Ein ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht ... Alles lesenEin ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht der weißen Familien, für die sie arbeiten, und über die harten Umstände, denen sie tagtägl... Alles lesenEin ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht der weißen Familien, für die sie arbeiten, und über die harten Umstände, denen sie tagtäglich ausgesetzt sind.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 79 Gewinne & 121 Nominierungen insgesamt
- Stuart Whitworth
- (as Chris Lowell)
- Yule Mae Davis
- (as Aunjanue Ellis)
Zusammenfassung
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I could discuss the plot, but LOTS of other reviewers have discussed this. So instead, let's talk about what I liked and didn't like. I liked the acting. The problem, however, is that giving any of these actresses awards is tough as it's such an ensemble cast. I can truly understand why the Screen Actor's Guild chose to award ALL the cast a joint award. The direction was very nice and the movie was well filmed. The script was also very nice--and quite inspiring. My quibbles are VERY small---very, very small. I felt that a few characters were a bit one-dimensional (particularly the lead villainess). Also, the ending of the film seemed to drag out a bit and wrapping it up a bit sooner. It wasn't a bad ending--but tightening would have heightened the overall emotional impact.
So my advice for you is to see this film. While I still think "Hugo" is the best nominated film this year, I can see the merit in "The Help" winning and "The Artist" sure seems to have a lot of momentum. So, do yourself a favor and see all three--all three are terrific.
Taylor, whose last movie was the little seen Pretty Ugly People, grabbed a familiar actress to join him in making The Help, Allison Janney. Other than Janney the only other familiar actresses in the movie are Cicely Tyson and Sissy Spacek. The rather unknown cast has a fresh feeling on the story and there are no preconceived notions based on a past actor or actresses work. That being said Emma Stone (Easy A), and Viola Davis had a true coming out party in The Help. Both women played fantastic parts, which really made the cast mesh nicely together. Bryce Dallas Howard, Octavia Spencer and Jessica Chastain were all spectacular in supporting roles alongside Stone and Davis.
When a movie doesn't have the explosions, crazy action or crude humor that we've become accustomed to seeing in newer movies there has got to be a great story attached in order to maintain your interest; The Help had that great story. There aren't many movies that have you laughing, crying, or getting angry and end up still being fantastic and that is where this one had me. With my common rule of no movie should be over 2 hours unless it is special; this one is very special. I would be surprised if there aren't a number of nominations coming.
Children: If they can handle a lot of dialog it is age appropriate for 10+ Award Worthy: YES! Nominations for: Best Actress, Best Supporting Actress, Screenplay, Picture, Director Entertaining: Yes Summer Movie Grade: A+ Is it Worth the Price of a Movie ticket: Yes Would I watch It Again: Yes
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Now, first off, I must admit that I have only read a portion of the book, but I definitely do know a lot about it. After watching the trailer, I was intrigued, so of course, I visited the IMDb boards to learn more about it. At first glance, the casting caught my attention big-time. Emma Stone as 'Skeeter'? I bet most people were as shocked as I was to find out that she was cast as the main character -- but let me tell you what: the casting was superb! I could not have chosen a better cast than what was already chosen. There was amazing chemistry between both the antagonists and protagonists. I won't go into too much depth about the characters, but for me, Emma Stone, Jessica Chastain, Sissy Spacek, and Octavia Spencer were the shining stars of the movie.
Casting: 9.5/10 I know that there has been an on-going issue about this movie from a lot of people claiming that "the blacks had to be 'saved' by the whites" (pardon the language), or something along those lines. I have to agree that the trailer does give off that type of vibe -- Skeeter saving the colored-folks -- however, the movie tells and depicts otherwise - the colored-folks actually saved themselves. Minny and Aibileen, as well as the other colored-folks in the community, were the real "heroes" of the movie; they just needed someone to push them to their potential (Skeeter).
I can not remember the last time I saw a movie that inspired me, made me cry, made me laugh, and made me sad, angry, and hopeful, all at the same time -- this is what "The Help" strides and aims for, without making it "cheesy". Without a doubt in my mind, there are definitely Oscar-worthy performances in this movie. Not only does this movie depict just the colored-folks' side of the story, but it also equally shows the feelings of the white-folks, as well. So, you definitely get both sides of the story without it being more or less "mean" or "degrading" to any sides.
There are definitely a few awkward moments in the movie, but what movie doesn't have them? This movie started around 7:10 and ended around 9:20 -- about 2 hours and 10 minutes, give or take, if my calculations are correct. However, this movie only felt like it was an hour-long. It was so good that I didn't even know the two hours passed by until the theatre lights lid and the rolling credits began.
All in all, this is a DEFINITELY-MUST-SEE movie. I personally believe that it is one of the best movies of 2011. Go see it -- you will not regret it. If you have any questions, feel free to ask.
Movie rating: 9/10
But it wasn't fiction--at least, the depiction of Southern society wasn't. As I watched I kept drifting back to small-town South Carolina in the 1950s, where I grew up. It was moving and disturbing to be reminded how black people were treated then--loved and yet "kept down in their place." Our neighborhood was all middle-class and every family had a maid. There were plenty of boys my age, we visited in each other's homes, and called every maid by her first name. One even started a baseball team for the little white boys, for which her reward was a visit by the Klan.
Our maid helped my mother cook and clean. One of my parents picked her up and took her home every day--and she rode in the back seat. She ate her lunch in our kitchen--without being allowed to use our utensils. I remember her eating with her fingers. I do not remember ever seeing her use our bathrooms. I thought about that during the movie and truly cannot recall what she did, an embarrassing gap in memory.
I do remember when my father was out of work and our maid had to be cut back to three days a week. I actually cried; she was a member of our family. When talk about civil rights began in the late 1950s, my mother became annoyed at our maid for getting "uppity." And so it went. We moved to central Florida in 1961, where there were no maids.
Travel back in time with this film. It's quite real, and I highly recommend it.
Wusstest du schon
- WissenswertesKathryn Stockett's book, on which this film is based, was rejected 60 times before it was eventually published.
- PatzerSkeeter uses liquid paper. In 1963, people used hard, round "typewriter erasers" and brushes to correct typing errors. Liquid paper was still being sold out of its inventor's house.
- Zitate
Minny Jackson: Eat my shit.
Hilly Holbrook: What'd you say?
Minny Jackson: I said eat... my... shit.
Hilly Holbrook: Have you lost your mind?
Minny Jackson: No, ma'am, but you is about to. 'Cause you just did.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #19.196 (2011)
- SoundtracksJackson
Written by Jerry Leiber and Billy Edd Wheeler
Performed by Johnny Cash and June Carter Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Historias cruzadas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 169.708.112 $
- Eröffnungswochenende in den USA und in Kanada
- 26.044.590 $
- 14. Aug. 2011
- Weltweiter Bruttoertrag
- 221.802.186 $
- Laufzeit2 Stunden 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1