Im Jahr 1935 hört die 29 jährige Adaline nach einem Unfall auf zu altern. Nach vielen einsamen Jahren trifft sie einen Mann, der das ewige Leben, mit dem sie sich mittlerweile abgefunden hat... Alles lesenIm Jahr 1935 hört die 29 jährige Adaline nach einem Unfall auf zu altern. Nach vielen einsamen Jahren trifft sie einen Mann, der das ewige Leben, mit dem sie sich mittlerweile abgefunden hat, verkompliziert.Im Jahr 1935 hört die 29 jährige Adaline nach einem Unfall auf zu altern. Nach vielen einsamen Jahren trifft sie einen Mann, der das ewige Leben, mit dem sie sich mittlerweile abgefunden hat, verkompliziert.
- Auszeichnungen
- 1 Gewinn & 10 Nominierungen insgesamt
Peter J. Gray
- Clarence James Prescott
- (as Peter James Grey)
Izabel Pearce
- Flemming (Age 5)
- (as Izabel A. Pearce)
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Excellent performances, a truly poignant story. See it, you won't be disappointed.
Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.
Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.
Highly recommended.
Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.
Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.
Highly recommended.
This movie touched me personally at a number of levels, because I lived in San Francisco, "the one that got away" looked a lot like B.L. and my (very happy) marriage is like the one H.F. portrays. I found B.L. hauntingly beautiful, and this story a tapestry of feelings unfolding; especially her surrender versus flight. Her encounter with H.F. from out of her past is powerful for both characters. And I thought the resolution of her immortality was quite a pleasant surprise that made me smile after being teary-eyed most of the movie. The last few minutes of the movie are especially beautiful if you are a romantic like me. This is a sweet movie that you will really enjoy.
Already drawn to the premise of this film, I had high expectations of it, and was particularly interested in seeing Blake Lively in the lead role as a 107 year old eternally young woman. From only seeing her work in Gossip Girl, which was adequate but not particularly memorable, I was keen to see what her acting range was like. Not only did Lively impress me, but the film did also, surpassing my expectations.
The Age of Adaline is not only visually beautiful, (props to cinematographer David Lanzenberg) but the story is also. Yes, this is a romance film, but the evocative story raises questions from the viewer about life, death, and love. Michiel Huisman is great in his role as a sensitive romantic who yearns to be close to and understand Adaline - well done to the writers for creating a male romantic lead who isn't unrealistically perfect and cliché. Harrison Ford impressed me greatly, especially in his scenes with Lively, so much so that I was brought to tears through a mere look. Ellen Burstyn as Flemming provided a charming voice of reason for the protagonist. The score was also wonderfully done, making the emotional scenes all the more powerful, and the costume designer did very well in allowing the audience to fill in the time blanks without knowing the era through the narrated dates.
Overall, a beautifully crafted film with a wonderful story and powerful performances that will completely captivate the viewers.
The Age of Adaline is not only visually beautiful, (props to cinematographer David Lanzenberg) but the story is also. Yes, this is a romance film, but the evocative story raises questions from the viewer about life, death, and love. Michiel Huisman is great in his role as a sensitive romantic who yearns to be close to and understand Adaline - well done to the writers for creating a male romantic lead who isn't unrealistically perfect and cliché. Harrison Ford impressed me greatly, especially in his scenes with Lively, so much so that I was brought to tears through a mere look. Ellen Burstyn as Flemming provided a charming voice of reason for the protagonist. The score was also wonderfully done, making the emotional scenes all the more powerful, and the costume designer did very well in allowing the audience to fill in the time blanks without knowing the era through the narrated dates.
Overall, a beautifully crafted film with a wonderful story and powerful performances that will completely captivate the viewers.
As I'm the romantic type, it would be hard for me to keep being objective. I will also avoid peeling some onions to not make this any harder.
Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.
But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.
The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.
So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.
Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.
But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.
The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.
So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.
I have been looking forward to this film because of the story line. There are so many things to like about it - the flashbacks are well done and so believable. The costumes are so fun to watch. I do not think I have seen Blake Lively act before and I was clearly entranced by her performance. She carries the film so well and is so quiet and well done. I liked the actors - Michaeil Haisman is gorgeous and believable. Harrison Ford - so happy to see him in a movie again - and he is also believable as the father of Ellis. Elen Burnstyn is delightful. This story could have been presented in such a different manner - director Lee Toland Kreiger got it, and it is beautiful story-telling. I love the last scene.
WUSSTEST DU SCHON:
- WissenswertesThe story about the ships beneath San Francisco is true. Hundreds of ships were abandoned by hopeful gold miners. One fellow set up a salvage company, hauling some of them ashore and leaving some afloat to be used as storage units, boarding houses and even a jail and a church. The city needed to expand its acreage so that they could expand the harbor so they sold water lots. People would take an abandoned boat, scuttle it, and then claim the lot. To keep it they had to fill in the water by dumping rock, sand, and dirt. As it settled, much of it served to support the ships and many of the hulls were preserved largely intact. Decades later as underground utilities were being installed the ships were discovered. So far they have found some 500 of them. Much of downtown San Francisco was built on top of them,
- PatzerWhen she is pulled over near the beginning of the film, her driver's permit as a ZIP code on it, even though she was born in 1908 and the cop says she's 45, making it 1953. ZIP codes were not introduced until 1963.
- Zitate
Adaline Bowman: Tell me something I can hold on to forever and never let go.
Ellis Jones: Let go.
- SoundtracksSince I Don't Have You
Written by Jimmy Beaumont (as James Beaumont), Wally Lester (as Walter Lester), Joseph Rock, Jack Taylor (as John Taylor), Joe Verscharen (as Joseph Verscharen), and Janet Vogel
Performed by The Skyliners
Courtesy of The Bicycle Music Company
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El secreto de Adaline
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 42.629.776 $
- Eröffnungswochenende in den USA und in Kanada
- 13.203.458 $
- 26. Apr. 2015
- Weltweiter Bruttoertrag
- 65.663.276 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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