Perserkatzen kennt doch keiner

Once in a while comes along a movie which transcends the medium's boundaries and sets new standards. Bahman Ghobadi's remarkable and riveting new film is one of these rare examples. Made in only 17 days and without a permit, "Persian Cats" is guerrilla film making at its best. It is a faux-documentary, in style of Kiarostami's Close-Up & Panahi's Offside, about the underground music scene in Iran. It is really about the universal power of music and the passion of the youth which know no boundaries. We see that Iranian musicians go to any lengths to defy censorship and restrictions to play their music. They do not need concert halls. They play anywhere: from metro stations to cow sheds and for anyone who wants to listen. Music and lyrics for the young Iranians has become a desperate, but at the same time powerful, means of expression and communication with the world at large. The music played in the film is very powerful and its range is quite remarkable. We see bands playing jazz, pop, heavy metal, rap and singing in both Farsi and English. Ghobadi's film manages to convey all the passion, energy, anger and hope that is contained in these music. It is a brave, and undoubtedly controversial film (specially with the the two leads seeking asylum in the west and Kiarostami denouncing the film), made with so much passion that the viewers can not remain unmoved. It is masterfully directed and photographed and brilliantly edited. A masterpiece which is certain to become another milestone in the history of Iranian and world cinema. Absolutely unmissable.

It is easy to become complacent and apathetic about the power of artistic expression in a pop culture soaked world such as our own. Director Bahman Ghobadi is a member of the third generation of Iranian New Wave cinema which is an important force in the cultural climate of the country. Far from being purely a commercial entity, Iranian cinema has become the main medium through which Iranians can access modernity and formulate a national identity outside proscriptive religious values. No One Knows About Persian Cats does not end optimistically and represents a generation of disenfranchised youth and talent. Many aspire to leave Iran, as, at present, this is their only option to achieve their artistic goals, but what the film does prove is that art, culture and music can thrive even under the most hostile of circumstances. SR

If you saw 'Heavy Metal In Baghdad' a couple of years ago, you'll know that it is near impossible to be a rock & roll musician in an country that is ruled by Islamic law. Bahman Ghobadi's grim,but fine film,'Kasi az gorbehaye Irani khabar nadareh',released in English speaking countries as 'No One Knows About Persian Cats' will certainly cement that reputation. Filmed on the fly in something like 17 days, without official government say so (which actually did land some of the crew in jail),with borrowed camera equipment (most,if not all films shot in Iran have to be filmed with official government equipment). The results:the film is officially banned in Iran (big surprise?---no surprise,what so ever). The story concerns a cadre of young Iranians who want to form a band to rock out & bring joy to fellow young Iranians (heavens forbid!!!). Most of the film centers on Negar Shaghaghi & Ashkan Koshanejad (playing themselves),two budding indie rockers who form a band with the hopes of playing a big open air festival in London,England (and to get the hell out of Iran,forever). With the help of Nadar (played by Hamed Behdad),a kindly,but not too trust worthy sort who wants to act as manager of the band (he deals in bootlegged/pirated DVD's),tries to get Visas & Passports for everybody in the band. Will Negar & Ashkan see their hopes come to some sort of fruition,or will government censorship of popular culture throw the usual roadblock in their way?. Bahman Gobadi (A Time For Drunken Horses),in addition to directing,co writes the screenplay with his girl friend,Roxanne Saben (who was recently released from a jail sentence for spying),as well as set designer. I admired the film's documentary look (key scenes are shot with hand held cameras),with some fast cut editing. A film to get your dander up & make you think (and pity)the poor souls who have to deal with the daily dose of government b.s. Spoken in Farsi & Persian with English subtitles. Not rated by the MPAA,this film contains a bit of drug abuse,and a couple of unfortunate deaths

This wonderful film feels more like half film and half documentary. We follow the main couple (Negar & Ashkan) as they hunt around to be able to get passports to enable them to get to London for a music gig and get away from Iran.

Their band plays Indie Rock music and they take us through the underground landscape in Iran showing us a metal band and other alternative bands who have to play their music hidden from the authorities (who otherwise would jail them and take away their instruments).

The music is surprisingly quite brilliant and you will empathise with the musicians. One of the best parts of the films is a rap song done by a local artist which takes us on a journey through life in Tehran showing us life at street level for people there. It was worth it alone.

As for acting and story, it's very good and simple. You see the frustration of all as they fight to live a free life in an atmosphere of fear. You can just feel the tension at times. Our leads really never over do it as could have been the risk in such a movie, but they are very ably assisted by a wonderful vast myriad of characters in the film which never seem to step on each others toes. It's like you have just met the whole family.

It's a terrific film and very enlightening. It's also very humbling, and one I would recommend you give a chance. Definitely more deserve to hear about the Persian Cats.

Sorry for my bad English, this movie is a super master piece luxury filmed in scope in Iran (I can't understand how they did it), about repressed people who want to make a techno pop concert in Teheran. the movie is incredibly sad but no boring at all. How could they film such a "transgressive" movie in the same country with that bizarre, boring and unpresentable president and goberment is a mystery for us.

Iran is a completely different example of what we think as "moshlim" country. People there have been always the best cultured and intellectual people in the region and this movie shows perfectly the anguish they are suffering after the tiranic dictature of this crazy clown, who rules him in such a despotic way.

Then I want to know...was this movie filmed in Iran? How they did it?