Arthur Weihnachtsmann

Arthur Claus (James McAvoy) is the bumbling son of the reigning Santa, Malcolm Claus (Jim Broadbent). Arthur is relegated to the Letter Department where he can presumably do no damage. Arthur's brother Steve (Hugh Laurie) is the heir apparent to the title of Santa. Steve is handsome, confident, and in charge of the North Pole command center that monitors Santa's gift-giving flight around the world. The film opens with a bravura set piece showing how Santa is able to stop in millions of homes in one night. Hint: he has the help of thousands of elves.

When Arthur discovers that one gift was accidentally undelivered, he becomes determined to get it to the unfortunate girl before Christmas sunrise. Even with the help of his retired grandsanta (Bill Nighy) and a perky elf (Ashley Jensen) from the Wrapping Department, can Arthur travel around the world in time?

There have been many movies over the years where Christmas must be saved from disaster, but Arthur Christmas has a very creative take on it. From the opening scene where it's established that Santa is really a dynasty through the centuries, a title handed down from father to son, to the paramilitary operation to get millions of presents delivered in one night, to the misadventures of Arthur and his grandsanta as they try to make sure one little girl is not disappointed, Arthur Christmas is fun, creative, and original. Produced by Aardman Animations in association with Sony Pictures Animation, this CGI animated film delivers Aardman's distinct brand of quirky humor and style.

The art direction maintains the slightly skewed look of an Aardman claymation film. The character designs are asymmetric and the surface textures are realistic yet bold. The North Pole command center and Santa's high-tech sleigh are clean and modern.

Sometimes celebrity voice talent backfires, but here it works beautifully, the English accents lending a sense of gravity that heightens the silliness. Bill Nighy is particularly good, conveying wisdom that is tinged with resentment of the modern gift-delivery methods his son and grandson use.

Arthur Christmas is a funny, heartwarming, and poignant look at the Santa Claus mythos, adding a family dynamic that will resonate with children and adults. I expect Arthur Christmas will become a joyful holiday favorite for years to come.

As a fan of Aardman ever since Wallace and Gromit, I was interested from the get go into seeing Arthur Christmas. Apart from it dragging slightly in the middle, Arthur Christmas was a wonderful film. The animation is absolutely breathtaking, it is all very colourful and beautifully modelled, and the soundtrack is so rousing it makes you want to get out your favourite Christmas Carols/Songs CD and sing along afterwards. The script is mostly witty, if more amusing than laugh-out-loud funny, and the story has a lot of charm and heart to it. The three best assets were the terrific characters, Arthur in particular, makes such a big impression with his likability and his wonderful jumper and I hope to see more of him in the future, the voice cast with a spirited James McAvoy, a jovial Jim Broadbent and a truly inspired Bill Nighy and the real sense of occasion, watching this movie you actually feel that it's Christmas. All in all, colourful and entertaining, I thoroughly enjoyed it. 9/10 Bethany Cox

I want to give this a 7, but its originality boosts it to an 8.

The story is predictable, but fun, but the tri-planar nature (Father-Father-Son) of the piece with off shoots of wife, mother, brother and friend, mean this is truly a film about a family Christmas.

Nothing unexpected happens, but I found myself laughing and egging Arthur on all the way! A film that succeeds in entertaining children and, in making the older viewers feel the onset of rosy and sometimes, emotional family nostalgia.

A more original plot may have blunted the message, but would also have engaged my brain.

Regardless, well done! A good Christmas film to add to the ranks.

It's funny that some of the Oscar nominated movies were not as good as this. The animated movie section could have done with a movie like this. It has more than a little heart and it is a really good movie. I liked the 3-D too, but it's not really important. Because the movie works with it and without it.

When the movie started (I knew the general idea through the trailer), I did wonder how'd they make a feature length movie out of it. I wouldn't say I was afraid, they'd just fill the running time with smaller benign things, but I didn't really believe in it. I was so wrong. The movie always has something up its sleeve and it works perfectly. Great characters, great comedy and a heart that is so sweet it might be made out of sugar!

"A lovely thing about Christmas is that it's compulsory, like a thunderstorm, and we all go through it together." Garrison Keillor

Where I live, too many Christmas Carol adaptations take the place of imaginative theater productions that could celebrate the holidays without the requisite Scrooge redemption. Arthur Christmas is a refreshing new take on the countless Santa stories, notwithstanding my favorite: Bad Santa, which satisfies my need for the new and irreverent.

Arthur (James McAvoy) is one of Santa's two sons, a bungler with a big heart. He takes it on his own to bring a present to the one girl in all the land whose present was not delivered. His technocrat brother, Steve (Hugh Laurie), has been responsible for the mis-delivery, although his array of laptops for elves and computerized delivery system is impressive. The head versus the heart forms the central conflict, providing laughs and groans but never in a mean way as in Bad Santa.

Aardman CG works its animation magic to create big-nosed, elongated-faced characters like GrandSanta (Bill Nighy), Santa (Jim Broadbent), and Mrs. Santa (Imelda Staunton), all of whom are fleshed out as loving characters with quirks just right for their roles.

In regard to developing character, Aardman goes nose to nose with Pixar. The use of 3-D is unobtrusive as it is in Martin Scorsese's Hugo with the process useful to give flights of the sleighs a grand feel, swooping in and out of perspective. Yet, in the end, regardless of the jazzy visuals, it's a lovely and exciting story for the holidays. As soon as the younger audience adjusts to the Brit accents, and that doesn't take long, they will enjoy the high spirits, good will, dry humor, and imagination they deserve and should expect from the masters of unique animation.

It's wonderful filmmaking that touches the heart with affectionate Brit humor.