Bei einem Familienessen bricht das Chaos aus, als der Plan eines Vaters, sich für das neue Euthanasieprogramm der Regierung zu melden, das im Zuge eines Umweltkollapses 20% der Bevölerung ab... Alles lesenBei einem Familienessen bricht das Chaos aus, als der Plan eines Vaters, sich für das neue Euthanasieprogramm der Regierung zu melden, das im Zuge eines Umweltkollapses 20% der Bevölerung abschaffen soll, auf schreckliche Weise schiefgeht.Bei einem Familienessen bricht das Chaos aus, als der Plan eines Vaters, sich für das neue Euthanasieprogramm der Regierung zu melden, das im Zuge eines Umweltkollapses 20% der Bevölerung abschaffen soll, auf schreckliche Weise schiefgeht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Nominierungen insgesamt
Lisa Berry
- Newscaster
- (Synchronisation)
David Cronenberg
- D.O.C.S. Commercials Narrator
- (Synchronisation)
Colm Feore
- Secretary-General of the U.N.
- (Synchronisation)
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After stumbling upon many negative reviews around here, I felt compelled to share my thoughts with my first review. This film doesn't quite hit the lows that many claim, nor does it reach the heights promised by its premise.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
So I won't go into a movie summary since IMDb already does a pretty good job of doing that. It is watchable, but kind of slow to get started. The acting is very average for all involved except for the two main character husband and wife...they of course are quite seasoned. The soundtrack, yea that is really lacking. And actually takes away from many scenes while always playing softly in the background. But where this film is actually quite strong is the cinematography. Whoever the cinematographer was for the movie knew his business. Not a single shakey-cam anywhere. They set up the scenes and and shots it all really well. That is something so new. Typically it is annoying shakey-cam and high school level film class shots. So it's worth a watch.
The concept of this movie is pretty good, government needs to reduce population so pays people to be euthanised. Rich guy invites family round to tell them he's enlisted to do this. All kinda makes sense and can go along with the general idea.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
A chilling social commentary disguised as a family thriller. Set against the backdrop of an environmentally ravaged Earth, the film throws us into the heart of a wealthy family grappling with a government-sanctioned euthanasia program to curb overpopulation.
We follow the story of Peter, a once-celebrated news anchor now facing the prospect of entering the program. As his family grapples with this dark reality, cracks begin to show in the seemingly "humane" facade.
The film masterfully builds tension through a combination of social commentary and psychological horror. The luxurious homes of the privileged stand in stark contrast to the desperation of those on the outside. The ever-present threat of "Humane" hangs heavy, casting a shadow of doubt on every interaction.
"Humane" isn't afraid to get its hands dirty. The story takes some truly disturbing turns, highlighting the potential for social control and the lengths some will go to in a desperate situation. The parallels to "The Purge" are undeniable, but "Humane" feels more insidious, a slow-burning descent into a society where "culling" becomes normalized.
While the film might not offer easy answers, it provokes thought-provoking questions about resource allocation, euthanasia, and the ethics of survival in a world on the brink and how some enjoy the chaos as it plays out.
We follow the story of Peter, a once-celebrated news anchor now facing the prospect of entering the program. As his family grapples with this dark reality, cracks begin to show in the seemingly "humane" facade.
The film masterfully builds tension through a combination of social commentary and psychological horror. The luxurious homes of the privileged stand in stark contrast to the desperation of those on the outside. The ever-present threat of "Humane" hangs heavy, casting a shadow of doubt on every interaction.
"Humane" isn't afraid to get its hands dirty. The story takes some truly disturbing turns, highlighting the potential for social control and the lengths some will go to in a desperate situation. The parallels to "The Purge" are undeniable, but "Humane" feels more insidious, a slow-burning descent into a society where "culling" becomes normalized.
While the film might not offer easy answers, it provokes thought-provoking questions about resource allocation, euthanasia, and the ethics of survival in a world on the brink and how some enjoy the chaos as it plays out.
I watched Humane. I liked the idea. And the movie kept my interest. But I just couldn't really believe it.
If D. O. C. S. did all that, (by "all that," I mean details that would spoil the movie if I were to write them,) and any family knew about it, that information would spread like wildfire. It wouldn't have been a big surprise to the family.
The end was cheesy AF. Not believable at all.
I disliked the politics of the film also. It would have been way more believable to have the World Health Organization doing all of it, rather than a single political party.
There are numerous other things that just didn't add up in it also.
Buuuuut... it held my interest. And the CONCEPT of the film was very original and intriguing, which is way more than I can say for the other movies coming out nowadays. The movie was good, but it could have been great with just a bit more thought put into it.
If D. O. C. S. did all that, (by "all that," I mean details that would spoil the movie if I were to write them,) and any family knew about it, that information would spread like wildfire. It wouldn't have been a big surprise to the family.
The end was cheesy AF. Not believable at all.
I disliked the politics of the film also. It would have been way more believable to have the World Health Organization doing all of it, rather than a single political party.
There are numerous other things that just didn't add up in it also.
Buuuuut... it held my interest. And the CONCEPT of the film was very original and intriguing, which is way more than I can say for the other movies coming out nowadays. The movie was good, but it could have been great with just a bit more thought put into it.
Wusstest du schon
- WissenswertesBob's Instagram account, @whataboutbob42 is real. In the movie, he talks about a photo from when he only had 4 unpopped popcorn kernels in a bag. That photo is there, and is interestingly dated at March 20th, 2021, more than three years before the film's release.
- VerbindungenReferenced in Film Junk Podcast: Episode 941: Challengers + 3 Body Problem (2024)
- SoundtracksPrelude in D flat major Op. 28 no. 15
written by Frederic Chopin
performed by Sebastian Chacon
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- İnsancıl
- Drehorte
- Hamilton, Ontario, Kanada(entire film)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 44.509 $
- Eröffnungswochenende in den USA und in Kanada
- 26.850 $
- 28. Apr. 2024
- Weltweiter Bruttoertrag
- 44.509 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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