Shark Night 3D

I admit I never expected this creature feature to be a masterpiece; it's really just popcorn entertainment. This is for people who plan on leaving the real, critical world and just enjoy a nice, wild, bloody flick...with sharks. For me, I found it surprising that this flick made it to theaters so there has to be some value to the movie and, to some degree, there is.

Interestingly, the plot is rather creative: college teens go to one of their homes in a salt water lake, unknown to them that several different species of sharks are put there by some locals with sick intentions. We have some typical teen stereotypes, some of which are at least interesting while others not so much. A few of the characters are either stupid or just plain creepy (suitable for a movie like this).

What I like here is that the filmmakers use different kinds of sharks besides the usual great white. Species include hammerhead, bull, and even cookie cutter (which was a real surprise). I'm glad that they were getting creative with the use of differing creatures. The sharks are pretty scary and there are some moments that will shock you.

Unlike "Piranha 3D", Shark Night actually has a good enough plot, some amount of character development, decent back story, and some good creature moments. I guess this movie literally has a bigger bite than "Piranha 3D." While far from great, Shark Night is at least an entertaining flick, worth the watch once or twice. Wanna see some good old killer shark fun? Then check this action out. Just make sure you're not bleeding when you enter the water.

Sara (Sara Paxton) and her college friends travel to her lake house on the Louisiana Gulf for a wild weekend of beer pong, sunbathing, and death by shark. Be mindful of the PG-13 rating because, if you go into this expecting the finned version of Aja's silicon laden Piranha 3D, you'll be sorely disappointed. The most you're going to get to feast your eyes on is a brief shot of Katharine McPhee's and Alyssa Diaz's side boobs.

It's light on the carnage and heavy on the sentimental and often over-dramatic monologues. The gore is pretty watered down for the teen/tween audience. This is neither a good thing nor a bad thing - it's a boring thing. While there are quite a few deaths, the attacks are short cut scenes that end with the camera lingering over pools of red coloring dye to signify, yep, they're dead.

What's missing from this humdinger is good ol' fashioned fun. Most of its ilk celebrate the B-movie campiness with richly funny dialog, revel in the opportunity to mock its genre, or totally go off the deep end with exaggerated kills and/or gratuitous nudity. I realize Shark Night 3D wasn't made to be an in-your-face exploitation film but it's not Open Water either. It falls to the wayside because it has no guts, literally and figuratively.

About this time last year, I saw a movie called "Piranha." It was a loose remake of a 1978 cult favorite produced by Roger Corman; the sort of cheesy B-movie that was so laughably bad that it ascended to being good fun. That was, of course, the original film, not the remake, which made it onto my list of the worst movies of 2010. Now, exactly one year later, my hopes for seeing a good creature-feature on the silver screen have once again been crushed by what was, essentially, the exact same picture I saw last fall. The only difference is, now the obnoxious, hard-to-endure stick-figure characters are being munched on by big fake CGI sharks instead of big fake CGI piranhas.

But it's really the same scenario. Some brainless young adults are frolicking about on a big, freshwater lake when all of a sudden, people are being tossed about and pulled under by unseen attackers. About thirty minutes in, it's revealed (as if we didn't already know) that the lake has been infested by sharks. And not just great whites, either. No, there are hammerheads, tiger sharks, bulls, and even cookie-cutters. How are all of these oceanic species ending up in a freshwater lake? Well, the movie gives an explanation, but it's one of the most outrageously bad plot twists in recent years. And remember, I'm an aficionado on the junk monster movies that pop up on the SyFy Channel every weekend. Now, I do not go to a monster movie looking for great character study or plot logistics. I go there looking for good old-fashioned, escapist fun. Only when a B-movie becomes so incredibly empty and devoid of joy do I start nitpicking on things I might otherwise overlook until after the credits have rolled. But the writing and directing of "Shark Night" (which by the way, mostly takes place under a bright sunny sky) is so bland, so unenthusiastic, so absent-minded that it left me looking at my watch after about twenty minutes. After the first attack sequence, which starts with a predictable twist and then becomes a practical shot-for-shot knock-off from the all-more-effective opening scene in "Jaws," the only thing that ran through my mind was wondering how long it would be before Steven Spielberg and Universal decided to pitch out a lawsuit for copyright infringement.

The whole movie looks and feels very much like it was made directly for a television release, giving it a sort of schizophrenic, out-of-place feeling. The fact that the performances are beneath comment does not help any, since they are on screen far more often than the cartoony, computer-generated sharks who can twist their necks as flexibly as a human arm and snarl like lions. In addition, there is the other big problem that I also had with "Piranha": dopey exploitation. The movie's far more interested in ogling at the hindquarters and torsos of partially-naked models-turned-'actors' than it is in developing plausible attack scenarios or engaging the audience in the way only a good B-movie can.

Well, at least there weren't any underwater lesbian scenes this time. No chewed up, sex organs either. Thank heaven.

If the writers had realized that they were making a movie for the big screen and not for television, "Shark Night" might have proved to be a solid, lighthearted matinée. Instead, it fails to recognize what it ought to have been and pretends to be a grade-A exploitation flick, falling flat from the beginning. In regards to its 3D: it's thoroughly unimpressive. Granted, I am not the biggest fan of 3D; I think it's a cheap, unengaging gimmick. But half the time, you wouldn't know this were a 3D movie if it weren't for the bulky glasses sitting on your nose. It's still murky and nothing jumps out from the screen except for a few pieces from a motorboat and some seaweeds. Not scary, not entertaining, not even remotely interesting, "Shark Night" was one of the more unhappy times I've had at the movies.

It seems like the only folks who can still produce good monster flicks are the Japanese. Their contemporary rubber monsters smashing miniature Tokyos and Osakas are far more interesting than any monster mayhem I've seen on the big screen in a long while.

Seven young and pretty undergraduates head to a secluded lakeside cottage in Louisiana to take a load off and enjoy a wild and crazy weekend away. But things take a turn for the worst when a member of the group is attacked by a shark. Isolated with no cell service and no help in sight, the group quickly realizes they are on their own, but the water around them is not safe.

I wanted Shark Night 3D to be as fun as Piranha 3D was last year. Despite the PG-13 rating, I held onto a desperate hope that it would somehow manage to live up to that level of gleeful insanity and absolutely ridiculous trashiness. I knew deep down it would never be anywhere near comparable, but everything about the film suggested it would be an enjoyable ride.

Sadly, this is not the case.

Instead of getting a ridiculous movie about sharks mauling pretty 20- somethings that embraces the sheer silliness of the very idea, we get a deadly serious, high-concept slasher film that seems to have no concept of what fun is. Sure we get the typical horror movie wise ass quips sprinkled here and there, and some rather intriguing reasoning as to why the attacks are occurring. But in-between these moments, we get stilted dialogue, wooden performances, characters with next to no dimensionality whatsoever, and just about nothing else. Despite it being 2011, the film feels like it belongs to a different era – one where it has not realized how outrageous and frivolous the genre has become. It offers nothing new by way of ideas or story, and somehow thinks an ode to Jaws at the beginning of the film is appropriate. I initially wanted to criticize Shark Night for cribbing from Piranha. But in watching the film, it is obvious they learned absolutely nothing from Alexandre Aja and his crew.

But while the bad story and worse acting are to be expected, what is really disappointing is just how much of a grand tease the whole movie is. The rating may be a contributing factor, but the only thing it seems to cut out is gratuitous nudity. The T and A is still plentiful, and the film is actually surprisingly graphic in some instances. But the majority of deaths, the best part of any slasher film, are merely hinted at. We see characters get pulled underwater, and just when you think we will see their grisly end, the film inexplicably cuts to the next scene. Hell, we do not even get the obligatory shot confirming that a character did indeed die. How do we know they did not manage to fight off the shark and survive to fight another day? And since there are about ten people in the entire cast, most of which meet an untimely end, that is a whole lot of teasing and not a lot of pay off. I can only think of one that is explicitly shown, and even that seemed like it was pushing it based on what happens during the rest of the film. It is all very arbitrary, but it seems like a rather obscene faux pas on the part of the filmmakers.

Remember how comically bad and exaggerated the piranha looked in Piranha 3D? Somehow, the sharks in Shark Night 3D look even worse. There is nothing realistic about them. They look more cartoonish than anything, standing out as not even attempting to look like they belong in any of the scenes. They make memories of the shark from Jaws appear more frighteningly authentic than I thought possible. But this is only when the sharks are swimming around underwater, looking menacing and hungry . When they actually interact with the characters, they look absolutely absurd and preposterous. A shot involving a shark leaping out of the water to attack one of the characters as he zips by on a jet-ski looks even worse than those ludicrously awful effects you may have seen from Shark Attack 3: Megalodon. They may actually qualify for some of the worst effects in the past decade. Surely the special effects team realized they were working on an actual movie with a budget, and not some straight-to-DVD Asylum knockoff. So what could possibly be there excuse for such a terrible job?

I think the only thing I remotely enjoyed was how impressive the underwater shots looked in 3D. They were clearly shot with the format in mind, and look absolutely stunning even with a fake shark in the background. They frequently took me entirely out of the film, as they look like they belong in a significantly better project. The shots are just so tranquil and so beautiful that they may make you forget what an awful movie you are sitting through. With the exception of an over-the- top explosion, this is just about the only thing that sizzles in 3D. There are no other elements that even attempt to take advantage of the format.

When I tell you that Shark Night 3D is one of the worst films of the year, with next to no redeeming qualities, you better believe I am not lying. I was hoping it would be somewhat fun, but instead it was one of the most annoying and agonizing films I have ever put myself through. The film is too serious to be enjoyable, and fails to deliver in almost every respect. The filmmakers and cast should be ashamed of themselves. When the credits rolled, I could not leave the theatre fast enough because I was ashamed to have actually watched it. Apparently there is a rap music video after the credits conclude, featuring the entire cast. Somehow, I still do not think this could make up for the travesty you have to put yourself through to get to it.

3/10.

(An extended review also appeared on http://www.geekspeakmagazine.com).

This movie is just as irresponsible as the horrible "torture porn" seen in recent years. In this movie, we are still subjected to the most malevolent of human behavior, but they use sharks instead of saws, cages and bondage. And make damn sure we mutilate young adults while they are barely dressed so we can become aroused by the beauty of the human body and then become horrified at the dismemberment. It never ceases to amaze me what incredibly horrific visions today's young filmmakers can dream up. Even more pathetic, someone is paying them to do it. When the audience finally says "no I won't watch this tasteless, senseless waste of talent and money," perhaps they will stop making it.

Not likely, unfortunately.