Hänsel und Gretel: Hexenjäger

When you start watching a movie titled "Hansel & Gretel: Witch Hunters", you probably shouldn't expect all that much in the way of anything too complicated or heavy.

What you get from the ninety-odd minutes is Jeremy Renner (Hansel) and Gemma Arterton (Gretel) as the brother and sister from the candy house that you probably remember from the old fairy tales, only in this particular treatment, their childhood experience convinces them to start hunting witches with all manner of weaponry.

There are so many cool action scenes, the occasional bit of dark humour and plenty of bloody, violent horror/action as the siblings try to uncover the mystery behind children being abducted from a village, to a soundtrack that at times features rock. Some of the dialogue is decidedly modern, adding to a real melting pot of styles and themes.

An entertaining film that definitely doesn't take itself too seriously. Renner and Arterton are great, as is Famke Janssen as Muriel, the head honcho of the bad witch brigade. They're all hamming it up a bit, but it definitely works.

This is not a quality film and I don't think they even meant it to be good or memorable. If you watched the trailers and *didn't* expect it to be terrible, I'd be very, very surprised. I would never have paid to see this. I only saw it because I got passes to a free advance screening. And it was just as ridiculous as I expected - and I was pretty entertained. We were laughing pretty hard the whole time.

The movie wasn't trying to have a good plot or a surprise twist. Clocking in at a little over an hour, it could have been season finale of a B-grade TV series of the same premise. I think movie was just trying to be funny, and I think their jokes worked. Like how Hansel has a "medical condition" (not spoiling it here). It doesn't work in a physiological sense - but who cares? It was really funny that they even made that connection!

There was an incredible amount of gore in this movie; but I suppose that itself was a joke, given the premise of the movie. Their other jokes relied on anachronisms (weapons, fanboys, crime investigations). But they were careful enough that the anachronisms were funny in the context of the world-building instead of being glaring anomalies.

There might be some people complaining about what an inadequate film this was with respect to plot, but that would be missing the point. Don't watch this expecting to take away anything - it's really only just for the lawls.

I seriously enjoyed this film-- it had more gore than Mel Gibson could shake a fist at, some very cute actors, and didn't waste time with excessive back-story and details, and gave me many good laughs.

Its not an intellectually stimulating movie... duh. Its made to a hilariously entertaining popcorn flick with over-the-top action and unrealistic weapons that wouldn't have existed given the 'time period' this movie seems to be set in. So you folks out there giving it bad rap for not meeting your standards, calm down. Its clearly not trying to. :).

This movie's violence reminded me of the Expendables-- but this film never takes itself too seriously like the other film does... I found this much more fun to watch.

What you may or may not remember about the Brothers Grimm' story is over and done with in the first ten minutes of writer-director Tommy Wirkola's revisionist treatment of the classic tale, which basically imagines what happens after the happily ever after. And so Wirkola fast- forwards the story many years later, where he would like us to believe that Hansel (Jeremy Renner) and Gretel (Gemma Arterton) have found their calling as witch hunters, travelling around from village to village killing the evil ones who kidnap children and rescuing their abductees in the process.

One particular such mission brings them to the town of Augsburg, where a beautiful blonde-haired woman named Mina (Pihla Viitala) is due to be drowned in front of an angry crowd by the shifty Sheriff Berringer (Peter Stormare). The Mayor (Rainer Bock) is not so fast to pronounce judgment on her for the spate of disappearances, and has hired Hansel and Gretel to get to the bottom of it. Seeing no visible signs of sorcery on her, Hansel and Gretel free her, inadvertently setting themselves on a collision course with the Sheriff.

But the bitter Sheriff and his band of hunters are the least of their problems – indeed, their most pressing concern is the Grandmother Witch Muriel (Famke Janssen) and her hench-women, who have been keeping the children they have kidnapped locked up in wait for a much more sinister plot to make them even more powerful. Of course, as narrative dictates, Muriel's plan would have something to do with Hansel and Gretel's own past, as well as their extraordinary ability to be immune from the spells of witches.

Savvy viewers will be able to spot the connection once the clues are laid, so don't expect a revelatory surprise at the end. That doesn't mean however that this reimagination is predictable; instead, Wirkola keeps you riveted with a surprisingly effective blend of horror and hilarity often within the very same scene. Case in point? Just before she forces someone to turn a shotgun on himself and splatter his brains onto the wall, Muriel comments how the room they are in looks somehow drab and could do with some colour.

That same irreverence pervades the entire movie, which shouldn't come as a surprise if you paid attention to the opening credits and spotted Will Ferrell and Adam McKay as producers of the movie. Their brand of rude cheeky humour is very much alive in Wirkola's first English-language feature, who had demonstrated through his debut movie lampooning Quentin Tarantino – Kill Buljo – that he is perfectly in tune with their sensibilities. But Wirkola also brings his eye for gore – seen in his sophomore film 'Dead Snow' – to this movie, so be prepared for exploding flesh, crushed skulls and some particularly nasty decapitations that is good reason why this grown-up version of Hansel and Gretel does not carry a kid-friendly rating.

Amidst the gore and adult humour, Renner and Arterton unfortunately are left with paper-thin characters. While Renner pretty much looks dour throughout the movie, Arterton seems determined to have fun with her ass-kicking female heroine of a role, and her portrayal of Gretel resembles a Lara Croft for the medieval ages. The scene-stealer however is Janssen, the former Bond villain once again relishing the opportunity to play against type as the villain and putting in a deliciously over- the-top performance as Muriel. Other supporting actors don't make much of an impression – including Thomas Mann, a firm Hansel and Gretel devotee who gets some laughs from his fanboy behaviour and eventually sees his wish come true to be a witch hunter like his heroes.

And we suspect, how much you will end up enjoying this new twist to the classic fairy tale will also depend on your expectations. Compared to the recent spate of fairytale-inspired Hollywood movies like 'Red Riding Hood' or 'Snow White and the Huntsman', it veers most far off from its source material to tell an entirely different story. The result of that novelty is something bloody all right, that can also prove to be bloody good fun if you're looking for an adult-oriented blend of action, adventure, fantasy, horror and comedy. It might not sound intuitive, but this fairy tale is best enjoyed without the kids.

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The siblings Hansel (Jeremy Renner) and Gretel (Gemma Arterton) are left alone in the woods by their father and captured by a dark witch in a candy house. However they kill the witch and escape from the spot. Years later, the orphans have become famous witch hunters.

When eleven children go missing in a small village, the Major summons Hansel and Gretel to rescue them, and they save the red haired Mina (Pihla Viitala) from the local sheriff that wants to burn her accusing Mina of witchcraft. Soon they discover that the Blood Moon will approach in three days and the powerful dark witch Muriel (Famke Janssen) is the responsible for the abduction of children. She intends to use the children together with a secret ingredient in a Sabbath to make the coven of witches protected against the fire. Meanwhile Hansel and Gretel disclose secrets about their parents.

"Hansel & Gretel: Witch Hunters" is a great entertainment for ordinary viewers like me that like the genre of fantasy but based on the Metacritic Rating, it is not recommended to intellectuals. The story is very funny and the special effects and make-up are top notch. Gemma Arterton is one of the sexiest actresses and it is good to see her again. If the viewer likes this genre, he or she will certainly enjoy "Hansel & Gretel: Witch Hunters". I do not understand why people that like art movies spend their time watching this type of movie and writing bad reviews. My vote is seven.

Title (Brazil): "João e Maria: Caçadores de Bruxas" ("John and Mary: Witch Hunters")