Ein Musiker hilft einer jungen Sängerin Ruhm zu erlangen, während Alter und Alkoholismus seine eigene Karriere in eine Abwärtsspirale bringen.Ein Musiker hilft einer jungen Sängerin Ruhm zu erlangen, während Alter und Alkoholismus seine eigene Karriere in eine Abwärtsspirale bringen.Ein Musiker hilft einer jungen Sängerin Ruhm zu erlangen, während Alter und Alkoholismus seine eigene Karriere in eine Abwärtsspirale bringen.
- 1 Oscar gewonnen
- 99 Gewinne & 288 Nominierungen insgesamt
Michael Harney
- Wolfie
- (as Michael J. Harney)
Zusammenfassung
Reviewers say 'A Star Is Born' delivers strong performances, especially from Lady Gaga and Bradley Cooper, and a compelling soundtrack. The film's exploration of fame, addiction, and the music industry resonates deeply, though some find the story predictable and pacing uneven. The chemistry between the leads is widely appreciated, yet Cooper's direction garners mixed reviews. Despite its flaws, the movie's emotional depth and musical score captivate many viewers, making it an engaging yet imperfect experience.
Empfohlene Bewertungen
Being a film buff I never watched the older takes of "A Star is Born" however I watched this latest modern spin with Bradley Cooper and Lady Gaga(who have great on screen chemistry together). The film is a joy as it touches your emotions and grows on you from the love of the two central characters and the pain combined with fame and sorrow make this musical drama(the songs are uplifting)a wonderful watch.
Jackson Maine(Bradley Cooper) is a hard living and hard whiskey drinking western rock singer who lives it up entertaining crowd after crowd. Jackson is a man who's got plenty of personal demons besides the bottle as his family friction with only brother Bobby(the great Sam Elliott) weighs on his heart heavy. Things change when Ally(Lady Gaga) captures his heart along the way the two get to know each other in an intimate way as passion becomes love.
Still the love is not without struggle and heartache as Ally becomes famous and well known while Jackson's music and personal life both take a downward path with alcoholism as he just can't escape his own dark shadows. It's like you as the viewer could see the tragedy coming all along.
Overall entertaining film with fine and beautiful music and the on screen chemistry between Bradley and Gaga is in top notch form, as clearly this is one love drama to see that showcases the rise of fame and stardom, also while showing a grim personal downfall.
Jackson Maine(Bradley Cooper) is a hard living and hard whiskey drinking western rock singer who lives it up entertaining crowd after crowd. Jackson is a man who's got plenty of personal demons besides the bottle as his family friction with only brother Bobby(the great Sam Elliott) weighs on his heart heavy. Things change when Ally(Lady Gaga) captures his heart along the way the two get to know each other in an intimate way as passion becomes love.
Still the love is not without struggle and heartache as Ally becomes famous and well known while Jackson's music and personal life both take a downward path with alcoholism as he just can't escape his own dark shadows. It's like you as the viewer could see the tragedy coming all along.
Overall entertaining film with fine and beautiful music and the on screen chemistry between Bradley and Gaga is in top notch form, as clearly this is one love drama to see that showcases the rise of fame and stardom, also while showing a grim personal downfall.
I must be on a streak with the amount of excellent films that I have been seeing lately, because A Star is Born is fantastic. If this film does not get nominated for Best Picture or Best Actor, Best Actress, or Best Original Song, then I will literally be stunned, because every single aspect found within the film was perfect. I would really love to see Lady Gaga win the Oscar for Best Actress because she totally nailed it here. She went from poking faces in 2007, to make the audience's heart sink in 2018.
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
The storyline of "A Star Is Born" is great with the story of the rise of a new star and the fall of the old one, who is her beloved alcoholic man that discovered and promoted her career. This 2018 version and fourth famous remake has the excellent Bradley Cooper not only singing but also directing and a surprising Lady Gaga in the lead role. Sam Elliott completes the magnificent cast. In addition, great screenplay, music score, cinematography and edition that make this romance one of the favorites to the Oscar. My vote is eight.
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
I did not want to watch this movie but took my wife to see it, because we both saw the one with Kris Kristofferson and Barbra Streisand, growing up. The crowd was a lot older than we were(we are almost 50) it was the biggest screen they had at our theater and seats a lot but it was maybe half full on Sunday afternoon. Not one dry eye in the place, it had a great tempo and didn't drag on or have any lulls in the story. We were both very pleased and are still engaging in conversations about the movie. It's my opinion to highly recommend to everyone go out and watch a great movie and a heartfelt movie that redefines love in this time and age we live in. That is my two cents, hope you enjoy as much as we have.
If you're even a casual moviegoer, chances are you have already heard the argument; that originality is dead in Hollywood. We live in an era where even Ghostbusters is no longer sacred. Where you wouldn't be surprised if one of the large studios announced a remake of the Godfather or Citizen Kane. Those remakes might capture some audience members, but those films almost certainly don't capture the audience's hearts. They certainly don't capture the praise critics. They certainly don't take home any major awards.
That all changes with A Star is Born.
Change, however, is a key word when it comes to remakes. (Or remakes of remakes of remakes...) In order to make the venture worthwhile, the film makers not only have to stay close to the ideas of original film, but they have to have a reason to retell the story. It's a delicate balance. Every version of a Star is Born follows a broken celebrity, in the Winter of his career, damaged by years of drinking who is suddenly reborn when meeting a young ingénue. The two fall in love, but while their relationship develops, their entertainment careers go in different directions.
Director and Co-Star Bradley Cooper's film seemingly borrows more from the Streisand/Kristofferson iteration of A Star is Born (the last time this story was retold), as the dynamic between the two lovers hinges on the music industry. When Streisand and Kristofferson remade the film, (for the fourth time at that point) in 1976, they broke one of the aforementioned expectations, as they both took home Golden Globes for their performances. Perhaps Cooper was more inspired by performance, rather than aesthetic, as the acting is one aspect out of many that shines in Cooper's version. The characters of Jackson Maine (Cooper) and Ally (Lady Gaga) drive the entire story in what is essentially a film with only half a dozen notable characters. Cooper and Lady Gaga have amazing chemistry, and from the moment you see the two on screen together for the first time you feel the connection.
First time director, Cooper, deftly creates intimacy between Jackson and Ally, without which the story would certainly not be as successful. In stadiums housing thousands of fans, in small dressing rooms packed with screaming Drag Queens, in a loud dive bar, in the parking lot of an all-night-grocer, Cooper uses tight framing and sound impeccably to make it seem like they're the only two people in the world. You understand his charm, you see her vulnerability, and the two actors give side-by-side stellar performances.
That isn't to take away anything from a small, but powerful supporting cast. There were some brilliant and surprising moments from Dave Chappelle as Noodles, an old friend of Jackson's who reiterates how much Ally has revitalized Jackson. The largest surprise came from Andrew Dice Clay as Lorenzo, Ally's father. Both Clay and Chappelle brought great moments of love and humanity in their criminally small interactions with the two main characters. Sam Elliot also surprised me in his role as Bobby, Jackson's (much) older brother. They explain the age discrepancy, but the rest is self-explanatory as he and Cooper truly are brothers on screen, with all the frustration, fights and familiarity that goes with that relationship. Elliot in his similarly small time on screen, often showed the softer side of his craft, hiding touching instants of sadness when it comes to his difficult relationship with his brother, concealed only slightly by his iconic mustache.
It begs the question, does Cooper deserve all the praise as director, or does the cast? What I can glean from the film is Cooper definitely had his cast on the same page, as regardless of screen time, these actors made you care about their characters. The audience is invested. There are countless pivotal story beats where these characters may do something frustrating or angering. Instead of merely recognizing that these are hurdles to push the story further, I found myself almost vocally upset, akin to yelling at a character in a horror film to not go in the room where the killer is hiding. This film makes you want the protagonists to succeed, even when dealing with topical subplots regarding celebrity, regret, depression and substance abuse.
And that's because you're along for the ride the entire time. You're a part of this love story. The film sucks you in from the beginning with the roar of a raucous concert audience, the hard beat of the drums on Jackson's stage, and his hypnotic swagger as he plays for thousands. If you were one of the millions of people who have seen the trailer for this film, I'm sure you know exactly what I'm talking about (kudos to the promotional department of this film, as that, is an extremely engaging and powerful trailer) but it stems from an extremely engaging and powerful film. The music, much like it did with the trailer gets inside you, not just inside your head where you find yourself humming a gentle country lilt sang by Cooper, it gets inside your heart and soul and rattles around. It repeats over and over until you're the one who doesn't want to let go. While Cooper should be commended for taking his craft seriously and improving his singing, this is where Lady Gaga shines, to no one's surprise.
Ally is a perfect role for her. The performer has spoken about how vulnerable and ugly she felt in some scenes when shooting this film, but it made her so real on screen. Ally's career, much like the first half of the film, blasts off, and all you can do is hold on until you realize the songstress is belting a powerful ballad. You wonder, much like her character "how did we get here" but at that point, you're just happy to be along for the ride. It is a testament to Lady Gaga's ability, because being such an iconic figure, if it weren't for her conveyance of sincerity and humility, the character's journey would seem forced and unfulfilling. Because of Gaga's performance, however, you relish the moment Ally can finally embrace who she is and bravely belt out her songs with no inhibition. In a film with so many moments that grab you, the music is undeniably one of my favorite aspects. I can't wait for this film to get a wider release so the studio can also make the soundtrack available.
If and when Award season comes, and A Star is Born is undeniably a forerunner for several major awards, I think Cooper should be commended simply because as director, he brought everything together. The songwriters, the actors, the cinematography, the sound design was superbly balanced to create the best possible version of this story making it, the brightest star for both critics and audiences.
That all changes with A Star is Born.
Change, however, is a key word when it comes to remakes. (Or remakes of remakes of remakes...) In order to make the venture worthwhile, the film makers not only have to stay close to the ideas of original film, but they have to have a reason to retell the story. It's a delicate balance. Every version of a Star is Born follows a broken celebrity, in the Winter of his career, damaged by years of drinking who is suddenly reborn when meeting a young ingénue. The two fall in love, but while their relationship develops, their entertainment careers go in different directions.
Director and Co-Star Bradley Cooper's film seemingly borrows more from the Streisand/Kristofferson iteration of A Star is Born (the last time this story was retold), as the dynamic between the two lovers hinges on the music industry. When Streisand and Kristofferson remade the film, (for the fourth time at that point) in 1976, they broke one of the aforementioned expectations, as they both took home Golden Globes for their performances. Perhaps Cooper was more inspired by performance, rather than aesthetic, as the acting is one aspect out of many that shines in Cooper's version. The characters of Jackson Maine (Cooper) and Ally (Lady Gaga) drive the entire story in what is essentially a film with only half a dozen notable characters. Cooper and Lady Gaga have amazing chemistry, and from the moment you see the two on screen together for the first time you feel the connection.
First time director, Cooper, deftly creates intimacy between Jackson and Ally, without which the story would certainly not be as successful. In stadiums housing thousands of fans, in small dressing rooms packed with screaming Drag Queens, in a loud dive bar, in the parking lot of an all-night-grocer, Cooper uses tight framing and sound impeccably to make it seem like they're the only two people in the world. You understand his charm, you see her vulnerability, and the two actors give side-by-side stellar performances.
That isn't to take away anything from a small, but powerful supporting cast. There were some brilliant and surprising moments from Dave Chappelle as Noodles, an old friend of Jackson's who reiterates how much Ally has revitalized Jackson. The largest surprise came from Andrew Dice Clay as Lorenzo, Ally's father. Both Clay and Chappelle brought great moments of love and humanity in their criminally small interactions with the two main characters. Sam Elliot also surprised me in his role as Bobby, Jackson's (much) older brother. They explain the age discrepancy, but the rest is self-explanatory as he and Cooper truly are brothers on screen, with all the frustration, fights and familiarity that goes with that relationship. Elliot in his similarly small time on screen, often showed the softer side of his craft, hiding touching instants of sadness when it comes to his difficult relationship with his brother, concealed only slightly by his iconic mustache.
It begs the question, does Cooper deserve all the praise as director, or does the cast? What I can glean from the film is Cooper definitely had his cast on the same page, as regardless of screen time, these actors made you care about their characters. The audience is invested. There are countless pivotal story beats where these characters may do something frustrating or angering. Instead of merely recognizing that these are hurdles to push the story further, I found myself almost vocally upset, akin to yelling at a character in a horror film to not go in the room where the killer is hiding. This film makes you want the protagonists to succeed, even when dealing with topical subplots regarding celebrity, regret, depression and substance abuse.
And that's because you're along for the ride the entire time. You're a part of this love story. The film sucks you in from the beginning with the roar of a raucous concert audience, the hard beat of the drums on Jackson's stage, and his hypnotic swagger as he plays for thousands. If you were one of the millions of people who have seen the trailer for this film, I'm sure you know exactly what I'm talking about (kudos to the promotional department of this film, as that, is an extremely engaging and powerful trailer) but it stems from an extremely engaging and powerful film. The music, much like it did with the trailer gets inside you, not just inside your head where you find yourself humming a gentle country lilt sang by Cooper, it gets inside your heart and soul and rattles around. It repeats over and over until you're the one who doesn't want to let go. While Cooper should be commended for taking his craft seriously and improving his singing, this is where Lady Gaga shines, to no one's surprise.
Ally is a perfect role for her. The performer has spoken about how vulnerable and ugly she felt in some scenes when shooting this film, but it made her so real on screen. Ally's career, much like the first half of the film, blasts off, and all you can do is hold on until you realize the songstress is belting a powerful ballad. You wonder, much like her character "how did we get here" but at that point, you're just happy to be along for the ride. It is a testament to Lady Gaga's ability, because being such an iconic figure, if it weren't for her conveyance of sincerity and humility, the character's journey would seem forced and unfulfilling. Because of Gaga's performance, however, you relish the moment Ally can finally embrace who she is and bravely belt out her songs with no inhibition. In a film with so many moments that grab you, the music is undeniably one of my favorite aspects. I can't wait for this film to get a wider release so the studio can also make the soundtrack available.
If and when Award season comes, and A Star is Born is undeniably a forerunner for several major awards, I think Cooper should be commended simply because as director, he brought everything together. The songwriters, the actors, the cinematography, the sound design was superbly balanced to create the best possible version of this story making it, the brightest star for both critics and audiences.
30 Celebs Who Passed On 'A Star Is Born'
30 Celebs Who Passed On 'A Star Is Born'
Lady Gaga wasn't the first pop star considered for A Star Is Born, and Bradley Cooper wasn't the first actor. Let's look back at what could have been a very different film.
Wusstest du schon
- WissenswertesBradley Cooper said that Lady Gaga was the one who convinced him they should sing live. Gaga said she hated watching movies where the actors were not lip-syncing correctly to the songs, and to avoid this and get it right they needed to sing live for the film. This caused Cooper to get more extensive vocal training.
- PatzerWhen Jack and Bobby are driving to Jack's house the car is obviously getting pulled along on a trailer as all the dashboard dials (including the speedometer) are on zero.
- Crazy CreditsThe first couple of seconds of the Warner Bros Pictures logo are cut out.
- Alternative VersionenAn extended version of the film, dubbed the "Encore Edition" with an additional 12 minutes of new footage, was released on March 1, 2019 for a limited one-week engagement. The material consists of longer takes of musical numbers, as well as a brand-new, never-before-seen song "Clover", by Ally and Jackson.
- VerbindungenFeatured in CTV News at Six Toronto: Folge vom 5. September 2018 (2018)
- SoundtracksBlack Eyes
Written by Bradley Cooper and Lukas Nelson
Performed by Bradley Cooper
Produced by Bradley Cooper and Lukas Nelson
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- A Star Is Born
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 36.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 215.333.122 $
- Eröffnungswochenende in den USA und in Kanada
- 42.908.051 $
- 7. Okt. 2018
- Weltweiter Bruttoertrag
- 436.433.122 $
- Laufzeit2 Stunden 16 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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