IMDb-BEWERTUNG
5,4/10
7289
IHRE BEWERTUNG
Der Film folgt einem berühmten Kopfgeldjäger, der auf seinen Erzfeind trifft, einen Berufsspieler und Gesetzlosen, den er Jahre zuvor ins Gefängnis gebracht hatte.Der Film folgt einem berühmten Kopfgeldjäger, der auf seinen Erzfeind trifft, einen Berufsspieler und Gesetzlosen, den er Jahre zuvor ins Gefängnis gebracht hatte.Der Film folgt einem berühmten Kopfgeldjäger, der auf seinen Erzfeind trifft, einen Berufsspieler und Gesetzlosen, den er Jahre zuvor ins Gefängnis gebracht hatte.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Luis Chávez
- Esteban Romero
- (as Luis Chavez)
J.D. Garfield
- Luis Andrade
- (as JD Garfield)
Empfohlene Bewertungen
Willem Dafoe, Christoph Waltz, and Rachel Brosnahan- by looking at the top billing of this film and the name of the director, it's not wrong to expect a decent film. But this movie fails at almost every aspect, from the cookie-cutter revisionist western storyline to bad editing, it's atrocious, maybe only apart from the acting. There are so many unnecessary scenes that even someone who doesn't know the ABC of film editing would agree to the fact that there are so many needless scenes. And also, this film feels like it's overrun by at least 20 mins, good editing would've kept the runtime under 90 mins, just like most of Budd Boetticher's famous westerns, whom this film is dedicated to.
Sure, the film falls short in many aspects. Could have made better use of Willem Dafoe character, especially the demise scene. He had some great acting moments in this movie though, as if born for the Western. Always been a fan of Walter Hill, and this just being a Walter Hill film, raises it in my eyes. I enjoyed the script foe the most part, the acting, and the general pacing of the movie. It does feel a bit studio produced, with very crisp digitally feeling shots, not quite as dusty and dirty as maybe it should be. There is also a very minimalistic soundtrack, which makes the whole thing feel a bit like a TV movie. Still, it' s a enjoyable movie, reminiscent of the Spaghetti Westerns of old.
Walter Hill is back with a solid old school western.
Unfortunately, films of this type are no longer made, today we are invaded by the rubbish of Marvel, by dozens of useless and pathetic reboots and remakes and in fact this film ignored by most of the public lobotomized by the great empty and soulless blockbusters.
Hill, on the other hand, packs an exquisitely retro, dark and funny film at the right point with a wonderful cast, above all obviously the always immense Christoph Waltz who plays a character very similar to the one he played in Django Unchained, but also Willem Dafoe and the beautiful and talented Rachel Brosnahan give some really good performances.
A film that goes straight to its purpose without getting lost in chatter, without lasting 3 hours (which today seems mandatory), but the usual hour and forty-five as it used to be.
My advice is not to waste time with yet another Creed, with Top Gun 2 or with the cinecomics rubbish, but rather watch this solid film, which is certainly not a masterpiece, but it is undoubtedly a very good film, better than 90% of the trash that Hollywood produces today.
Unfortunately, films of this type are no longer made, today we are invaded by the rubbish of Marvel, by dozens of useless and pathetic reboots and remakes and in fact this film ignored by most of the public lobotomized by the great empty and soulless blockbusters.
Hill, on the other hand, packs an exquisitely retro, dark and funny film at the right point with a wonderful cast, above all obviously the always immense Christoph Waltz who plays a character very similar to the one he played in Django Unchained, but also Willem Dafoe and the beautiful and talented Rachel Brosnahan give some really good performances.
A film that goes straight to its purpose without getting lost in chatter, without lasting 3 hours (which today seems mandatory), but the usual hour and forty-five as it used to be.
My advice is not to waste time with yet another Creed, with Top Gun 2 or with the cinecomics rubbish, but rather watch this solid film, which is certainly not a masterpiece, but it is undoubtedly a very good film, better than 90% of the trash that Hollywood produces today.
I read the poor reviews, and I think I saw a different movie. Either that, or those who don't like Westerns because . . . They're Westerns, decided to vent their frustrations after junk like Batgirl, The 4400 remake, the Bros flick, and the other Hollywood trendy junk people don't want fell flat. Who knows?
This is Walter Hill being Walter Hill. Gritty, realistic, devoid of Technicolor fluff. The landscape is unpleasant, uninviting, because that's what it is in this area of the southwest. People are living on the hard edge, because there isn't much else.
This tale, in the mold of The Professionals and The Wild Bunch, is not in the same category as The Undefeated. There's no sweetness and light, just the reality people of this era faced.
The acting is fine, the script is good, and the directing, that's Walter Hill. My only knock on this one, the same lighting and filtering used in the exteriors was applied to the interior shots in a way that's noticeable. That's not something one should notice.
This is Walter Hill being Walter Hill. Gritty, realistic, devoid of Technicolor fluff. The landscape is unpleasant, uninviting, because that's what it is in this area of the southwest. People are living on the hard edge, because there isn't much else.
This tale, in the mold of The Professionals and The Wild Bunch, is not in the same category as The Undefeated. There's no sweetness and light, just the reality people of this era faced.
The acting is fine, the script is good, and the directing, that's Walter Hill. My only knock on this one, the same lighting and filtering used in the exteriors was applied to the interior shots in a way that's noticeable. That's not something one should notice.
Great to see Walter Hill still has the touch. A well acted and solid western. Many harsh reviews here. I don't know what movie they were watching or expected. Obviously, a low budget film, but so what. Not overly stylistic, more of an old school western and thoroughly enjoyable.
Waltz always solid and a nice performance by Defoe. Supporting cast and Bratt very entertaining.
Hopefully, Hill will get another chance, but in today's Hollywood probably not gonna happen. As an old fashioned western fan and admirer of Hill's career, I recommend this film. Don't be deterred by the overly critical reviews you see here.
Waltz always solid and a nice performance by Defoe. Supporting cast and Bratt very entertaining.
Hopefully, Hill will get another chance, but in today's Hollywood probably not gonna happen. As an old fashioned western fan and admirer of Hill's career, I recommend this film. Don't be deterred by the overly critical reviews you see here.
Wusstest du schon
- WissenswertesMatt Harris wrote this screenplay, originally titled "Moon of Popping Trees", in 2000. It won the Nicholl Fellowship in Screenwriting in 2002. However, he was unable to sell it, and it languished until his first produced screenplay, Der Vogel (2021), renewed interest in it. Director Walter Hill changed the title and rewrote it extensively.
- PatzerAt the 1:30:30 mark, when the riders on horseback is splitting up, the first rider to go towards the left has a walkie talkie or mic battery pack clearly visible on his left rear hip. Electronic devices wasn't around during the period portrayed by the movie.
- Zitate
Max Borlund: I don't like being lied to and I don't like being used.
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- Auch bekannt als
- Moon of Popping Trees
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- Weltweiter Bruttoertrag
- 81.403 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 2.55 : 1
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Oberste Lücke
By what name was Dead for a Dollar (2022) officially released in Canada in English?
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