IMDb-BEWERTUNG
4,8/10
2423
IHRE BEWERTUNG
Eine 30-jährige Schriftstellerin verbringt ein wildes Wochenende in Palm Springs und wacht auf, um festzustellen, dass sie sich auf magische Weise in ihr 70-jähriges Ich verwandelt hat.Eine 30-jährige Schriftstellerin verbringt ein wildes Wochenende in Palm Springs und wacht auf, um festzustellen, dass sie sich auf magische Weise in ihr 70-jähriges Ich verwandelt hat.Eine 30-jährige Schriftstellerin verbringt ein wildes Wochenende in Palm Springs und wacht auf, um festzustellen, dass sie sich auf magische Weise in ihr 70-jähriges Ich verwandelt hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Martin Short
- Cheese
- (Synchronisation)
Empfohlene Bewertungen
Fifteen minutes in: "Oh. So it's 'Big' or '13 going on 30' meets 'Freak Friday.' Got it."
The cast is having a good time. I love the costume design, and the hair and makeup work. The production design and art direction are pretty swell. There are themes here about being true to oneself, and the shallowness of social media and "influencers"; far less well articulated are any Big Ideas about treating the elderly well, and not talking down to them, or some such that the movie barely touches upon. The screenplay can claim some minor cleverness and mild, lighthearted humor. It's well made from a technical standpoint, including visual effects, editing, and cinematography, even if such elements are sometimes employed to ends that are just overdone.
I'd like to have more to say about 'Mack & Rita,' and specifically, something more substantive. This, however, is not a movie of substance - at least, none that we haven't seen before, and none that we can't predict nearly from the very start. There are also times when the feature works extra hard to avoid substance and just be as bombastic as it can, except the results of such instances are mostly not fun or funny, just overcooked or altogether obnoxious. (Like, really obnoxious; the first point of comparison to come to mind was John Leguizamo's 1997 misstep 'The pest,' except without the deliberate offensiveness.) Alternatively, the last scene, that tries to wrap up the story in a nutshell of whatever substance was previously lacking, is simply too drawn out.
This isn't to say that it's bad, or dull. It's not! It's really not! I do like this; it's passably entertaining, and everyone put in a lot of hard work on it. Only - it's just not anything special, and it doesn't have any especial spark to make it pop. No doubt many other viewers will get much more out of 'Mack & Rita'; I'm glad for them, and they should. For the average viewer, however, this is something very light and fluffy to watch on a very lazy day, if at all. Maybe that's all it needs to be, but I still rather wish it were something more remarkable.
The cast is having a good time. I love the costume design, and the hair and makeup work. The production design and art direction are pretty swell. There are themes here about being true to oneself, and the shallowness of social media and "influencers"; far less well articulated are any Big Ideas about treating the elderly well, and not talking down to them, or some such that the movie barely touches upon. The screenplay can claim some minor cleverness and mild, lighthearted humor. It's well made from a technical standpoint, including visual effects, editing, and cinematography, even if such elements are sometimes employed to ends that are just overdone.
I'd like to have more to say about 'Mack & Rita,' and specifically, something more substantive. This, however, is not a movie of substance - at least, none that we haven't seen before, and none that we can't predict nearly from the very start. There are also times when the feature works extra hard to avoid substance and just be as bombastic as it can, except the results of such instances are mostly not fun or funny, just overcooked or altogether obnoxious. (Like, really obnoxious; the first point of comparison to come to mind was John Leguizamo's 1997 misstep 'The pest,' except without the deliberate offensiveness.) Alternatively, the last scene, that tries to wrap up the story in a nutshell of whatever substance was previously lacking, is simply too drawn out.
This isn't to say that it's bad, or dull. It's not! It's really not! I do like this; it's passably entertaining, and everyone put in a lot of hard work on it. Only - it's just not anything special, and it doesn't have any especial spark to make it pop. No doubt many other viewers will get much more out of 'Mack & Rita'; I'm glad for them, and they should. For the average viewer, however, this is something very light and fluffy to watch on a very lazy day, if at all. Maybe that's all it needs to be, but I still rather wish it were something more remarkable.
I havent seen this many perfectly good jokes fail to land since VIBES. Why? Bad chemistry, poor timing? Cast is fine, script is good, but by fifteen minutes in i thought so many movies are made but not released - WHY NOT THIS? Ah well, it looked nice.
Light hearted escapism; not nearly worthy of some of the overwhelmingly negative reviews here. But don't go thinking you're going to see an Oscar winner either.
Elizabeth Laiil and Dianne Keaton are charming. However, the story is one we all know. But if you're looking for a few hours to forget the world, you'll enjoy it just fine...
Elizabeth Laiil and Dianne Keaton are charming. However, the story is one we all know. But if you're looking for a few hours to forget the world, you'll enjoy it just fine...
Another Diane Keaton movie that is so predictable and cliche'. She is playing the same Diane Keaton again, as we have seen in so many movies over the past 40 years. The clothes change slightly, but the gestures, expressions, laugh, and just about everything else is just so unremarkably the same. Bless her heart.
Could've been titled 30 going on 70. Same premise as 13 Going on 30, BIG, Freaky Friday...
Could've been titled 30 going on 70. Same premise as 13 Going on 30, BIG, Freaky Friday...
This is the only movie, in my entire 59 years, that I've EVER walked out on!!!
Possibly the WORST movie ever made.
I love Diane Keaton and it hurt my heart that she was part of such a trite and poorly written film.
Horrible from start to finish!
Possibly the WORST movie ever made.
I love Diane Keaton and it hurt my heart that she was part of such a trite and poorly written film.
Horrible from start to finish!
Wusstest du schon
- WissenswertesDiane Keaton, portraying seventy-year-old Rita, was seventy-six at the time of this film's release.
- PatzerAlle Einträge enthalten Spoiler
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Seventy Is the New Thirty
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.540.965 $
- Eröffnungswochenende in den USA und in Kanada
- 1.038.291 $
- 14. Aug. 2022
- Weltweiter Bruttoertrag
- 2.707.837 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
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