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Just saw it at the Copenhagen PIX film festival 2010, and really felt it was a good slice of social realism in the style of Belgian filmmakers Dardenne brothers, but the style applies for other earlier directors as well.

The actors and the dialog in the movie is what really lifts this movie as it could really have ended as a failed movie without believable characters to make the story unfold. The child playing Asia/Aia also acts really well with the other characters.

The story is very simple but it doesn't need to be more complicated than it is. The movie worked well for me as it didn't fall into the usual clichés towards the ending as many other similar movies would have done.

A woman is out looking for her dog in a city park. She comes across a little girl in a pink snowsuit sitting in a swing all by herself. The story unfolds from there. If you like small, slow films that serve up a rich slice of life in an area you would otherwise never see, La Pivellina is well worth seeing. The characters who work in small circuses around Italy and their relationships with each other are interesting and believable. We grow to care more about them as the story and our time together unfolds. With no big bells or whistles, this film captured my full attention and left me still curious and wanting more.

I saw it at the Palm Springs Film Festival as a late choice among very few films with tickets still available. I'm glad I did.

I've heard from someone that this movie was a hidden gem. At the screening, the theatre was maybe about half full, probably not even. But there's definitely something about the movie that I simply cannot let go. The feeling lingers. The movie is actually not about the two-year old baby, but it's about the people who live in the trailers. There's no acute dramatic elements in this film but it leaves you with a subtle melancholy. The audience is exposed again and again to their substandard yet noble way of life and the presence of the two-year old baby merely accentuates it. The characters seem at ease with their trailer lives but what makes them really noble is that they do not want that kind of lives for the children. Their compassion is evident throughout the movie and that's what makes the movie so touching. The ending leaves you a little bewildered at first. But it does make sense because the movie is about the people who live in the trailer park and not really about the baby. The movie definitely goes slow but it's worth a watch.

I really enjoyed this film, which I watched on Netflix, despite the crude cinematography (there are about ten long sequences of people's backs as they walk through parks, housing developments, streets, woods). Small children aren't allowed to act for more than five minutes at a time in the U.S. (child labor laws, though I'm probably exaggerating) and watching this baby acquire language among poor but delightful people was simply charming. But beware that the film is its own pleasure in the Zen sense, and I feel that that was a bad decision. A dark fear hangs over it and the viewer is owed an ending. We go through a lot with these people and find out more about the 14-year-old son and how he reacted to the divorce at the end -- but the film wasn't about him. Why don't we learn who the toddler's mother was and why she left? Come on. Show that you can finish a story.

The soundtrack reminds one of one's own amateur attempts at 'shooting a home movie' on one's family camera. BIG DEAL. The film is SO GOOD that this 'drawback' becomes a PLUS! We are taken into the heart of our Western wasteland. We are shown what simple sentiments, under duress, under discrimination, under a culture where poetry and playfulness are nearly redundant, can mean. We MEET people we would not usually, have the courage or desire to approach... in THEIR surroundings. But this is not the usual ARTY VOYEURISM that even the best films in the 'social' genre usually put out... This is curiosity, respect and compassion. This film is TENDER. This film is a healing but sad, but beautiful experience. I saw it in Buenos Aires, Argentina where it has been running in a central cinema for...six months! In Italy NO ONE has seen it. This information says it all.

One fine day a woman is walking through a park, calling out for her missing dog. She's about to give up and go home without the dog when she spots a 2 year old girl, left alone. Being a responsible person she takes the kid home to her trailer so she stays warm while she and her husband search for the kids parents.

And so starts a warm loving tale where two people that have little to share do the right thing and share anyway - just because they can and just because they know they have to. The way they take the kid into their lives and go on with their ways and try to incorporate her into that pattern is just heart warming. The film rolls on like a slow wave and keeps on going steadily for the whole length of it. The characters are played out entirely believable and they make everything fit together.

At the end of it you can only feel love for the couple and hope for the best - at whatever cost. It feels right, it is right. So, all in all, a feel good film with a good solid hint of tragedy and even a small bit of tension, very nicely played, amazingly set and completely lovable.

9 out of 10 right choices

Italy has long been a country for producing small films about everyday people,and 'La Pivellina' is no exception. A middle aged woman,once a dashing figure in the Circus world is out looking for her dog,when she comes upon an abandoned two year old girl,Asia,sitting on the swing. Patty asks where her mother is,and Asia has no answer. Patty decides to look for both her dog,as well as Asia's (alleged)mother. Patty decides to take little Asia back to the trailer where she & her husband,Walter live. Walter isn't exactly happy to have the toddler in tow (fearing police intervention),but agrees to let Asia stay,at least until Asia's mother turns up. When the mother shows no sign of coming back to get her daughter,the couple take care of little Asia (and end up bonding with her). With the help of a next door neighbour,Tairo,a 14 year old boy,they try to make an existence for the little girl. Will Asia's mother ever show up to reclaim Asia? This is a little film with a big heart that will work it's way to your heart. Documentary film makers, Tizza Covi & Rainer Frimme co direct this little charmer of a film from a screen play written by Tizza Covi (who also acts as producer & editor),with cinematography by Rainer Frimme (who makes very good use of hand held camera work,as well as co producer,too). The cast includes Patrizia Gerardi as Patty,Walter Saabel as Walter,Tairo Caroli as Tairo,and Asia Crippa as Asia. At long last,a film dealing with children that doesn't paint children as smart mouthed,snotty little punks that seem to know more than adults (Tairo actually looks up to Patty & Walter with genuine respect & admiration,and not as a couple of farty old fogies one would expect from your typical garden variety situation comedy). A film that is well worth seeking out for thinking persons who are sick to death of all of those predictable made for TV looking (so called)comedies. Spoken in Italian with English subtitles. Not rated by the MPAA,this film contains some outbursts of rude language,and an unpleasant scene of animal abuse.

Contrary to what the synopsis says, when the abandoned child is found (and that happens in the first 5 minutes of the movie), no effort at all is made by the circus woman (or by anyone else) to find the child's mother. That's of course a wasted opportunity, because it would have made an interesting starting point. Instead, she and the others simply keep the child more or less as any parent would do, with the movie going nowhere for more than one hour and a half. The cute little child is funny at times (as are most children that aren't spoiled), but the film is utterly lacking in story, acting, directing and photography. There are a million ways to use 100 minutes of your free time, so I'd suggest you avoid this at all costs.

A little girl is found in a park by a woman from a small circus in Italy. She and her family and friends try to take care of the child as best they can waiting for her mother to come for her. What I like most about this movie is how this group of people find a way to give her not only food and clothing but the love she needs. The end wasn't a surprise but leaves the audience guessing about what happened next. I very much enjoy foreign movies and am adding this one to my list.

There are popular films for mainstream audiences which suit those with short attention span needs and there are the gems that inspire and engage the filmophile looking for character driven films with a quality of real life acting (usually foreign directors). This is a beautiful film. How these directors ever managed to shoot this film is beyond me. They captured the behavior of this little child so wonderfully. Its a real study of an intimate lifestyle somewhere in the outskirts of Rome during a typical winter, an emotional story of people on the margins of society and how they rescue and then bond with this little girl. Its a treasure of a film and your heart and soul will be uplifted by the story and the nature of the screenplay. The ending is really poignant. It won awards at Cannes and quite rightly so. Its hard to get it on DVD as the directors preferred to have it shown at festivals. Simply adorable. I cant think of any aspect that fails to engage the viewer.

.....a little girl in a swing left alone in a inner city park in Rome-Italy. An older woman looking for her missing dog comes upon her and the rest is their story of how this little imp impacts all she meets. As noted by another reviewer one sees the near squalor these kind ones live in but their love and concern for the little one is there throughout.

I remember a slogan I recall "The rich are scared and cold but the poor are warm and brave." Not all rich mind you nor all poor rather one watches the hardscrabble lives lived and all is changed when Asia 'pops' in.

We wait and wait with the cast for the missing mother and wait we must to feel the impending sorrow...

So many scenes to pick from my favorite was about >1 hour in when Asia is riding a tent line like a horse and then scampers off.

For me the one thing that I do so hope to be able to do in Heaven is to turn anyone I see into a 3 year old....

Matthew 18:12-14King James Version (KJV)

12 How think ye? if a man have an hundred sheep, and one of them be gone astray, doth he not leave the ninety and nine, and goeth into the mountains, and seeketh that which is gone astray? 13 And if so be that he find it, verily I say unto you, he rejoiceth more of that sheep, than of the ninety and nine which went not astray. 14 Even so it is not the will of your Father which is in heaven, that one of these little ones should perish.