Dieser Film begleitet den National-Geographic-Fotografen James Balog in der Arktis, wo er Zeitraffer-Kameras einsetzt, die für einen einzigen Zweck entwickelt wurden: das weltweite Schwinden... Alles lesenDieser Film begleitet den National-Geographic-Fotografen James Balog in der Arktis, wo er Zeitraffer-Kameras einsetzt, die für einen einzigen Zweck entwickelt wurden: das weltweite Schwinden der Gletscher über mehrere Jahre hinweg zu dokumentieren.Dieser Film begleitet den National-Geographic-Fotografen James Balog in der Arktis, wo er Zeitraffer-Kameras einsetzt, die für einen einzigen Zweck entwickelt wurden: das weltweite Schwinden der Gletscher über mehrere Jahre hinweg zu dokumentieren.
- Für 1 Oscar nominiert
- 9 Gewinne & 5 Nominierungen insgesamt
- Self - National Geographic Explorer
- (as Sylvia Earle Ph.D.)
- Self - EIS Engineer
- (as Adam Lewinter)
- Self - Climatologist, Ohio State University
- (as Jason Box Ph.D.)
- Self - Glaciologist, University of Colorado
- (as Tad Pfeffer Ph.D.)
- Self - EIS Videographer
- (as Jeff Orlowski)
- Self - Oceanographer, National Center for Atmospheric Research
- (as Synte Peacock Ph.D.)
- Self - Senior Fellow, Stanford University Woods Institute
- (as Terry Root Ph.D.)
- Self - Directof of Tree-Ring Research, University of Arizona
- (as Thomas Swetnam Ph.D.)
- Self - Head of Geo Risks Research, Munich Reinsurance
- (as Peter Hoeppe Ph.D.)
- Self - Senior Scientist, National Center for Atmospheric Research
- (as Gerald Meehl Ph.D.)
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The film is not overtly political. It begins with a montage of "skeptics" of human caused climate change. Balog, who claims to have himself once been a skeptic, ends up getting deeply involved in the project to the detriment of time with his family and the numerous surgeries he gets on his knees. Throughout the film the science of global warming and it's general effects on the planet is tiptoed into, but primarily it lets the visuals do the talking. This film is beautiful and disturbing literally at the same time with treks across ice sheets viewing the melting in real time, images of glaciers breaking off into the sea, and the main focus the time-lapse footage.
I'm not going to say exactly how these years-long images turned out, but just mention they are insightful, gorgeous, and certainly do not contradict the science which in at least general terms has been settled for many years. The highlight of the movie for me is not however seeing the glaciers shrink over a long period of time, but an instant of change after a couple of Balog's colleagues have sat on a vulnerable piece of ice for a few days; it's a spectacular break off of ice like you've never seen before—I was horrifically captivated.
Chasing Ice is fascinating on a personal and scientific level, and in my opinion has to be considered one of the most important documentaries of this decade. This film rightly doesn't try to find solutions to the problem as it's beyond its scope, but it clearly states that there is a problem; one we can't ignore.
It's a compelling watch and an important work. But it's the shocking final result that will amaze you. The visual of these glaciers actually melting right before your eyes will shake you to your core as it did to me.
The footage is magnificent and the film is scored very well. James Balog's personal challenges in undertaking the project are also documented, and present an interesting angle to this style of documentary.
By presenting the footage in as non-partisan manner as possible, Chasing Ice avoids tarnishing its message with politics.
The documentary follows National Geographic photographer and Extreme Ice Survey founder James Balog and his passionate team across Greenland, Iceland, Alaska and the Arctic as they installs custom-made time-lapse cameras to document never before seen glaciation at an extreme. The resulting photography is both frightening and breathtakingly beautiful.
The issues that many people seem to have with this film are that it doesn't engage in a political argument and that it doesn't provide a solution to the problem. Balog stated that this isn't a political problem, it's a universal problem. The point is he's delivering a message with his photography and he's letting the photographs do the talking, not tarnishing the message with politics. & the aim of this film is to spread awareness not to provide a solution.
This is an eye-opener and a visual reference as to how much climate change is immediately effecting our plant. At one point we witness footage of the largest ever recorded glacier calving, an iceberg larger than the island of Manhattan calves from a glacier in about 75 minutes. Politicians and energy corporation executives should be made sit a mandatory viewing of this. Seize any opportunity you get to go see this on the big screen.
You can now apply to host a screening on the Chasing Ice website!
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- WissenswertesHolds the record for containing the biggest and longest lasting glacier calving that has ever been put to film. On May 28th, 2008, the Jakobshawn Glacier in Greenland had a calving event that lasted 75 straight minutes. It resulted in 7.4 Cubic KB of ice crashing into the ocean.
- Zitate
James Balog - Photographer: If you had an abscess in your tooth, would you keep going to dentist after dentist until you found a dentist who said, "Ah, don't worry about it. Leave that rotten tooth in"? Or would you pull it out because more of the other dentists told you you had a problem? That's sort of what we're doing with climate change.
- VerbindungenFeatured in Moyers & Company: Justice, Not Politics (2012)
- SoundtracksBefore My Time
Music and Lyrics by J. Ralph
Produced, Arranged, Engineered and Mixed by J. Ralph
Co-produced and Engineered by Arthur Pingrey
Protools by Arthur Pingrey
Performed by Scarlett Johansson and Joshua Bell
Piano by Jay Israelson
Mastered by Bob Ludwig at Gateway Mastering
Legal by Alan Kress
Recorded at The Theater, New York City, January 2012 and March 2012
Special Thanks to Danny Bensi, Camilla Olson, Heidi Frederick and Alan Kress
Joshua Bell appears courtesy of Sony Classical
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.328.467 $
- Weltweiter Bruttoertrag
- 1.358.668 $
- Laufzeit1 Stunde 15 Minuten
- Farbe