IMDb-BEWERTUNG
6,5/10
51.758
IHRE BEWERTUNG
Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
Terrence Jenkins
- Michael
- (as Terrence J)
Empfohlene Bewertungen
I'm proud of this film's success. Will Packer and Rainforest work hard and they deserve it. But this film is weak on so many levels. Being based on a "self-help" book, this screenplay was crammed with nothing but on-the-nose dialogue that left me bored and fidgety for the most part. Outside of Kevin Hart, there wasn't a single thing funny about this film. Okay, maybe once or twice I laughed but one time it was at something I don't think was meant to be funny (actor Romany Malco singing with his guitar). You can't call a film a comedy where only one character was remotely, or should I say barely humorous. I found more humor in dramas like American Beauty, City Lights, and The Graduate.
This film seemed to just flat-line from beginning to end. When I say flat, I mean literally flat. Nothing happened until the guy-meets-girl moments, and that took a while to get to. Once the relationships started, the weak conflicts seemed to be limited to the superficiality of Steve Harvey's best selling book. No inner conflicts, not even conflict on the extra-personal level.
I could've done without most of the characters which can read like a list of players on a football team. They had no purpose and added nothing to the telling, like the married guy amongst them, Bennett played by Gary Owen. I know a lot of people loved this film. But can anyone seriously say they got to know any of the characters? Also, I had a hard time buying most of the relationships. The worst of them all had to be Jerry Ferrara with Gabrielle Union. It was like having to suspend your disbelief watching them together and that didn't even work for me. I didn't believe they even knew each, let alone them being in a 13 year relationship. At a glance, I would faster believe Union was Ferrara's babysitter or nanny, not her man. It was one big spoof to me.
The next absurd relationship was Regina Hall and the guy from 106 and Park, Terrence Jenkins. I didn't believe he and Hall went to high school at the same time. In fact, she could've passed for his mother as well.
Taraji Henson's relationship with Michael Ealy was also hard to stomach, as I had trouble believing a woman with her success in business wouldn't question Ealy's facade.
I liked the relationship between Meagan Good and Romany Malco but it was so contrived, like everything else about this film.
And the next black film made showing black friends discussing their relationships while trying to play basketball should have little-tree car re-fresheners hanging from theater ceilings for the sake of audiences. Why? Because such expository scenes are a load of steaming crap. Guys don't stand around on the court discussing such things, or play ball while having those kinds of conversations. I know they did it in The Brothers (2001) and it was b.s. then as it still is now.
The telling had no direction, no point-of-view. It could've been anyone or anything's story at any given time, which left me confused and disengaged. I was waiting for the fire hydrant's storyline eventually.
I really wanted to like it, but I couldn't. In the end, I was dissatisfied and utterly annoyed.
This film seemed to just flat-line from beginning to end. When I say flat, I mean literally flat. Nothing happened until the guy-meets-girl moments, and that took a while to get to. Once the relationships started, the weak conflicts seemed to be limited to the superficiality of Steve Harvey's best selling book. No inner conflicts, not even conflict on the extra-personal level.
I could've done without most of the characters which can read like a list of players on a football team. They had no purpose and added nothing to the telling, like the married guy amongst them, Bennett played by Gary Owen. I know a lot of people loved this film. But can anyone seriously say they got to know any of the characters? Also, I had a hard time buying most of the relationships. The worst of them all had to be Jerry Ferrara with Gabrielle Union. It was like having to suspend your disbelief watching them together and that didn't even work for me. I didn't believe they even knew each, let alone them being in a 13 year relationship. At a glance, I would faster believe Union was Ferrara's babysitter or nanny, not her man. It was one big spoof to me.
The next absurd relationship was Regina Hall and the guy from 106 and Park, Terrence Jenkins. I didn't believe he and Hall went to high school at the same time. In fact, she could've passed for his mother as well.
Taraji Henson's relationship with Michael Ealy was also hard to stomach, as I had trouble believing a woman with her success in business wouldn't question Ealy's facade.
I liked the relationship between Meagan Good and Romany Malco but it was so contrived, like everything else about this film.
And the next black film made showing black friends discussing their relationships while trying to play basketball should have little-tree car re-fresheners hanging from theater ceilings for the sake of audiences. Why? Because such expository scenes are a load of steaming crap. Guys don't stand around on the court discussing such things, or play ball while having those kinds of conversations. I know they did it in The Brothers (2001) and it was b.s. then as it still is now.
The telling had no direction, no point-of-view. It could've been anyone or anything's story at any given time, which left me confused and disengaged. I was waiting for the fire hydrant's storyline eventually.
I really wanted to like it, but I couldn't. In the end, I was dissatisfied and utterly annoyed.
Friend of mine referred me to this movie to go see with my girl. I saw the rating on IMDb and was hesitant. However, he insisted, so I went for it.
The movie is funny as hell. It may run for two hours but for me and my girl it passed by quickly; there's always something going on keeping you interested or making you laugh.
I don't need to write a detailed review. If you're hesitant, don't be...it's worth it!
PS I'd really give this movie an 8, but I feel like the current rating is way too low.
Another PS: I'm not black!
The movie is funny as hell. It may run for two hours but for me and my girl it passed by quickly; there's always something going on keeping you interested or making you laugh.
I don't need to write a detailed review. If you're hesitant, don't be...it's worth it!
PS I'd really give this movie an 8, but I feel like the current rating is way too low.
Another PS: I'm not black!
10bynari-1
Don't be put off by the low ratings. So far the movie has only been rated 6700 times which isn't really enough for it to shadow the minority ratings.
I suspect there's been a lot of men who aren't into these types of movies that have been forced to watch it with their girlfriends and have then given it low ratings because it definitely leans towards being more of a soppy romantic comedy than a gritty one.
It's definitely not a 'fairy-tale soppy romantic' movie by any means. I would class it as having a realistic amount of soppyness which is what makes it good.
The main cast are pretty diverse in their personalities so most people will be able to relate to someone in the movie, but even if you can't it's got enough comedy/fun in it to keep you entertained.
I think racially this movie is fantastic and it makes a lot of very positive statements. We have a mostly black cast with a very middle class Friends(TV series)'ish feel to them with 2 white guys in the group, 1 of whom has a black girlfriend.
There's a couple of light racially inspired jokes at the expense of one of the white guys in the group which further emphasises that race just isn't and shouldn't be a serious issue in the group.
It's really nice to see a movie like this with a nice intelligent middle-class group of African Americans. Too many movies focus on the gangster element of African American culture these days, so I think this is a really positive and refreshing movie.
I definitely recommend it to everyone except those who are put off by a bit of soppy romance.
I suspect there's been a lot of men who aren't into these types of movies that have been forced to watch it with their girlfriends and have then given it low ratings because it definitely leans towards being more of a soppy romantic comedy than a gritty one.
It's definitely not a 'fairy-tale soppy romantic' movie by any means. I would class it as having a realistic amount of soppyness which is what makes it good.
The main cast are pretty diverse in their personalities so most people will be able to relate to someone in the movie, but even if you can't it's got enough comedy/fun in it to keep you entertained.
I think racially this movie is fantastic and it makes a lot of very positive statements. We have a mostly black cast with a very middle class Friends(TV series)'ish feel to them with 2 white guys in the group, 1 of whom has a black girlfriend.
There's a couple of light racially inspired jokes at the expense of one of the white guys in the group which further emphasises that race just isn't and shouldn't be a serious issue in the group.
It's really nice to see a movie like this with a nice intelligent middle-class group of African Americans. Too many movies focus on the gangster element of African American culture these days, so I think this is a really positive and refreshing movie.
I definitely recommend it to everyone except those who are put off by a bit of soppy romance.
Men and women have been trying to go beyond the "hook up" and create a long lasting bond since the days of Adam and Eve. Now comes another spin to the web woman can weave to catch a "good"man. Based on Steve Havey's bestselling book Act Like A Lady, Think Like A Man, the movie Think Like a Man puts these words into action. It seeks to set the record straight on the type of men out there: the player, the mama's boy, the dreamer, the non-committal, the divorce guy, and the married man. In this tale a group of guys are on the prowl and each seeks to find someone. While the women are ready for the hunt but are armed with the shield from "the book". It's cute, whimsical, and hard hitting as these couples find out that love cannot be found with a road map or formula, but has to be an odyssey of vulnerability and self discover. A good movie, but should be not be a date movie, because it already adds to the pressure to the typical high first date "standards".
As a single guy, it also adds to the complexity of trying to fit the ideal mold of the perfect man. I am way beyond perfect and hence my relationship status is best described as "complicated". That really is what sums relations between men and women.
As a single guy, it also adds to the complexity of trying to fit the ideal mold of the perfect man. I am way beyond perfect and hence my relationship status is best described as "complicated". That really is what sums relations between men and women.
Based off the Steve Harvey bestseller, the film "Think Like A Man"opens with the legendary sound of James Brown singing "It's A Mans World". Anyone familiar with the song knows the true message of the song is in the lyrics; "but it wouldn't be nothing, nothing without a woman or a girl".
That song choice serves as a perfect theme for this conventional romantic comedy that chronicles the timeless war of the sexes. Now I realize that the description "conventional" may come across as negative but that's not my intention entirely. I mean conventional as in "not a Madea" movie. This quality film falls more in line with Hollywood's traditional romantic comedy formula rather than Tyler Perry's "play adapted for film" approach to movie making. There are plenty of laughs interspersed through out romantic conflicts that are resolved without any significant twists or surprises.
The plot revolves around the love lives and relationships of six male friends who fall into very specific roles; the player, the mamas boy, the dreamer, the non-commiter, the happily married man and the happy divorcée.
For the most part these guys are blissfully ignorant of the dissatisfaction that the significant others in their lives silently suffer through.
That is until the women discover and read Steve Harvey's book "Think Like A Man, Act Like A Woman". Acting on the advice of the book, the women manipulate the men into becoming the type of man they each want and getting the relationships they desire. So can the "player" be tamed by the girl who keeps her "cookie" on lock down for at least 90 days? Can the single mom get the "mama's boy" to cut the emotional umbilical cord he shares with his overbearing, over nurturing mother (played pitch perfect by Jennifer Lewis)? And what happens when the fellas realize that they've been "betrayed" by Steve Harvey and then use the book against the ladies like a sports team with knowledge of the opposing teams plays.
Although the majority of the cast is Black, the story (due to Steve Harvey's source material) and the comedy (thanks mostly to Kevin Hart) is broad enough to appeal to almost all audiences unlike some of Tyler Perry's movies which tend to cater specifically to Black women.
Every actor and actress does an adequate job in their various roles and move the film easily from scene to scene. There are plenty of cameos that make the film fun but Kevin Hart deserves special recognition because he absolutely shines! He redefines the term "scene stealer" by being the most enjoyable character every time he appears on screen.
Although many people will consider this a Black romantic comedy, this film is really too strong to be pigeonholed into that genre. But if you must classify it as such, then know that this movie breaks Tyler Perry's stronghold and breaks out of the Madea mold of what Black entertainment is.
That song choice serves as a perfect theme for this conventional romantic comedy that chronicles the timeless war of the sexes. Now I realize that the description "conventional" may come across as negative but that's not my intention entirely. I mean conventional as in "not a Madea" movie. This quality film falls more in line with Hollywood's traditional romantic comedy formula rather than Tyler Perry's "play adapted for film" approach to movie making. There are plenty of laughs interspersed through out romantic conflicts that are resolved without any significant twists or surprises.
The plot revolves around the love lives and relationships of six male friends who fall into very specific roles; the player, the mamas boy, the dreamer, the non-commiter, the happily married man and the happy divorcée.
For the most part these guys are blissfully ignorant of the dissatisfaction that the significant others in their lives silently suffer through.
That is until the women discover and read Steve Harvey's book "Think Like A Man, Act Like A Woman". Acting on the advice of the book, the women manipulate the men into becoming the type of man they each want and getting the relationships they desire. So can the "player" be tamed by the girl who keeps her "cookie" on lock down for at least 90 days? Can the single mom get the "mama's boy" to cut the emotional umbilical cord he shares with his overbearing, over nurturing mother (played pitch perfect by Jennifer Lewis)? And what happens when the fellas realize that they've been "betrayed" by Steve Harvey and then use the book against the ladies like a sports team with knowledge of the opposing teams plays.
Although the majority of the cast is Black, the story (due to Steve Harvey's source material) and the comedy (thanks mostly to Kevin Hart) is broad enough to appeal to almost all audiences unlike some of Tyler Perry's movies which tend to cater specifically to Black women.
Every actor and actress does an adequate job in their various roles and move the film easily from scene to scene. There are plenty of cameos that make the film fun but Kevin Hart deserves special recognition because he absolutely shines! He redefines the term "scene stealer" by being the most enjoyable character every time he appears on screen.
Although many people will consider this a Black romantic comedy, this film is really too strong to be pigeonholed into that genre. But if you must classify it as such, then know that this movie breaks Tyler Perry's stronghold and breaks out of the Madea mold of what Black entertainment is.
Wusstest du schon
- WissenswertesWhen Dominic (Michael Ealy) talks to the guys about the movie For Colored Girls - Die Tränen des Regenbogens (2010), he says the psycho drops his kids out of the window. Ealy played the character who did just that in the movie.
- PatzerCandace answers Michael's phone, "Michael Atwater's phone". His last name is Hanover.
- Crazy CreditsThe screen gems logo transitions into the rain forest films logo, which transitions into the opening credits of the movie.
- VerbindungenFeatured in John Legend Feat. Ludacris: Tonight (Best You Ever Had) (2012)
- SoundtracksIt's A Man's, Man's, Man's World
Written by James Brown and Betty Newsome
Performed by James Brown
Courtesy of Universal Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Piensa como hombre
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 91.547.205 $
- Eröffnungswochenende in den USA und in Kanada
- 33.636.303 $
- 22. Apr. 2012
- Weltweiter Bruttoertrag
- 96.070.507 $
- Laufzeit2 Stunden 3 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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