New Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diag... Alles lesenNew Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diagnostiziert wurde.New Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diagnostiziert wurde.
- Auszeichnungen
- 1 Gewinn & 10 Nominierungen insgesamt
- Stacie Andree
- (as Ellen Page)
- Toohey
- (as Anthony De Sando)
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The movie does have everything, as it goes over the life of Laurel Hester. It starts out as a police drama, as we watch Hester and her partner (on the force)Dane Wells tracked down a murderer. We see how good of a cop she is and how much that means to the community. Then it becomes a romance, as Hester meets Stacie and the two start a lovely relationship, slightly tainted by the fact Hester, a "woman in a man's field" wants and needs to keep her personal life a secret even from the work husband relationship she has with detective Wells. Than it's a political drama as Hester has no choice but to become the poster child for same sex marriage as she fights for what is owed to her and what is best for the one she loves.
Yeah, the movie is laid out perfectly, pushing all the right buttons that get liberals all worked up, and filled with note worthy dialog to try to convince the unconvinced of the cause they are presenting. They show you how the other half feels about the topic, but then they visually beat you over the head with little trivial items that show how old white men are too stubborn and set in their ways (my favorite was one of the Freeholders that would decide about the benefits is wearing a small but noticeable cross as a pin on his suit)
I feel the movie may have depended too much on their facts, and when it came to their opinion, they did a lackluster job of showing emotion. Julianne Moore is a great actress and the movie has that going for it. Ellen Page also gives a nice performance especially when she shares a scene with Moore. Micheal Shannon is a far better actor than this movie gives him credit for. I feel that they could have done more with him, but his only real acting spar was Steve Carrel, who played a Jewish lawyer that herd about the Hester case and brilliantly used it to get the point across for gay marriage.
It's a good movie, but it's only a good movie because they talk about a great topic. I would have like them to have done more with what they had and show more emotion about what's going on.
When a veteran police officer Laurel Hester is diagnosed with terminal cancer, all she wants to do is leave her pension benefits to her life partner, Stacie, so that she can afford to keep their house. Laurel is told no since they are not husband and wife. After spending a lifetime fighting for justice for other people, Laurel launches a final battle for justice for the love of her life.
The story is told in a straightforward manner. The first half of the film focuses on depicting Laurel as a dedicated police officer who dreads her colleagues finding out that she is a lesbian and as an average human being who longs for love and strives to start a family with "a house, a dog and a woman she loves". In a homophobic workplace, LGBTI people have to hide and lie since coming out of the closet makes them targets of bullying and affects their promotion. Apprehensive and timorous, Laurel can never truly be herself. The second half of the film focuses on the couple's brave but bitter fight against not only cancer, but also tradition, prejudice, ignorance and inequality, luckily and touchingly with the help of Laurel's colleague, a gay rights activist, the couple's friends and family members. Although some people criticize the first half of the film for being insipid, the director's refusal to resort to sentimentality is greatly appreciated. Instead of making a tear-jerker with clichés sugar-coating and praising effusively the greatness of homosexual love, the director creates life-like characters the audience care about and shows genuinely the love between Laurel and Stacie, which accurately echos the nature of the global fight for LGBTI rights. It can be summarized by what Laurel says in the movie – "I've never asked for special treatment. I'm only asking for equality." True love is beautiful and precious, be it heterosexual or homosexual.
Religion is a major reason why some freeholders say no to Laurel's request. In the movie, a priest reminds us that Jesus himself says nothing about homosexuality in the bible. Most of the proscriptions against homosexuality come from the Old Testament, which does mention homosexuality as an abomination, yet if one had actually read the Bible, one would have noticed that the same book of Leviticus also considers eating shellfish, or wearing clothing of two fabrics, an abomination. Some religious people blindly believe in what their churches advocate and apply double standard. Now, let's assume a particular religion is against homosexuality. Should religion and state be separate? For example, it is well known that Pope John Paul II was against artificial birth control. Should there be a law prohibiting citizens from using condoms? If Buddhists deemed it wrong to kill animals, should the government make eating meat illegal? If homosexuals cannot get married just because it goes against your religion, you cannot have cookies because I'm on diet. It seems that some pious people are not aware of a fact that marriage is a legal system which does not belong to a particular religion. While freedom of religion should be totally respected, it is unacceptable to impose religious beliefs on both the legal system and non-believers. Indeed, the overarching theme of the Bible is love. Mother Teresa is right. "If you judge people, you have no time to love them".
The ensemble cast is capable. Julianne Moore and Ellen Page are phenomenal. Their facial expressions and body language can effectively convey the characters' emotions. In the movie, we do not see the actresses. Instead, we see an ailing police officer and a car mechanic truly loving each other and fighting together against cancer and inequality. Michael Shannon also delivers a very convincing performance. His character is a "straight, white, ex-Protestant, atheist cop". The wholehearted support he has given Laurel is sincere and moving. Steve Carell, who plays the gay rights activist, adds comic relief to this knuckle-biting and heartbreaking journey. His performance in Foxcatcher is beyond compare though.
Love is love. LGBTI people "deserve to experience love fully, equally, without shame and without compromise." Like Suffragette, Freeheld is an important film that needs to be seen. Never take human rights for granted. Let's speak out against injustice courageously, in the name of love.
At first I'm gonna tell you how i found this movie. I was searching for a romance movie on internet then i found it. I bought the DVD and decided to watch it alone, because it's a Homosexual romance (first i thought it's really a gay lesbian movie ).
But it was more than that. Once upon a time i was homophobic person. I hated gays and lesbians more than i hate imaginary gods. I after realized that homosexuals are humans to. They have emotions like strait people. They love, they cry and they laugh.
This movie based on a true story and very heart touching. I cried after watching this movie. Seriously it's very cute romance with saddest images of gay community.
People, if you don't like this types of movies then don't watch. But stop saying nonsense about this. I'm from Bangladesh, a country with so much ignorance and hate. But i came to light, it's time for you to come out too.
After all, it's very emotional movie with complexity. I liked it and watched twice.
I am baffled by Juliane Moore honestly, that is the first and only thing that comes off the top of my head thinking of the film. She is so talented it is ridiculous. Because even if this is a performance that we have seen so many times before, even by Moore herself last year, she still manages to make it fu**ing interesting, new and genuine. This actress is a legend really. Right from her way of moving on screen she just lives and breathes the characters she is given and makes them so much more of what is on paper, which is also the main reason this film succeeds.
Because the film does recycle a lot. Both in ideas and style. It fits right into the streak of true story films that we have had in recent years and doesn't really emerge. It doesn't have a personal stamp, it doesn't really say anything special or new and what it says it really throws in your face without space for a more subtle or emotional narrative. As always with true story movies it gets deep into manipulating your emotions by pulling very, very easy heartstrings and doesn't make an attempt at trying to make a movie first before a recounting of the true story.
Yet, you feel that much of it, despite being standard, is truly heartfelt by the cast. Micheal Shannon is really, really good, Ellen Page doesn't always find her place on screen, but still manages to come off as the very good actress she is.
So in the end what we have is something that excites and moves in a way too conventional and seen-before way, that comes off as a pleasant experience thanks to its actors' commitment. I will never, ever watch this film again, but I will also never regret having seen it.
I worked for NYS Crime Victims Board and in death I came in contact with a lot of ordinary LGBTQ people who in death had their lives magnified far more than what they did in their lives. Such is the case with Laurel Hester who was a detective with the Ocean County Police in New Jersey. I'm not sure she was closeted, but she certainly was discreet in her male dominated work place.
Discretion went out the window when she meets Stacie Andree a much younger woman at a softball game. The two start living together and while it's not all roses, the commitment is truly there.
And then cancer strikes and what to do about whatever estate Hester might leave. This story illustrates precisely the problem that LGBTQ people had before marriage settled the issue permanently. You could in some places get a domestic partnership certificate and have the relationship recorded. But it wasn't mandated that private industry and government recognize it.
Thus was the issue of the film as the town of Freehold and its governing body would not extend survivor benefits to Ms. Andree. They were not married, but legally they could not get married. At least without a lot of agitation and organizing.
Which is where Steve Carrell as Steven Goldstein comes in, leading the same sex marriage lobbying group. The issue as he says is so neatly encapsulated in the problem that Hester and Andree face.
Two things I liked about Freeheld that make this a special film. One was the chemistry between Julianne Moore and Ellen Page as Laurel and Stacy. They made me believe the love was real.
The second was the scenes among Laurel's police colleagues with her and among themselves. The differing reactions was a sampling of straight and male America, quite nicely documented.
Freeheld is a great film showing the need for same sex marriage as few others have.
Wusstest du schon
- WissenswertesThe real Stacie Andree, Dane B. Wells and Steven Goldstein can be seen as extras in the film. Stacie can be seen wearing a black cardigan behind Elliot Page (who portrays her) in the third Freeholder meeting, sitting in the right aisle seat of the second row. Dane portrays the police officer, between two taller officers, who is handed a box of ashes. Steven can be seen in the second Freeholder meeting, seated behind Steve Carell (who portrays him), holding a red sign and seated in the aisle seat of the right side second row (the same seat that the real Andree can be seen in, later in the film).
- PatzerLaurel and Stacie first encounter each other at a volleyball game with each playing on opposite teams. Stacie serves to Laurel, whereupon Laurel's team successfully returns the ball and the game is over. However, in volleyball, only the side that is serving can score a point and they must also win by two. For the game to be over, Laurel's side would need to get the ball back to serve the winning point. The director may have decided to skip that in order to keep the story moving.
- Zitate
[From Trailer]
[about Laurel's appeal being turned down]
Steven Goldstein: This is an outrageous miscarriage of justice. Their next meeting we show up with 100 protesters.
Dane Wells: Radicals and strangers from New York aren't going to convince these guys.
Steven Goldstein: I am not a radical. I am a middle-class, Jewish homosexual from New Jersey. How about you, sweetheart?
Dane Wells: I'm a straight, white, ex-Protestant, atheist cop. You okay with that, *sweetheart*?
Steven Goldstein: I am. That is very hot.
- SoundtracksChange of Season
Written and Performed by Lindon Puffin
Courtesy of Lindon Puffin
By arrangement with Sugaroo!
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Jede Liebe ist gleich
- Drehorte
- Town of North Hempstead, Town Hall - 220 Plandome Road, Manhasset, New York, USA(Ocean County, NJ Board Room)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 546.201 $
- Eröffnungswochenende in den USA und in Kanada
- 37.983 $
- 4. Okt. 2015
- Weltweiter Bruttoertrag
- 1.447.337 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1