IMDb-BEWERTUNG
3,7/10
1895
IHRE BEWERTUNG
Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.
John D. Hickman
- Will
- (Nicht genannt)
Sebastien Large
- Detective J. Martinez
- (Nicht genannt)
Don Lay
- Bar Patron
- (Nicht genannt)
Bradford Norris
- Sheriff Deputy
- (Nicht genannt)
Empfohlene Bewertungen
While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.
Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.
Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).
What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.
Sadly, only worth viewing for Dillion and Willis.
Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.
Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).
What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.
Sadly, only worth viewing for Dillion and Willis.
The script is so bad, Bruce doesn't even bother to get off the couch for his scenes. He just reads his lines, collects his check, and walks away in shame.
This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.
The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.
This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.
The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.
As I sat down to watch the 2022 action thriller "Wire Room", I must admit that I wasn't really expecting this movie to be a particular blast of a movie. Why? Well, given the recent years string of direct-to-video releases from Bruce Willis, then I didn't keep any hopes up.
However, I still opted to watch what writer Brandon Stiefer and director Matt Eskandari had to offer, on the account of "Wire Room" being a movie that I hadn't already seen. And with "Wire Room" also being the last movie to be made by Bruce Willis, of course there was an interest to see what manner of style he would wrap up his career with.
The storyline in "Wire Room", as written by Brandon Stiefer, was actually adequate enough. I mean, it wasn't the most exciting of action thrillers, but it was adequate enough for a single viewing. The storyline was pretty straight forward, if not actually generic, actually.
The acting in "Wire Room" was adequate, and especially Oliver Trevena (playing Eddie Flynn) stole the attention on the screen with his performance.
All in all, then "Wire Room" was an adequate enough movie, though you shouldn't be expecting anything over-the-top or grand here. A sort of bland farewell to acting from Bruce Willis.
My rating of "Wire Room" lands on a five out of ten stars.
However, I still opted to watch what writer Brandon Stiefer and director Matt Eskandari had to offer, on the account of "Wire Room" being a movie that I hadn't already seen. And with "Wire Room" also being the last movie to be made by Bruce Willis, of course there was an interest to see what manner of style he would wrap up his career with.
The storyline in "Wire Room", as written by Brandon Stiefer, was actually adequate enough. I mean, it wasn't the most exciting of action thrillers, but it was adequate enough for a single viewing. The storyline was pretty straight forward, if not actually generic, actually.
The acting in "Wire Room" was adequate, and especially Oliver Trevena (playing Eddie Flynn) stole the attention on the screen with his performance.
All in all, then "Wire Room" was an adequate enough movie, though you shouldn't be expecting anything over-the-top or grand here. A sort of bland farewell to acting from Bruce Willis.
My rating of "Wire Room" lands on a five out of ten stars.
I made an IMDB account just to review this movie. It is by far the absolute worst acting I have ever seen in my life. Bruce Willis put absolutely no effort into his part. Kevin Dillon doesn't play his part well. It's basically like they're reading straight off the script. Super amateur & monotone. There's honestly nothing positive to say at all. Script, acting, and camera work are so far below par I'm suprised they even released the movie after watching it. I really thought it had to be a spoof at first because of how gosh awful the acting was, but nope. Just a terrible movie all the way around. Do not waste your time.
I've seen better writing and directing from a fifth grade drama class. There were more holes in the writing than a wheel of Swiss cheese, and just as much nonsense dialogue. The same lame ariel buildings shot was used over and over, the shotgun shells were in a box of Co2 cartridges, and all these bad guys can't find one guy yelling an screaming in a small house... just some of the lazy writing and sloppy directing on display in this mess. I actually feel bad for Dillon and Willis taking these roles produced by the "another failed production" duo Emmett and Furla, who must need one huge heck of a tax write-off or involved in a pyramid scheme to get funding for all their flop productions. It's a generous 2/10 from me.
Wusstest du schon
- WissenswertesThis movie was shot in just 7 days.
- PatzerIn the safe opening scene, Kevin Dillon's pistol alternates between the slide being forward and the slide being locked back- hence, empty.
- Zitate
Eddie Flynn: You're gonna help me get out of here alive. And then I'm gonna pull a Keyser Soze, ride into the sunset.
- VerbindungenReferences Die üblichen Verdächtigen (1995)
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- Laufzeit1 Stunde 36 Minuten
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- 2.00 : 1
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