IMDb-BEWERTUNG
7,4/10
32.135
IHRE BEWERTUNG
Eine halbautobiografische Geschichte über Hubert, einen jungen Homosexuellen, der mit seiner Mutter nicht zurechtkommt.Eine halbautobiografische Geschichte über Hubert, einen jungen Homosexuellen, der mit seiner Mutter nicht zurechtkommt.Eine halbautobiografische Geschichte über Hubert, einen jungen Homosexuellen, der mit seiner Mutter nicht zurechtkommt.
- Auszeichnungen
- 28 Gewinne & 15 Nominierungen insgesamt
Hugolin Chevrette-Landesque
- Pensionnaire agressif #1
- (as Hugolin Chevrette)
Émile Mailhiot
- Élève #1
- (as Émile Mailhot)
Mathieau Grimard
- Jeune amant d'Hélène
- (as Mathieu Grimard)
Empfohlene Bewertungen
I Killed My Mother (2009) is the first film of Xavier Dolan realized a decade ago. I lately discovered it in order to complete the filmography of this brilliant Quebec director. This film focuses on the stormy and tempestuous relationship between a son and his mother, and turns out to be an autofiction, the autobiographical part remaining undisclosed, as in any secret garden.
We distinctively perceive the characteristic atmosphere of Xavier Dolan's filmography: as an excellent habit, this dark and sensual film is based on a hyper sensitivity and a keen sense of photography. Usually, most of the characters are on edge or even disturbed. In this movie, Hubert Minel is the only one. As if, in this partially autobiographical work, Xavier Dolan wanted to assume alone the chaos emanating from this extreme mother-son relationship. In this respect, it's quite successful: he is indeed sometimes an assh*le and deeply disrespectful with his mum and one almost wants to slap him. An elegant way to publicly and solemnly ask for the forgiveness of his tender mother.
As actors, Anne Dorval, Xavier Dolan and Suzanne Clément are truly excellent. As a director, Xavier Dolan offers us a high-quality first film.
We distinctively perceive the characteristic atmosphere of Xavier Dolan's filmography: as an excellent habit, this dark and sensual film is based on a hyper sensitivity and a keen sense of photography. Usually, most of the characters are on edge or even disturbed. In this movie, Hubert Minel is the only one. As if, in this partially autobiographical work, Xavier Dolan wanted to assume alone the chaos emanating from this extreme mother-son relationship. In this respect, it's quite successful: he is indeed sometimes an assh*le and deeply disrespectful with his mum and one almost wants to slap him. An elegant way to publicly and solemnly ask for the forgiveness of his tender mother.
As actors, Anne Dorval, Xavier Dolan and Suzanne Clément are truly excellent. As a director, Xavier Dolan offers us a high-quality first film.
She: like most mothers she cares for her son and looks after him. She drives him to school, she washes his clothes, she cooks.
The downside: She uses these things as excuses to constantly make him feel guilty, make him feel like he owes her for loving him. She keeps accusing him of being ungrateful (though she never says it directly, but implies it in almost every conversation).
What's (arguably) worse: she refuses to listen to him. When she does listen, she doesn't take him seriously. She avoids confrontation, barring occasional hysterical outbursts.
He: makes it perfectly clear that he doesn't expect her to do all the material things for him that she does, and that he'd much rather fend for himself if that means not having to be made to feel guilty all the time.
She: is a struggling single mother, working each day to try to give him a better future. She has to face self-important people who judge her, but who have no idea about the kind of life she leads.
He: does not understand this. He does not see past her awful taste (in clothes and interior design). He thinks she's superficial. He refuses to let her be a part of his life, he criticizes her every word, her every move. He screams at her, insults her.
She: loves him.
He: loves her too. So much.
J'ai tue ma mere is an unflinchingly honest, masterfully shot portrayal of a strained mother/son relationship. Great actors, beautiful images and, I cannot emphasize this enough, absolutely spectacular technique.
Bravo Xavier Dolan! You have created a true work of art.
The downside: She uses these things as excuses to constantly make him feel guilty, make him feel like he owes her for loving him. She keeps accusing him of being ungrateful (though she never says it directly, but implies it in almost every conversation).
What's (arguably) worse: she refuses to listen to him. When she does listen, she doesn't take him seriously. She avoids confrontation, barring occasional hysterical outbursts.
He: makes it perfectly clear that he doesn't expect her to do all the material things for him that she does, and that he'd much rather fend for himself if that means not having to be made to feel guilty all the time.
She: is a struggling single mother, working each day to try to give him a better future. She has to face self-important people who judge her, but who have no idea about the kind of life she leads.
He: does not understand this. He does not see past her awful taste (in clothes and interior design). He thinks she's superficial. He refuses to let her be a part of his life, he criticizes her every word, her every move. He screams at her, insults her.
She: loves him.
He: loves her too. So much.
J'ai tue ma mere is an unflinchingly honest, masterfully shot portrayal of a strained mother/son relationship. Great actors, beautiful images and, I cannot emphasize this enough, absolutely spectacular technique.
Bravo Xavier Dolan! You have created a true work of art.
Review: I Killed My Mother/J'ai tué ma mère 9*/10
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Wow...! What a masterpiece... I prefer to believe that Xavier Dolan is not only a shootin star, but a director, actor and writer for history... "J'ai Tué Ma Mére" is one hell of a brilliant tour de force through emotions, love, identity, sexuality.... Xavier is outstanding (as himself??) fighting against himself and his mom and surroundings - the 'battles' with his mom is unique - and the 'love-scene' after 'painting the wall' is truly a highlight.
Almost can't believe a 20-yr old wrote and directed - and played the leading part in - this excellent movie. Don't know why, but when watchin Xavier I'm thinking of James Dean (Rebel Without A Cause)and River Phoenix (My Own Private Idaho)...
Love you Xavier for this - and lookin forward to forthcoming works. So fu***n GREAT!
Almost can't believe a 20-yr old wrote and directed - and played the leading part in - this excellent movie. Don't know why, but when watchin Xavier I'm thinking of James Dean (Rebel Without A Cause)and River Phoenix (My Own Private Idaho)...
Love you Xavier for this - and lookin forward to forthcoming works. So fu***n GREAT!
Oh, I wish there were words capable enough to describe this film - to describe how it made me feel. But maybe there aren't. So, we'll make do with those we have.
I saw this movie at the 50th International Film Festival of Thessaloniki - a festival I've been going to for about 8 years, give-or-take. And this is the best movie I've seen in all those years, through all those movies. It's so intense it rips you apart, full of the most sublime poetry, simplicity raging and screaming. The direction is so meticulously studied - nothing left to chance - every single take and scene offering gravity to the characters. Even now, that I see the poster of the film, it's so brilliant is ridiculous how much. It has this sad-looking child on it, when in the film, we only see a child for seconds, and it is a happy-looking child in those seconds.
After the second half I was constantly crying. I can bet that I'm from the few people who have cried in this film - if not the only one. Because there really isn't something in it that can prompt tears. But it is one of the most intense, most human, most real films I've watched in my life. I wanted to explode, to stand up and shout. I kept switching positions in my seat, I shook my head and laughed and wanted it to end because I couldn't take anymore. And when it was over, I wanted to watch it again.
It's so far my favorite movie of this year. No, scratch that. It's my favorite movie of the last few years. If not my favorite movie amongst the few I hold so dear.
I wish Xavier Dolan can be funded to create more, more, more films in the future. Even though, I already think he has created his chef-d'oeuvre.
I saw this movie at the 50th International Film Festival of Thessaloniki - a festival I've been going to for about 8 years, give-or-take. And this is the best movie I've seen in all those years, through all those movies. It's so intense it rips you apart, full of the most sublime poetry, simplicity raging and screaming. The direction is so meticulously studied - nothing left to chance - every single take and scene offering gravity to the characters. Even now, that I see the poster of the film, it's so brilliant is ridiculous how much. It has this sad-looking child on it, when in the film, we only see a child for seconds, and it is a happy-looking child in those seconds.
After the second half I was constantly crying. I can bet that I'm from the few people who have cried in this film - if not the only one. Because there really isn't something in it that can prompt tears. But it is one of the most intense, most human, most real films I've watched in my life. I wanted to explode, to stand up and shout. I kept switching positions in my seat, I shook my head and laughed and wanted it to end because I couldn't take anymore. And when it was over, I wanted to watch it again.
It's so far my favorite movie of this year. No, scratch that. It's my favorite movie of the last few years. If not my favorite movie amongst the few I hold so dear.
I wish Xavier Dolan can be funded to create more, more, more films in the future. Even though, I already think he has created his chef-d'oeuvre.
Wusstest du schon
- WissenswertesXavier Dolan wrote the script when he was 16 years old. He said in an interview with French-Canadian newspaper 'Le Soleil' that the movie was in part an autobiography.
- Zitate
[subtitled version]
Hubert Minel: [angrily] What would you do if I died today?
Chantale Lemming: [quietly to herself, after Hubert has walked away] I'd die tomorrow.
- Crazy Credits'Particular Thanks' is given to 'a person answering the initials of S.P.'
- VerbindungenFeatured in Xavier Dolan: à l'impossible je suis tenu (2016)
- SoundtracksDes roses rouges pour toi maman
Written by André Hébert
Performed by André Hébert
© Les disques Mérite Ltée
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- Yo maté a mi madre
- Drehorte
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- Budget
- 800.000 CA$ (geschätzt)
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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