Eine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Ros... Alles lesenEine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Rosie Larsen im Kofferraum eines versenkten Autos gefunden wurde.Eine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Rosie Larsen im Kofferraum eines versenkten Autos gefunden wurde.
- Für 6 Primetime Emmys nominiert
- 3 Gewinne & 48 Nominierungen insgesamt
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When I was twenty-four, I was the foreman for the jury of a murder trial. There was plenty of evidence, including eye witness testimony, that indicated the young man's guilt. After two days of deliberations and endless discussions, we voted to convict. On our way out of the courtroom, I remember distinctly the high spirits we were all in. We had done our job as citizens. We had helped take a bad man off the streets. We helped get justice for a murdered individual. There were a lot of smiles and handshakes and back-pats. Then on the way out we passed the convicted man's eight-month-along pregnant wife. She was sitting, alone, on a bench outside the courtroom, sobbing. The implications of our decision for her and that unborn child hit me all at once as we passed. I wasn't smiling anymore; none of us were. The thing is, I still believe we did the right thing. It was our job to vote on the evidence and that's what we did. But even so, I'd be lying if I said I slept soundly that night.
The reason I mention that long-winded story is to illustrate a point. Real life is messy. Even when we make what we truly believe are the "right" decisions we don't always feel all that good about them. Sometimes to do what we think is right we end up hurting, albeit unintentionally, someone else. Even worse, sometimes we hurt someone doing what we think is right and then find out later that we were wrong. And that, as Aristotle would say, just plain sucks.
But it is the imperfect, wonderful world we all live in. Which brings me to AMC's fantastic 'The Killing'. A Danish import, 'Killing' follows the murder investigation of young woman in Seattle, Washington. The story is told in thirteen 1 hour episodes through the perspectives of the people whose lives are impacted by the murder and subsequent investigation, with special emphasis on lead investigator Sarah Linden (played picture-perfect by Mireille Enos). Amazingly, despite a fairly large cast, there is nary a flat character to be found. All the players are fleshed out, fully realized people with deep complexity and back-story. This allows the show to rise above a simple whodunit police procedural and really delve into just what a murder means to the people in the victim's life. It is alternately dark and gritty, inspirational, and heart breaking to watch these people cope with the loss and fear that surrounds this girls murder.
And that brings me back to my original point. The reason I love this show so much is because, unlike the many many many police procedurals out there, it is no fairy tale with all the bad guys punished and good guys victorious. It makes you wallow in the mud with the characters, encouraging you to feel all the frustration and confusion that they feel. It makes you want what they want, only to remind you that even good people and good decisions have consequences that are far less than ideal. This is the kind of show that you think about after it's over, asking yourself if you would have done this or that differently. But that deeply unsettled feeling you get is the digestive price you pay for such a rich, not-written-for-kids storyline, and is so worth it. There is really nothing quite like it on TV right now; I highly recommend it.
The reason I mention that long-winded story is to illustrate a point. Real life is messy. Even when we make what we truly believe are the "right" decisions we don't always feel all that good about them. Sometimes to do what we think is right we end up hurting, albeit unintentionally, someone else. Even worse, sometimes we hurt someone doing what we think is right and then find out later that we were wrong. And that, as Aristotle would say, just plain sucks.
But it is the imperfect, wonderful world we all live in. Which brings me to AMC's fantastic 'The Killing'. A Danish import, 'Killing' follows the murder investigation of young woman in Seattle, Washington. The story is told in thirteen 1 hour episodes through the perspectives of the people whose lives are impacted by the murder and subsequent investigation, with special emphasis on lead investigator Sarah Linden (played picture-perfect by Mireille Enos). Amazingly, despite a fairly large cast, there is nary a flat character to be found. All the players are fleshed out, fully realized people with deep complexity and back-story. This allows the show to rise above a simple whodunit police procedural and really delve into just what a murder means to the people in the victim's life. It is alternately dark and gritty, inspirational, and heart breaking to watch these people cope with the loss and fear that surrounds this girls murder.
And that brings me back to my original point. The reason I love this show so much is because, unlike the many many many police procedurals out there, it is no fairy tale with all the bad guys punished and good guys victorious. It makes you wallow in the mud with the characters, encouraging you to feel all the frustration and confusion that they feel. It makes you want what they want, only to remind you that even good people and good decisions have consequences that are far less than ideal. This is the kind of show that you think about after it's over, asking yourself if you would have done this or that differently. But that deeply unsettled feeling you get is the digestive price you pay for such a rich, not-written-for-kids storyline, and is so worth it. There is really nothing quite like it on TV right now; I highly recommend it.
I love a good whodunit series and this one was excellent; kept me guessing at every twist and turn and there was a lot of both. This drama pulled me in and didn't let go until the last scene which had me holding my breath. Story lines were gritty and not over-the-top. The acting in this thing was old-school good like when directors gave a damn about their craft. The two lead characters were extremely well developed; I always knew who they were and Kinnaman and Enos played off of each other like two virtuosos, stuff was really magic. Seasons 3 and 4 were the best two for my money but seasons 1 and 2 made me stick around for the latter two. I fancy myself a film snob, I'll give films 15 or 20 minutes before I'm bored and surfing for something else. If I watch an entire episode maybe there's something there, I stuck around for all 4 seasons and had withdrawl symptoms when it ended. I can almost promise you that you will never guess whodunit.
I had to watch this twice, the two hour premiere that is. I think what struck me most was the calm and slow storytelling. When TV is drowning in unrealistic CSI's et al (where investigators cook up fingerprints to techno music in dimly lit rooms), every time we pass a CSI on channel surfing my husband always says 'don't they ever turn on the freakin lights in that office?' and we both laugh.
This is police work as it really is, plodding, unexciting, procedural, a lot of driving, mixed with a bit of clever intuition, slammin good.
Every character is a suspect, the story can go anywhere, so promising.
If anyone was worried about the state of the serialized TV drama going too far down the f-word/porn route, all arguments that only subscription HBO or Showtime dramas were good bc they used nudity or cursing bc 'that's how real life is'...this is yet another AMC show that shuts them all up. Don't get me wrong, I love my Trueblood and huge fan of Sopranos et al, but this show isn't a 'guilty pleasure', its just a pleasure.
This is police work as it really is, plodding, unexciting, procedural, a lot of driving, mixed with a bit of clever intuition, slammin good.
Every character is a suspect, the story can go anywhere, so promising.
If anyone was worried about the state of the serialized TV drama going too far down the f-word/porn route, all arguments that only subscription HBO or Showtime dramas were good bc they used nudity or cursing bc 'that's how real life is'...this is yet another AMC show that shuts them all up. Don't get me wrong, I love my Trueblood and huge fan of Sopranos et al, but this show isn't a 'guilty pleasure', its just a pleasure.
I am not someone who typically watches a lot of the new crime investigation shows, most of them are very similar and repetitious however The Killing was really able to catch and keep my attention from the very beginning. I think a lot of it has to do with the fact this show doesn't jam one case into a 1 hour episode with little to no character development. The Killing focuses on one complex murder case per season with many surprising twists and turns that will have you continuously asking who did it?
Joel Kinnaman plays a very likable, colorful detective who is somewhat new to his life of sobriety. Due to his past drug use he has a very keen eye to what goes on in the streets which has allowed him to become very good good at his job and a very useful player on the Seattle police department, he also has some of the funniest one liners that he deliver without coming of corny. Mireille Enos is his partner who also at times is haunted by her past and when initially watching this show her amazing acting really stood out, she was a great pick and fits the role perfectly.
The 1st season was a breath of fresh air in the crime drama genre, the second season was tasked with a sub par storyline, but season 3 I must say has had the best start of the whole series that has me counting down the days till the next show. I highly recommend The Killing and after almost being canceled I hope this show finally gets the views it deserves!
Joel Kinnaman plays a very likable, colorful detective who is somewhat new to his life of sobriety. Due to his past drug use he has a very keen eye to what goes on in the streets which has allowed him to become very good good at his job and a very useful player on the Seattle police department, he also has some of the funniest one liners that he deliver without coming of corny. Mireille Enos is his partner who also at times is haunted by her past and when initially watching this show her amazing acting really stood out, she was a great pick and fits the role perfectly.
The 1st season was a breath of fresh air in the crime drama genre, the second season was tasked with a sub par storyline, but season 3 I must say has had the best start of the whole series that has me counting down the days till the next show. I highly recommend The Killing and after almost being canceled I hope this show finally gets the views it deserves!
10iashaik
I am writing this after the first season finale, and I came to this without expecting much and what a shocking pleasant surprise it was and absolute gem of a thriller.
I rarely give a rating of 10, there would always be some part that would be missing and something goes wrong in any department, nothing ever went wrong with this.
The whole first season is one murder case, so you can expect some slow pace, and slow pace doesn't always mean a drag, and "The Killing" is the best example for that, the pace is deliberately set to slow, to let all emotions, settings to sink in, the show gives you very subtle clues and you would swear that know who killed "Rosie Larsen" and think it is your idea, which is most often first proved right then wrong :) The acting, direction, screenplay, music a absolute top notch, a lessen that other crime thrillers (CSI, Criminal Minds, Suspect Behavior et. al.) should take a note of this epic of a thriller.
If you haven't watch it yet you are missing an epic.
I rarely give a rating of 10, there would always be some part that would be missing and something goes wrong in any department, nothing ever went wrong with this.
The whole first season is one murder case, so you can expect some slow pace, and slow pace doesn't always mean a drag, and "The Killing" is the best example for that, the pace is deliberately set to slow, to let all emotions, settings to sink in, the show gives you very subtle clues and you would swear that know who killed "Rosie Larsen" and think it is your idea, which is most often first proved right then wrong :) The acting, direction, screenplay, music a absolute top notch, a lessen that other crime thrillers (CSI, Criminal Minds, Suspect Behavior et. al.) should take a note of this epic of a thriller.
If you haven't watch it yet you are missing an epic.
Wusstest du schon
- WissenswertesThe series has gained notoriety for being canceled on two occasions only for the show to be revived. The show was initially canceled by AMC in 2012 after its second season but was renewed later in the year due to a strong pitch from creator Veena Sud. After its third season in 2013 the series was canceled yet again by AMC and was nonetheless later revived by Netflix who ordered a fourth and final season.
- VerbindungenFeatured in The Wright Stuff: Folge #15.60 (2011)
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