Metacritic-Rezensionen

During a dinner with Stephanie's colorfully ethnic family, including a squandered Debbie Reynolds, the reaction shots arrive with bludgeoning regularity, and the soundtrack's burbling organ serves as an incessant reminder not to take anything seriously. Fortunately, there's no danger of that.

Starring a painfully awkward Katherine Heigl, One for the Money mostly resembles a failed television pilot.

Making even more appearances than the rodent is the Big Gulp; the lady bounty hunter is constantly consuming junk - though at least when Heigl is snacking, she isn't talking.

As played by Heigl, Stephanie is mind-blowingly charmless.

An attempt to inaugurate a new movie franchise, something that might appeal to women and mystery fans. This is a perfectly sound ambition, but the movie, directed by Julie Anne Robinson from a script by Stacy Sherman, Karen Ray and Liz Brixius, is so weary and uninspired that it feels more like an exhausted end than an energetic beginning.

Listlessly directed by Julie Anne Robinson (Miley Cyrus's The Last Song) from a script written by a trio of writers (Stacy Sherman, Karen Ray and Liz Brixius), One for the Money is tepidly glib throughout.

It will have you groaning between yawns.

She's (Heigl) disastrously miscast as a character beloved by fans of novelist Janet Evanovich.

Tedious and tonally inept.

Everything in One for the Money rings cringingly false, from Heigl's absurd Snooki accent to Plum's romance with Joe Morelli, an Italian cop, played by – faith and begorrah – Jason O'Mara. To dismiss Julie Anne Robinson's direction as clueless would be a kindness.