekker
    • Natascha's Father
    Ellen Schwiers
    Ellen Schwiers
    • Natascha's Grandmother
    Erni Mangold
    Erni Mangold
    • Wolfgang's Grandmother
    Sebastian Weber
    Sebastian Weber
    • Ernst Holzapfel
    Tina Grawe
    Tina Grawe
    Angelina Noa
    • Russian Woman
    Nicholas Reinke
    Thomas Loibl
    Thomas Loibl
    Henry Schindler
    Michael A. Grimm
    Michael A. Grimm
    • Policeman
    Heike Koslowski
    • Policewoman
    Ulla Geiger
    • Older Woman
    Arthur Streiling
    • Accordion Player
    • Regie
      • Sherry Hormann
    • Drehbuch
      • Ruth Toma
      • Bernd Eichinger
      • Natascha Kampusch
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen50

    6,517.7K
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    Empfohlene Bewertungen

    7Xarabe

    Underwhelming if you have read the book

    I had tracked the progress of this film from its initial stages after the release of the book to the ridiculous speculative casting; Kate Winslet and Scarlett Johansson, two actresses known for being voluptuous playing an emaciated young woman from about preadolescence to young adulthood? Yeah, right! No wonder the film took ages to get going. Unfortunately, it was also delayed because the initial director (Bernd Eichinger) passed away. Hoffman later took over the realms with Eichinger still listed as writer. This type of story was not suitable for maudlin Hollywood Oscar bait treatment and fortunately it didn't go there. It's probably a good thing it was an independent film with obscure indie actors which would help detract the potential glamorization of such a sad sad story.

    If you have read the book this film is based on, I would be surprised if you found the film equally insightful. It isn't. The film in spite of its natural limitations of time does not do enough to absorb Natascha's harrowing story. You're pretty much getting a clear-cut version of her ordeal but that's not surprising with most adaptations of real life stories, especially ones that have an important chronology as hers did. This monster robbed her of her youth, and you can't really translate that when you have a grown woman of 30 playing the young teenage version of her.

    Having said that, the acting was okay - nothing special. Hughes, to me at age 29-30 does look convincing as a younger person, not sure enough to pass for a young teenager but you will just have to suspend any disbelief. The set and locations I think are relatively well done. There are some scenes that were as I imagined them to be reading the book. The story does stretch the truth more than what Natascha herself was willing to reveal in her book but has implied outside of the book later on. The relationship between kidnapper and captive is very complex - probably not understandable to most people, thankfully. This movie does a predictably mediocre, yet mildly engaging way of portraying this type of relationship.

    To be honest, if I just watched the film without actual knowledge of the real-life events that occurred, I would have given it a lower score, but because of my personal interest in Natascha's story, I can't help but say I was interested in the film - to see a visual albeit fictitious representation of what "happened".
    6strawberryfields747

    Subject matter taboo and excellent it's been brought to light

    Some of the reviews for this film reveal the "blame the victim" mentality held by society towards victims of sex crimes. The hints of blaming the victims echo the usual excuses, that these victims in some way got what they "deserve" for not apparently fighting back, for "letting it happen", and on and on. These rationalizations are some of the worst blows to the victims and conversely one of the greatest supports of the perpetrators.

    It is necessary for films like this to be made so the myths and lies of sex slavery are viewed for what the reality is: torture, plain and simple. In one of her newspaper interviews after the film was made, Ms. Kampusch stated that the reality was far worse than the film depicted, so this glimpse into the world of sex slavery was watered down considerably.

    I also was glad that there were hints of mysterious behavior from other characters involved in the story who may or may not have been involved in what the Austrian police later publicly claimed may have been the machinations of a pedophile ring, which may have helped this perpetrator abduct and psychologically torture the victim. Too bad this statement from the Austrian police was not included in the film.
    8Reno-Rangan

    About a girl who feared the most to take chances but overcame and did it

    The movie based on the true story of Austrian woman Natascha Kampusch. At the age of ten she was abducted by an unemployed young man called Wolfgang Priklopil and kept her in a secret cellar for the 8 long years. Warning, this movie is not suitable for everyone because the movie had many disturbing, nude scenes. It was harsh true but raw for a movie and I am happy they made this.

    It's easy to find the errors on the technical aspect and the flaws of the movie but when you think of it from the girl's perspective it is totally shocking and long incident that everyone never dreamt about. So there's no point in pointing the mistakes because you are not watching it for an entertaining but to know the bitter truth, right? Natascha Kampusch was a normal young Austrian girl, she did not try any heroic endeavoring during her captivity but her bravery attempt at the end of the movie made her free from the slavery. As you see the title you will come to know almost everything about the movie even the end twist as well not complicated as one you think but when you watch the movie it tells the way it really happened.

    As a kidnapper, Wolfgang Priklopil was a smarter and sharper enough. He read the girl's character and behaviour perfectly, he tried to give her freedom within the border he marked and also tortured her to make believe she's in his command. But his overconfident led him to the disaster from his perspective. In the end, good always wins over evil.

    Antonia Campbell-Hughes was excellent as Natascha Kampusch and so the little version of her. I heard that she lost lots of weight for the role, I guess it's her best performance till now from those I have seen.

    Remember you won't watch it for enjoy the moment, it was those movies like 'Trade' and 'Garden of the Night' that will remind you about the real pervert co-existed in our society. As per me it is a must see movie but you should keep it in your mind like I said it was a little disturbing for its adult contents.

    8/10
    8serdar-134-54891

    A Very Real Film

    Repetitive? Yes, definately! Because being kidnapped for 3096 days is something repetitive. If you expect Hollywood dramatizations, no, this is not that film. This film looks very simple at the surface, but deep inside holds very good character development and feelings. Acting is superior, the small actress as Natasha surprises with her performance. Older Natasha is also acted very well. But the real star is the director, creating a simple bir very impressive movie.
    5Dorveille

    A missed opportunity

    I came to this movie having read Natascha Kampusch's book of the same name, and watched a documentary about the case.

    In it's favour the events depicted in the film are pretty accurate to how they were described in the book. Wolfgang Přiklopil's house and the cell he built are close to how they really were.

    But is authenticity enough to make this a good movie? Well, not really.

    The film feels very flat, there is very little sense of tension or drama, it's just a plodding retelling of the events.

    Thure Lindhardt and Antonia Campbell-Hughes are fine in the roles of Přiklopil and Kampusch. However, some of the other actors are less successful, and it seems as though some of their voices have been re- dubbed?

    The main problem with the film is its lack of insight. The film barely explored Kampusch's inner thoughts during the experience, the coping strategies that allowed her to endure the ordeal. And what of Přiklopil? We know nothing really about him, what drove him to do what he did? What happened to him to make him the way he was?

    The relationship that developed between Kampusch and Přiklopil was complex. She never lost sight that a crime was being committed and that she had to escape, but she also came to sympathise with him, seeing him as a damaged human being.

    Some have said this story shouldn't have been filmed. I don't agree - but I do think it needed to be handled in a different way. Kampusch's story is an extraordinary one, and it really deserved a film that could do it justice.

    If you want the full story of what happened, read the book instead.

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    Handlung

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    • Wissenswertes
      Natascha Kampusch now owns the house that Wolfgang Priklopil kept her imprisoned stating that it was a big part of her formative years and that she didn't want it destroyed or vandalised. The cellar, thought to be part of a bomb shelter built by Wolfgang's grandfather, was filled in though.
    • Patzer
      Natascha has long hair on her 18th birthday; in the next scene she has a bad "bob" haircut; in the following scene, her hair is long again. It's not even 6 months yet, and her hair went from long to short to long.
    • Zitate

      Natascha Kampusch: Why did you pick me?

      Wolfgang Priklopil: I saw your smile.

    • Verbindungen
      Featured in Natascha Kampusch - Ein Schicksal im Rampenlicht (2013)

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 28. Februar 2013 (Deutschland)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • 3096
    • Drehorte
      • München, Bayern, Deutschland
    • Produktionsfirmen
      • Constantin Film
      • ARD Degeto Film
      • Norddeutscher Rundfunk (NDR)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Weltweiter Bruttoertrag
      • 6.677.474 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 51 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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