IMDb-BEWERTUNG
5,9/10
40.323
IHRE BEWERTUNG
Eine Mutter schreckt vor nichts zurück, um ihren entführten Sohn zurückzuholen.Eine Mutter schreckt vor nichts zurück, um ihren entführten Sohn zurückzuholen.Eine Mutter schreckt vor nichts zurück, um ihren entführten Sohn zurückzuholen.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Jason George
- David
- (as Jason Winston George)
Arron Shiver
- Bill
- (as Aaron Shiver)
Jill E. Alexander
- Nancy
- (as Jill Alexander)
Empfohlene Bewertungen
The movie was interesting,nice acting. Mothers can sacrifice their lives for their children,so the main actress deserves a better ending. The film is quite intense, making me immerse myself in the mother's chase, enhancing my recognition of women who can fight for what they love most.
The taglines for the movie 'Kidnap' are "Vengeance is a mother" and "They messed with the wrong mother". I really wish they would change or adapt these because they imply a different type of film to what this actually is. To me those scream of a film like 'The Brave One', 'Taken' or 'Deathwish' where revenge is the motivating factor. That couldn't be further from the case. This is actually quite a grounded story about a desperate mother who will do whatever it takes to get her child back. Misleading taglines aside, it is quite a good film.
It's the pacing that really makes this film tick along. It really does grab you by the proverbials early and then never lets you go. You are in for the ride along with the mother and you genuinely care about the outcome for these characters. There are a few pieces of ill-advised writing, where character's decisions are questionable at best, however it has to be said it is very hard to avoid any of those at all in a film like this and still have 94 minutes of action.
Halle Berry is good in the lead role. Something I've noticed about her is that she is a much better actress when her character is under duress. When she is just being a regular person and asked to act normally she comes across quite clunky and you remember why she won a Razzie. Give her character some drama to work with though and you quickly remember why she also won an Oscar.
'Kidnap' is a good little thriller with excellent pacing, decent acting and more than enough going on to justify an hour and a half of your time. Give it a look.
It's the pacing that really makes this film tick along. It really does grab you by the proverbials early and then never lets you go. You are in for the ride along with the mother and you genuinely care about the outcome for these characters. There are a few pieces of ill-advised writing, where character's decisions are questionable at best, however it has to be said it is very hard to avoid any of those at all in a film like this and still have 94 minutes of action.
Halle Berry is good in the lead role. Something I've noticed about her is that she is a much better actress when her character is under duress. When she is just being a regular person and asked to act normally she comes across quite clunky and you remember why she won a Razzie. Give her character some drama to work with though and you quickly remember why she also won an Oscar.
'Kidnap' is a good little thriller with excellent pacing, decent acting and more than enough going on to justify an hour and a half of your time. Give it a look.
Well... I will first give credit where credit is due. I will admit that despite the many flaws to be found, I was never bored once during my viewing experience. And I will also admit that Halle Berry gives it her all, and certainly deserves an "A" for her great effort. Unfortunately, Berry is often required to spout dialogue (when no one else is around) that feels quite contrived and makes you think that the filmmakers thought the audience would be too stupid to figure out what her character was thinking and feeling if she was silent. A bigger problem is that there many moments where her character does some really stupid things that just extend the situation instead of finishing things much sooner had her character had some basic smartness. For that matter, the bad guys (and also some other characters) do their part to act stupid enough so that they stretch out the narrative as well. Had the movie's characters been of reasonable intelligence, we might possibly have had something here. But as it is, the movie is not that much better than silently watching a blank wall for 95 minutes.
I was optimistic about this being good since Halle berry was starting. She did a great job playing a panicked mother but the storyline after the actual kidnapping event was extremely unrealistic. High speed police chases and tools being thrown at vehicles on the highway and nobody calls the cops? No traffic cams picked up on any of this? Highly unlikely. Save your money and don't go see this movie. There weren't enough good parts to make this a good movie to pay for and I no longer want to watch Halle berry movies in the future.
Karla Dyson (Halle Berry) is a stressed out waitress in New Orleans. Her son Frankie is everything to her. Her husband is fighting for primary custody of him. At a park, Frankie is kidnapped with Karla following in hot pursuit.
Halle Berry seems to have fallen into a lot of these minor thrillers. The first half has some good thrills. This is essentially one long car chase concluding in a fight to the death. There are a few too many convenient twists which erodes the believeability of the movie. At one point, she is following the kidnappers surreptitiously and I figured that's good way to follow them to their hideout. Instead, it keeps trying to elevate the intensity by having unrealistic turns. The movie slowly falls apart but it keeps trying and that's somewhat watchable.
Halle Berry seems to have fallen into a lot of these minor thrillers. The first half has some good thrills. This is essentially one long car chase concluding in a fight to the death. There are a few too many convenient twists which erodes the believeability of the movie. At one point, she is following the kidnappers surreptitiously and I figured that's good way to follow them to their hideout. Instead, it keeps trying to elevate the intensity by having unrealistic turns. The movie slowly falls apart but it keeps trying and that's somewhat watchable.
Wusstest du schon
- WissenswertesWas initially going to be released on October 9, 2015, but was pushed back 5 times due to the studio going bankrupt. It was eventually released on August 4, 2017.
- PatzerA 911 call is placed from a landline cordless phone, the phone number is associated with a stationary address. Authorities know where the house is based on this phone number, and the house doesn't move. The cordless phone has a range of maybe 50 ft. But the 911 dispatcher states "we will triangulate on your location" despite Karla knowing the address. Authorities only need to triangulate on cell phones which are mobile, using 3 cell towers to find their location.
- Zitate
Karla Dyson: Let me tell you something, as long as my son is in that car, I will not stop. Wherever you go I will be right behind you.
- Crazy CreditsPhotos of Halle Berry and Sage Correa at the park are shown during the first half of the end credits.
- Alternative VersionenThe Blu-ray and DVD release is 14 minutes shorter than the theatrical and VOD release.
- SoundtracksPurple Butterflies
Written by Federico Jusid, Ale Martí, Anele Onyekwere
Performed by Raya Yarbrough, Danny Jay & The Pimpampums
Published by Metronome MP
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Entführt in Louisiana
- Drehorte
- Slidell, Louisiana, USA(outdoor filming)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 21.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.971.040 $
- Eröffnungswochenende in den USA und in Kanada
- 10.016.323 $
- 6. Aug. 2017
- Weltweiter Bruttoertrag
- 34.814.102 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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