IMDb-BEWERTUNG
6,8/10
14.918
IHRE BEWERTUNG
Der Krankenpfleger Samuel rettet das Leben eines Diebes, dessen Komplizen Samuels Frau als Geisel nehmen und ihn zwingen, ihren Chef zu befreien.Der Krankenpfleger Samuel rettet das Leben eines Diebes, dessen Komplizen Samuels Frau als Geisel nehmen und ihn zwingen, ihren Chef zu befreien.Der Krankenpfleger Samuel rettet das Leben eines Diebes, dessen Komplizen Samuels Frau als Geisel nehmen und ihn zwingen, ihren Chef zu befreien.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Nicky Naudé
- Capitaine Richert
- (as Nicky Naude)
Empfohlene Bewertungen
I discovered this thriller ordering some good DVDs on Amazon. I thought it must not be bad with 4.5/5 stars and rating of 6.8 out 10 on IMDb. Then the running time with 80 minutes is not so long. In fact I wasn't disappointed and I spent with my wife an entertaining evening. All the actors and the director did a good job here. Some scenes were perhaps too violent and one or two sequences not very clear to follow. But if you can look away from these little flaws it works for a solid action movie. It's not the one you will talk days later but it's definitely one of the better ones you can buy or rent in this genre. Just check it out. It takes you quick on a fast paced and packed cat and mouse chase. This will take your breath away. 6/10.
Point Blank (2010)
Not to be confused with the semi-classic 1967 movie of the same title with Lee Marvin, this is not a remake or an echo of that. What this French action thriller is fits another category--the non-stop kinetic run from the bad-guys film, which has become a kind of staple. Think the Bourne movies, or a couple later Liam Neeson films, where the hero gets himself into a terrible situation that requires running and running and running.
And that's enough, in a way, because you can't stop looking. There are no lulls. In fact, some of the moments have such kinetic surprise to them they deserve study. Your stomach will turn. Don't expect a big rationale. Don't even quite expect to care for anything except that our main man, and his wife, survive the ordeal. There are crosses and double-crosses. There is horrid abuse of women which I could do without (the rationale might just be the perils of Pauline kind of thing, saving her with the handsome male to the rescue, but it's just plain abusive). There is one female cop who is a great tough archetype. And lots of bad violent men.
But, truly, none of this is meant to matter. You just grab onto the handles and don't let go. It's really really well made, visually, the camera-work and editing taking front seat. I'd see it on the biggest screen you can, since that's where it's all at.
Not to be confused with the semi-classic 1967 movie of the same title with Lee Marvin, this is not a remake or an echo of that. What this French action thriller is fits another category--the non-stop kinetic run from the bad-guys film, which has become a kind of staple. Think the Bourne movies, or a couple later Liam Neeson films, where the hero gets himself into a terrible situation that requires running and running and running.
And that's enough, in a way, because you can't stop looking. There are no lulls. In fact, some of the moments have such kinetic surprise to them they deserve study. Your stomach will turn. Don't expect a big rationale. Don't even quite expect to care for anything except that our main man, and his wife, survive the ordeal. There are crosses and double-crosses. There is horrid abuse of women which I could do without (the rationale might just be the perils of Pauline kind of thing, saving her with the handsome male to the rescue, but it's just plain abusive). There is one female cop who is a great tough archetype. And lots of bad violent men.
But, truly, none of this is meant to matter. You just grab onto the handles and don't let go. It's really really well made, visually, the camera-work and editing taking front seat. I'd see it on the biggest screen you can, since that's where it's all at.
This is how you make an action-packed thriller. Swift, brutal and void of any kind of silly subplots that give too much time to words when the characters should just be racing for their lives. They quickly establish the characters in a clean and effective way and then shock you by going right into the action. With a very nice 80 minute runtime the film breezes by without dragging for a moment and you really just get caught up in the exciting chaos of it all. There's definitely no reinventing the wheel here, but it stands up with Taken and Running Scared as one of the best action films to come out this past decade. It was exactly what I wanted.
There were some moments that really made me sit up in my chair just by how much of a gut punch they were; some things I definitely didn't see coming. Gilles Lellouche is a great leading man, capable of portraying both the everyman and the action star qualities of his character while still being completely believable when he has to portray the dramatic moments to keep you on his side and understanding of what he is fighting for. It's stylish as hell and is seriously just pushing it's foot to pavement for the entire running time. This is a real crowd-pleaser.
There were some moments that really made me sit up in my chair just by how much of a gut punch they were; some things I definitely didn't see coming. Gilles Lellouche is a great leading man, capable of portraying both the everyman and the action star qualities of his character while still being completely believable when he has to portray the dramatic moments to keep you on his side and understanding of what he is fighting for. It's stylish as hell and is seriously just pushing it's foot to pavement for the entire running time. This is a real crowd-pleaser.
point blank doesn't have very deep characters (but still it's amazing how the dramatic scenes work) , nor a huge complex plot, and it's not about metaphors or cultural references. It's a fast paced action ride, that changes all the time, that knows very well how to manage their timings in the scenes. It's really a cool action flick, and you realize how short it is when it ends. It was conceived as a thrill fun, short ride, an after that you just take a deep breath, because you saw people running during the 80 minutes.
It's not the most amazing film ever, but if you look for a nice film keeping you on the edge of the seat, this is widely recommended.
It's not the most amazing film ever, but if you look for a nice film keeping you on the edge of the seat, this is widely recommended.
this movie will keep your eyes open and sit on the edge of your chair once it starts. i often consider the good french action thrillers are the most creative and original, that's why Hollywood keeps copycatting and adapting from the french movies one after another once there are new good french thriller movies in the market. "the next three days(not a bad adaptation)" and "the tourist(just horrible!)" are the most recent examples adapted from the french originals.
this 'point blank' is a great thriller from beginning to the end. the chases from the hospital to the subway station and the chaos in the hospital and the police central are just exceptionally directed, edited, acted. i was sleepy before watching this movie, but once it started, the heavy eyelids just became light and wide open.
i didn't quite like the final scene. it seems a bit unnecessary but at the same time quite necessary, and that's a funny thought.
this 'point blank' is a great thriller from beginning to the end. the chases from the hospital to the subway station and the chaos in the hospital and the police central are just exceptionally directed, edited, acted. i was sleepy before watching this movie, but once it started, the heavy eyelids just became light and wide open.
i didn't quite like the final scene. it seems a bit unnecessary but at the same time quite necessary, and that's a funny thought.
Wusstest du schon
- WissenswertesJoe Lynch shot a remake of this French movie in 2019 "Point Blank", starring Anthony Mackie and Frank Grillo.
- PatzerWhen Samuel tries to wake up Hugo, in a shot across the corridor in the renovated hospital floor, a face can be seen on the left behind a door, looking down and talking. (around 19'30")
- Crazy CreditsIn the closing credits, opera singer Renee Fleming's name is misspelled as "Flemming."
- VerbindungenReferences Diva (1981)
- SoundtracksEbben? Ne andrò lontana
(Alfredo Catalani)
Extraits de "La Wally"
Sung by Renée Fleming (as Renee Flemming) & Orchestra of Welsh National Opera (as The Orchestra of the Welsh National Opera) (Direction: Gareth Jones)
(P) 2003 Decca Music Group Ltd
Avec l'autorisation d'Universal Music Vision
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Aus kurzer Distanz
- Drehorte
- Gare de l'Est, Paris, Île-de-France, Frankreich(Samuel attempts to trade Sartet for his wife)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 708.215 $
- Eröffnungswochenende in den USA und in Kanada
- 41.031 $
- 31. Juli 2011
- Weltweiter Bruttoertrag
- 9.487.445 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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