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Ces amours-là

  • 2010
  • 2 Std.
IMDb-BEWERTUNG
6,5/10
767
IHRE BEWERTUNG
Ces amours-là (2010)
Drama

Füge eine Handlung in deiner Sprache hinzuIlva runs her stepfather's Eden Palace cinema in wartime Paris against a background of Resistance activities, the frequent sight of less fortunate Parisians being shipped east in cattle-trai... Alles lesenIlva runs her stepfather's Eden Palace cinema in wartime Paris against a background of Resistance activities, the frequent sight of less fortunate Parisians being shipped east in cattle-trains and, later, the impact of the D-Day landings. Over time a number of other lives interse... Alles lesenIlva runs her stepfather's Eden Palace cinema in wartime Paris against a background of Resistance activities, the frequent sight of less fortunate Parisians being shipped east in cattle-trains and, later, the impact of the D-Day landings. Over time a number of other lives intersect with hers, including a German officer and then two American servicemen. A post-war shoo... Alles lesen

  • Regie
    • Claude Lelouch
  • Drehbuch
    • Claude Lelouch
    • Pierre Uytterhoeven
  • Hauptbesetzung
    • Audrey Dana
    • Dominique Pinon
    • Raphaël Haroche
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    767
    IHRE BEWERTUNG
    • Regie
      • Claude Lelouch
    • Drehbuch
      • Claude Lelouch
      • Pierre Uytterhoeven
    • Hauptbesetzung
      • Audrey Dana
      • Dominique Pinon
      • Raphaël Haroche
    • 6Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos27

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    Topbesetzung99

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    Audrey Dana
    Audrey Dana
    • Ilva Lemoine
    Dominique Pinon
    Dominique Pinon
    • Maurice Lemoine, le projectionniste
    Raphaël Haroche
    Raphaël Haroche
    • Le premier et dernier Amour
    • (as Raphaël)
    Samuel Labarthe
    Samuel Labarthe
    • Horst, le bel Allemand
    Laurent Couson
    Laurent Couson
    • Simon, le pianiste avocat
    Jacky Ido
    Jacky Ido
    • Bob, le boxeur
    Gilles Lemaire
    • Jim Singer
    Judith Magre
    Judith Magre
    • La mère du pianiste
    Liane Foly
    Liane Foly
    • La chanteuse des rues
    Massimo Ranieri
    Massimo Ranieri
    • Le chanteur du camp
    Zinedine Soualem
    Zinedine Soualem
    • L'accordéoniste
    Charles Denner
    Charles Denner
    • Le père de Simon
    • (Archivfilmmaterial)
    Anouk Aimée
    Anouk Aimée
    • Madame Blum
    Salomé Lelouch
    • Salomé Blum
    Sabaya Lelouch
    • Sabaya Blum
    Boaz Lelouch
    • Coco 7 ans
    Sachka Lelouch
    • Coco 19 ans
    Valérie Perrin
    • La mère de Coco
    • Regie
      • Claude Lelouch
    • Drehbuch
      • Claude Lelouch
      • Pierre Uytterhoeven
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen6

    6,5767
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    Empfohlene Bewertungen

    Kirpianuscus

    honest fresco

    Obvious , not a remarkable film. But nice , honest and romantic, wise using pieces of film noir and classics, reflecting the Occupation life and its compromises or cold suspicions, the seduction of Americans in France and the nightmares after war, the happiness after chain of sentimental relations and the testimony about a long life events.

    But the great detail is the movie theater and its magic , scene, refuge.

    A film who seduced me for its last part . For performances and for credible traits of portraits of characters. Sure, not profound but for this other movies are fair answers. But honest, I repeat. A young women and his romances and her survive. And this is all. And it is enough.
    4Mueller-P-D

    Insupportable

    Although I'm a huge fan of Lelouch and have seen all of his films, this one was a huge disappointment. Yes I know, there are other rules when you are watching a Lelouch, that you have to see the world like a naive child does. Or like him at the time when he was a child and hidden in a cinema not to be discovered by the Nazis. But this time, nothing fits together. He wanted to create a big fresco, to tell the stories of the 20th century, about a modern woman, about his love of the cinema and about his 50 years of filmmaking. But everything is so overdone, horribly non credible, that it made me tremendously sad and angry. For example he used very much material of his past films, but a lot of it is dispensable and has almost no connection with the plot. All of the concentration camp scenes reached a level of pathos, kitsch and historical in-accurateness, that hasn't been there before even in his films. The peak was the scene where the prisoner was theatrically shot after singing the Charles Trenet song "Que reste-t-il de nos amours". A song that we here ad nauseam over and over again in the film, like the "Lily Marleen" song in Fassbinders film. Another problem is that you don't have any feelings towards the characters because everyone is a kind of cliché and their actions and relationships are badly written of seem only to be there to introduce the next big tracking shot. Even the good actors cannot change that fact. Lelouch wanted to tell us in this film about everything he loves or hates, but here he wasn't able to make fit all parts together. The only good thing in this film is Lelouchs way of filming and how he directs actors. He needs only two people in a room or a café in order to create wonderful, realistic scenes. But although I like his aphorisms very much, he certainly isn't a good screenwriter. In my personal opinion, Lelouch has always been good when he is short on money, like in his last, small and wonderful told film "Roman de Gare". He should concentrate an smaller films instead of trying to explain the universe. Because after all, even after this failure, I like the "Lelouch touch" and his ingenious and fresh way of filmmaking where anything can happen.
    shane013a-1

    A film of the highest caliber...

    This film can leave one simultaneously with a feeling of exhilaration and exhausted to the point of tears! Seldom have I gone to a movie with expectations as high as this one to satisfied without even being asked,and I watch up to ten a week! The five stories,based on true events in the life of Mr. LeLouch,are interwoven into a story of epic proportion with scenes shot in the very spots where they happened. What could have been old stories of the 'war years' retold were given to us instead with a gut-wrenching, joyously vibrant story of love and betrayal usually reserved for those epics of the bygone era of Hollywood. This combined with acting pulled from the souls of basic unknowns ,some of whom begged for the parts,poured off of the screen to wash over the audience with so much more then we have come to expect these days...a true film going experience. See this with an audience on the big screen if you can, if not gather some of your closest friends around you and plenty of wine and tissues. I will only say that I've waited a long time to feel this way about a movie, thanks Mr. L.
    7gvdima

    Not a film critique but a short report of a viewer feelings

    Aiming to be a complex story of the life complexity ended up in a series of clichees , sometimes forced, sometimes too easy- but then again: what is lije after all, when eavery and each of us are unique in a way? Seeing the movie 10 years after first release the effect of not being a modern one is augmented. However the story seen now in this not modern circumstances add to its credibility- like a docu drama. Not a visual masterpiece that I would like to see again but it let me with the sense of "this story was really and trully happened" . In terms of where life could lead one that follows heart and instincts, one that love life and self rather than others and social conventions.
    1radulescuandrada

    horrible waste of time

    Big expectations,big names, promising start and trailer, epic fail.

    Not coherent, not meaningful, absurd and then vulgar, very boring a very unhappy melange of things.

    The lead actress - acceptable but not as good as you might think when reading other reviews. She's...average.

    Very bad chosen twists, poor script, nothing leads you to the conclusion that the director wanted to highlight (I only found details in reading A LOT of press materials.

    The music - although the pieces taken separately might sound nice, is used in a very annoying way.

    Do not, I repeat - do not spend money and most of all time watching this.

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    Handlung

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    • Verbindungen
      Features Hôtel du Nord (1938)

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    FAQ1

    • POUR RAPHAEL DE LA PART DE METATRON ET SANDOLPHON

    Details

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    • Erscheinungsdatum
      • 15. September 2010 (Frankreich)
    • Herkunftsland
      • Frankreich
    • Offizieller Standort
      • Rezo Films (France)
    • Sprachen
      • Französisch
      • Italienisch
      • Englisch
      • Deutsch
    • Auch bekannt als
      • What War May Bring
    • Drehorte
      • Beaune, Côte-d'Or, Frankreich
    • Produktionsfirmen
      • Les Films 13
      • Les Films du Kiosque
      • Studio 37
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    Box Office

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    • Weltweiter Bruttoertrag
      • 179.352 $
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      • Black and White
    • Seitenverhältnis
      • 2.35 : 1

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