71 - Into the Fire

I first read about this movie on a Korean site looking up Korean entertainment, it was probably up pretty quick since it has the Korean rapper TOP in it who is in a popular K-pop group Big Bang. Anyways I also managed to watch the trailers on YouTube and it looked promising, and I must say the trailer was better than the actual movie itself after viewing. I felt a lot of the characters went to waste, like the nurse for instance who just treats Seung-hyeon Choi wounds and doesn't appear for the rest of the movie. The movie would have been so much better if it was more engaging and you actually care for the character and you do care a bit but not enough to really worry if they die or live. The film also seems to rely to much on the cinematography since the camera changes constantly but not really effectively. It just constantly switches to TOP's facial expressions a LOT, but I guess it's to please the fan girls while the guys enjoy the action scenes. TOP's acting got better but it's just passable and Kwon Sang-Woo really overdoes it in order to stand out but just comes off as obnoxious, but he did have his moments. Cha Seung-Won did a fine job of playing the charismatic North Korean commander although his scenes are very few, he did a fine job, just not very memorable. I wished it found a way to get more in depth with the characters cause most of them didn't really stand out to me. Another annoying aspect of the film is how the North Korean soldiers fights like retarded drones that is just asking to get shot by running straight into bullets, yeah it's a movie but it got irritating to watch cause of the stupidity. I know they tried to make the final scene all epic, but I couldn't help but roll my eyes. I didn't feel cheated while walking out of the theaters, but was a bit let down. I also noticed there were more girls in the theater seats than guys, I guess TOP makes up for his lack of acting skills in order to get the female viewers to go watch his movie. Like Robert Pattinson and Taylor Lautner in the "Twilight" movies. Anyways good movie with a average plot and pretty cardboard characters and a lot of stuff blowing up.

7.1/10

War film action junkies sit up and take note, as 71: Into the Fire should be written into your books as a must watch if you haven't already made plans to do so. Steven Spielberg's Saving Private Ryan may have set the bar and raised expectations many years ago with regards to the use of strained colours and realistic war violence being portrayed on screen, and in recent years even China too got into the act through Feng Xiaogang's The Assembly. While tales of heroism during WWII have been aplenty done by filmmakers from the West, I can only think of a handful done in the East to meet that kind of scale. This is one of them.

Directed by John H. Lee, the basis of the film reported came from a letter from one of the 71 deceased South Korean student soldiers, which chronicled their Alamo experience and moment as the few who had to stand up to the invading North Korean masses in very David and Goliath measures. Tasked with the strategically important defense of Pohang while the rest of what's left of the South Korean army and UN coalition defended the Nakdong River area, this is not 300 where a group of battle hardened soldiers led by King Leonidis tragically fended off the huge Persian army, but a group of rag tag students with little military experience being told to hold their ground for 2 hours against a fanatical, professional army before reinforcements arrive.

You can feel the sense of urgency and desperation throughout the film, as Lee doesn't forget to remind you how dire the situation was, with the tremendous loss of territory over a period of four months to the North Korean forces sledgehammering its way down south, and the reliance of students to take up arms in what could have been a tactical lesser of two evils. The UN Coalition is stretched thin, and the makeshift Captain of the ragtag student group, soft spoken Oh Jung-Bum (T.O.P), has some serious growing up to do if he is to lead the students, being one of three who have had some combat experience. Making things difficult is the inclusion of criminals like Kap-Jo (Kwon Sang Woo) who's just happy to be out of prison to lend his weight to the fight, but as with any army that requires discipline, here is one man and his two lieutenants who prefer the contrary.

From the get go you'll get thrown thick into the action with loud gunfire and pretty much everything exploding on screen from artillery and other big guns fire, as Jung-Bum wanders around his battalion doing errands like topping up and delivery of magazines and rounds to soldiers, only to find his side of the forces constantly retreating, and being caught up in a life and death situation. Clearly not the hero he thinks he could be, he soon gets sent packing into a truck and again the North, under the leadership of Commander Park Mu-Rang (Cha Seung-Won), is triumphant and merciless in their taking of additional territory.

More set action sequences are to follow, and each are carefully crafted to reap maximum effect for the film-goer as we root for the student soldiers as they stand their ground, and rely on their street smarts to come up with some form of defense system to protect their minuscule turf. While luck has them chancing upon caches of abandoned weapons, improvisation meant the welcoming of Molotov cocktails (still a weapon of choice for guerrilla styled riots), and various forms of gas/fuel+fire combination. Not being military strategists, the students are susceptible to the oldest trick in the book like ambushes, and each challenge they come up toward meant a reduction in their already pathetic numbers.

Perhaps it is their making of such naive mistakes that draw in on the harshness of war, where director Lee doesn't spare us much of the gory details from bursting wounds and machine gun fire from up close ripping up bodies. As the adage goes, don't die for your country but make the other bastard die for his. However this film depicts Koreans killing Koreans, so therein lies an opportunity to address some of this insanity why people ought to be killing their own comrades and countrymen, even having the North Korean commander at times exhibiting being a maverick willing to go against battle orders, albeit to satisfy his bruised ego that had been wounded by a bunch of students against his own troops.

There's no lack of drama and tension as well, brought on when Jung-Bum and Kap-Jo have to go head to head in order to earn each other's mutual respect, but before that the gangsters' shenanigans prove to be running against the grain of the student soldier's mission. For Jung- Bum, we witness how he matures from boy to man, while Kap-Jo learns about responsibility and what it means to be counted upon, in contrast to his selfish ways since the enemy is now real and right at their doorstep. Unfortunately while this film has 71 student soldiers split into two platoons, realistically you're not going to have to get to know all of them, so only these two fly the character development flag for the rest.

Well made with excellent production values and sets depicting the state of war affairs during the Korean War, 71: Into the Fire will go into my books as one of the best this year in its genre. Highly recommended, especially when viewed on the big screen!

As I know little about the Korean War apart from MASH I didn't really know what to expect. I was very impressed and surprised at how good 71 is. The true story of the 71 students who defended their line for 11 hours against the might of the communist North is told with passion, humor, and action. It is somewhat clichéd - but this works in its favor - what we get is a Braveheart feeling for a small but very well-made war film.

The two main leads are competent, if a little OTT in their roles, but again by the end this pays off and I really have no complaints - if moving, and exciting war films are your thing then this is definitely worth viewing.

I wasn't really sure what to expect, but I do enjoy watching war films, especially true stories, as they generally depict the horrors of war. Right from the start I was hooked, and was not disappointed.

It is a pity films from Korea, Japan, China, and other oriental countries are not included in the Oscars or bafta awards, but then America and Britain wouldn't have so many winners.

This film is typical of this as it has some great acting and is filmed extremely well. It also shows you don't need a budget like that of some Hollywood movies. The biggest thing for me is that it is a true story and is dramatised well. Without being too political, with the ongoing problems in Korea, they could have made the North out to be animals, but they don't.

For a film that probably wont be mentioned at the big ceremonies, it is a loss for film-making. I would highly recommend this film if you haven't seen it yet. Would love to see Britain make films as good as this, but I haven't seen many, recently, that comes close. That is just my opinion though.

As with all films though, don't go by opinion, watch it and decide by yourself, but I think you will enjoy the movie.

This movie overall was really well made. The acting was great, the special effects were good, and the movie was easy to follow. Since this was based on a true event, the ending was not going to be a huge surprise. Compared to most American films in the past two decades, this film had a low budget (about $10 Million USD). Most of the critics comment TOP from Big Bang being casted just for pure publicity, but he is a good actor as proved from a past Korean drama he did called IRIS. The sadness of the Korean War and the desperation of the people at that time were wonderfully portrayed. We should take this movie as a harsh reminder of the Korean War and wars around the world in general. You may think that this might never happen… especially to you of all people but the harsh reality is that is can… There is no one to blame for the Korean War; not the soviets, North Koreans, South Koreans, Chinese or the anti communist nations. We only have over selves to blame for war, and no one truly wins one.