Mein Sohn, der Soldat

Tirailleurs visits an often forgotten part of WWI : the fate of the African men who were kidnapped and forced to fight for the west. The premise promises to be heart-breaking, certainly, but the film adds poetry and humanity to this dark chapter in history.

Omar Sy and Alassane Diong act brilliantly as a father and son duo, making conflicting choices in a tragic situation. The film explores the many (sometimes contradicting) ways in which one can be brave; it's a story about the meaning of moral integrity and the will to survive, wether physically or in memory.

As per usual in french cinema, the movie is slow, and the themes are subtle. One has to contemplate, more than just watch. However, I do think it remains accessible to the general public, as long as you expect a drama rather than an action-packed experience. Maybe not a fun movie, but an important one.

When you watch this movie, you of course think of Rachid Bouchareb's cinema, his movies HORS LA LOI and INDIGENES are totally in the line of this one. A great tribute to African or North African men who fought and die for many of them for the sake of France. Omar Sy is the actor that no director can avoid for such topics, especially with a big budget. It is moving, poignant but it was made to be this way. It could not be shown as a comedy or light hearted story. It's good to tell such fates, show how things were during WW1 for those Africans who gave their life for France, how they were used, sacrified.... It can be seen as an anti war feature but that's not PATHS OF GLORY either.

Set in Senegal in 1917, the story follows Bakary (Omar Sy) and his son Thierno (Alassane Diong) , who are forced to fight on the French side during the First World War. They have no alternative, because the French have guns and they don't and although they try to escape, they are captured and taken to the front of the war.

The director of photography for Untouchables by Eric Toledano and Oliver Nakache, Mathieu Vadepied, and one of its iconic protagonists, Omar Sy, come together again in this war drama set during World War I, in which a father enlists himself in the French Army in order to be with his 17-year-old son who was recruited against his will. Sent to the front, they find themselves facing the war together in the French colony of Senegal during WWI , when all they want is to return home. The film led the French box office for its first four weeks in theaters. There are combats, few and limited, and intense drama, which begins as a critique of colonialism and ends as patriotic glorification. The picture has the merit of constructing an anti-war discourse with transparency and simplicity. But there is no a specific description of the battles, denouncing the forced recruitment of the Africans on the French front and the useless heroism displayed by the not very patriotic soldiers, but especially highlighting the sacrifice and obstinacy of a good father who wants to save his son at any cost, as he attempts to protect, save and rescue him at any price and even his own. Apparently, it carries out a revision of the French colonial past, but the film can be considered as an ambiguous revision that ends in the most dull and ordinary patriotism. Director Mathieu Vadepied met actor Omar Sy during the filming of Intocable (2011), where he was the director of photography. The main star is Omar Sy, who holds up with his charisma; Sy was attached to star in Tirailleurs (2022) for years during development, until he became too old to play the role of the son, and thought about just producing and not starring. Sy is building a French and nternational career including successful films, such as X-Men: Days of Future Past , Jurassic World, Jurassic world: dominion, The Call of the Wild, Le flic de Belleville, Tansformers: The last Knight, Untouchables, and several others.

The film was professionally -but slowly- directed by Mathieu Vadepied. The movie had its world premiere at the 75th Cannes Film Festival as the opening film in the "Un Certain Regard" section on 18 May 2022 Cannes Film Festival and Nominated Un Certain Regard Award: Mathieu Vadepied and Barcelona-Sant Jordi International Film Festival winner Best Actor Omar Sy . Mathieu Vadepied is a good craftsman, a cameraman, production designer and director, being known for La vie en grand, En Thérapie, Sur mes lèvres, Untouchables, among others. Rating: 6/10. For anti-war activists fascinated by the strange beauty of war in cinema.

The Senegalese Tirailleurs fought with distinction in both world wars. They were often involved in the bloodiest battles of the Great War. This film had real potential to showcase their heroic feats but unfortunately our protagonist was a deserter desperate to incite others to escape with him and undermine their officer's authority.

Whilst I agree desertion happened frequently across the front, this shouldn't have been the plot for the one rare instance we get a film about such a little known and decorated military formation...

I hope this film encourages other Directors to create more films about the Colonial units that fought in both wars. Their sacrifices often overlooked and / or forgotten.

Intriguing on paper, but disappointing on the big screen, "Father & Soldier" from 2022, directed by Mathieu Vadepied, presents itself as a no-frills drama that seeks to harshly denounce French military and political rhetoric during World War I. However, despite its noble intentions, the film gets lost in a wavering narrative and lacks depth. Set in Senegal in 1917, the plot follows the story of Bakary (played by Omar Sy), a man who joins the French army to protect his son Thierno (Alassane Diong), who is enlisted against his will. The promise of a direct confrontation with themes such as war, colonialism, and exploitation seemed promising, but Vadepied misses the opportunity to bring to life a story that could have resonated with the audience. The film suffers from a lack of character development, with Bakary and Thierno appearing as mere archetypes rather than nuanced individuals. The father-son relationship, a central element of the plot, lacks authenticity and emotion, leaving viewers indifferent to their struggles. Omar Sy, despite his talent, seems trapped in a role that doesn't allow him to express complex emotions. The criticism of colonialism and blind obedience to orders is present, but Vadepied addresses these themes timidly and indecisively. The plot seems geographically vague, with out-of-context elements such as the presence of a North African desert fox in a setting that should be the European continent. Alexandre Desplat's soundtrack, while stirring, often seems out of sync with the narrative, creating a disorienting experience. The trench assault scene, while well-executed technically, fails to convey the urgency and tension that should accompany such a situation. "Father & Soldier" seems to miss the opportunity to delve into the crucial themes it addresses. The issue of forced recruitment of young Africans and their use in war, while relevant, is treated superficially and lacks emotional impact. Vadepied may have aimed for realism, but the result is a flat and unengaging narrative. In conclusion, "Father & Soldier" presents itself as a cinematic work that, despite its interesting premises, fails to effectively convey its message. The lack of character development, uncertain narrative, and timidity in addressing crucial themes make this film a disappointing experience, devoid of the depth and impact one might expect from such a work.