Freelance

Watching Freelance was such a strange experience. There is so much wrong with it. It's filled with stupid moments and things that make no sense. The story and action are completely unrealistic. Yet I found myself invested and entertained. Not once did I feel bored or like "I don't want to be here."

I guess it's just an amusing premise with some charming actors. And while unrealistic, the action scenes are pretty fun and mostly well-shot. There are a couple decent fight scenes and a few memorable moments.

Having said all that, there are so many flaws. The most egregious examples occur during the action scenes. Bullets seem to be the least effective method of killing. There is an extensive scene with two characters running through an open field with no cover. And a helicopter is UNLOADING bullets and missiles on them. It's basically two minutes of them running with bullets and explosions all around them.

In multiple other scenes, someone will fire numerous shots at short distances and hit nothing. It's so obvious. It would offend even the most lenient of viewers. Also, for a comedy there isn't much humor. I only laughed a few times.

Even with all the flaws, I didn't mind watching this. It's not "good." But I'll take this over 95% of the straight-to-streaming (straight-to-boredom) movies.

(1 viewing, 1/15/2024)

Supposedly an action comedy, but it was both lacking in comedy and in action.

The bad; I didnt laugh once, I smirked a few times (at the start) that was about it. Comedy is personal, maybe other folks might find it hilarious, but it left me cold.

What's good though is that it doesnt aim to be a farce. It does inject enough reality into the story to make it believable (ish).

What's lacking as well though is the action part. There is little to none action and when there is some it is kinda childish. Not riveting or excting in any way.

This movie seems targetted at a teenage / family audience. So you wont get annoyed by it or offended, the worst that could happen (and did happen to me) is that you might get pretty bored by the bland story and the lack of humour.

Freelance is a decent action comedy held up by strong character performances particularly from Juan Pablo Raba. The film takes obvious inspiration from The Lost City, replacing artifacts and authors for hit jobs and journalists. The chemistry between the cast is there and the dialog feels natural. Some scenes feel shoehorned in which detracts from the overall story. However overall the twists feel mostly original and provide a compelling plot.

Raba absolutely nails his role as a Castro-ish ruthless dictator who feigns ignorance. His deliveries are perfectly timed and at times he carries the entire weight of the story.

John Cena and Alison Brie were great in their roles with palpable chemistry as well however their roles were somewhat hamstrung by clumsy writing.

Overall this is a fun and exciting movie for adults. It's not a perfect production but it's a worthy film if not entirely held up by strong acting.

This movie is one step shy of being an action movie, one step shy of being a comedy, 2 steps past being an actually interesting political drama with a step or two behind the dash of a journalism thriller.

Some interesting political commentary weaves through the story to mask the, at times, underwhelming action sequences and make up for the slapsticky humor that might seem a bit immature or flat.

It was fun, and that's all you can ask for out of something like this. John Cena has some good comedic chops and Alison Brie can go from stone cold to likable and charismatic in a snap.

Fun time at the movies if you ask me.

In silly action comedy "Freelance" ex-Special forces John Cena's bored with civilian life (married to Alice Eve) til his ex-boss Christian Slater (now running a private security firm) hires him to bodyguard journalist Alison Brie (always likeable) as she goes to interview flashy dictator Juan Pablo Raba (good) in his South American republic... where mercenary Marton Csokas leads a coup attempt, and twisty chaos, bloodshed & double-dealing ensues. It's poorly directed (especially the fight scenes) by the experienced Pierre Morel, but written engagingly enough by the debuting Jacob Lentz. It's light & forgettable, but passable enough entertainment for undemanding viewers.