Game Changer
- 2025
- 2 Std. 45 Min.
IMDb-BEWERTUNG
5,2/10
27.665
IHRE BEWERTUNG
Der Kampf eines ehrlichen IAS-Beamten gegen ein korruptes politisches System durch faire und transparente Wahlen.Der Kampf eines ehrlichen IAS-Beamten gegen ein korruptes politisches System durch faire und transparente Wahlen.Der Kampf eines ehrlichen IAS-Beamten gegen ein korruptes politisches System durch faire und transparente Wahlen.
Ram Charan
- Ram Nandan
- (as Ram Charan Teja)
Sunil
- Side Sathyam
- (as Suneel)
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What a stupid film to watch in 2025! A bare plot for an entertaining film. No intelligent storytelling approach has been applied in this film. Just wasted money for color grading and set designs. The directorial unit only thought about cheap claps from witty, conventional dialogues and attitudes. Sadly, that did not work. If the directors nowadays still think that the audiences will love their work just because they checked not to forget mixing all the emotional tablets in every seconds of their film to fool the audiences, then they are wrong, and they obviously need to change their vision. These types of movies are enough to kill any actor's career.
While this isn't as terrible as Indian 2 overall, the entirety of the first hour is some of the worst bits of filmmaking I have seen from the once-iconic director. The comedy sucks (Sunil and Vennela Kishore characters desperately need the "DELETE" button), the intro fight & song combo is horrendous, the romance between Charan and Kiara's characters is so poorly written, and SJ Suryah does eccentric SJ Suryah for the millionth time. Yeah, I should stop looking at this as a Tamil film, because it clearly isn't aiming to be one.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
I went to this movie with no expectations and it is not outright bad as his previous movie, Indian 2. The flashback episode is decent, the cat and mouse game between Ram and Mopidevi is engaging to some extent, interval block was interesting.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
One thing's clear, this isn't a torture like Indian 2, but also nowhere near the standards Shankar has set
It's just like a passable routine Telugu commercial movie
Ram Charan shines as Appanna, that's the lifeline of the movie, otherwise, it's an average outing for him. SJ Suryah tries hard, but writing doesn't offer him much. Why Kiara? Anjali, just okay, rest of all, nothing.
Technically, Thaman is the only one who breathes life into the proceedings, but Villain and "UNPREDICTABLE" BGM were terribly overused. Songs were average, but surprisingly, even the picturisation was the same, much hyped "JARAGANDI" was a farce.
Camera work by Thiru was subpar TBH, never thought I'd say that in a Shankar movie, literally mocobot everywhere. Editing by Ruben and Shameer was fine.
Coming to Shankar, man, it's frustrating and gut-wrenching to see his standards going down, he redefined the commercial genre, but here, despite political thriller being his strong suite, the writing and direction, both were below average.
BOTTOMLINE : Comeback Shankar wait continues.......
Ram Charan shines as Appanna, that's the lifeline of the movie, otherwise, it's an average outing for him. SJ Suryah tries hard, but writing doesn't offer him much. Why Kiara? Anjali, just okay, rest of all, nothing.
Technically, Thaman is the only one who breathes life into the proceedings, but Villain and "UNPREDICTABLE" BGM were terribly overused. Songs were average, but surprisingly, even the picturisation was the same, much hyped "JARAGANDI" was a farce.
Camera work by Thiru was subpar TBH, never thought I'd say that in a Shankar movie, literally mocobot everywhere. Editing by Ruben and Shameer was fine.
Coming to Shankar, man, it's frustrating and gut-wrenching to see his standards going down, he redefined the commercial genre, but here, despite political thriller being his strong suite, the writing and direction, both were below average.
BOTTOMLINE : Comeback Shankar wait continues.......
The story is decent, but the narration drags and feels messy. Some scenes hit the mark, some miss, and most are just "meh".
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
Wusstest du schon
- WissenswertesThe film marks director Shankar's first direct film in the Telugu language after years of releasing his tamil films dubbed into telugu. Director Shankar owes the success of the Telugu dubbed versions to producer, A.M. Rathnam. Rathnam's association with Shankar dates back to buying Shankar's first 2 films for their Telugu dubbed release. It was the successes of these two films that led to Rathnam to produce Indian & later his debut Hindi film, Nayak.
- Alternative VersionenThe UK release was cut, the distributor chose to make cuts to strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
- SoundtracksJaragandi (Telugu)
Lyrics by Anantha Sriram
Music by S. Thaman
Performed by Daler Mehndi & Sunidhi Chauhan
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.100.000 $
- Eröffnungswochenende in den USA und in Kanada
- 2.100.000 $
- 12. Jan. 2025
- Weltweiter Bruttoertrag
- 2.849.061 $
- Laufzeit2 Stunden 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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