Nach einem schief gelaufenen Drogendeal muss sich ein geprellter Detektiv durch die kriminelle Unterwelt kämpfen, um den entfremdeten Sohn eines Politikers zu retten und dabei ein tiefes Net... Alles lesenNach einem schief gelaufenen Drogendeal muss sich ein geprellter Detektiv durch die kriminelle Unterwelt kämpfen, um den entfremdeten Sohn eines Politikers zu retten und dabei ein tiefes Netz der Korruption zu entwirren.Nach einem schief gelaufenen Drogendeal muss sich ein geprellter Detektiv durch die kriminelle Unterwelt kämpfen, um den entfremdeten Sohn eines Politikers zu retten und dabei ein tiefes Netz der Korruption zu entwirren.
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The cinematography was a complete disaster. Who at Netflix actually approved this? The camera work was all over the place, and that weird Sin City knockoff CGI style made it even worse. It was distracting, not stylish.
At times, it almost gave me Die Hard vibes - just a little. But without the sharp wit or the comedic relief that made Die Hard a classic, it ended up feeling hollow.
Seriously, with this kind of budget and cast, they had all the ingredients for something great. Instead, they threw it away on cheap visual gimmicks and chaotic direction.
What a waste of production. They really need to stop burning money and start making films that actually make people go, "Wahhh!" - not "What the hell was that?"
However, the film fails on almost every other level. It has no real meaning or depth, which makes it hard to get invested. As a result, it also lacks real tension.
On top of that, the movie is filled with irrelevant characters and side plots, making it hard to follow at times.
Tom Hardy delivers a solid performance as always, but he's given almost nothing to work with here.
Unfortunately, this one is only recommended for hardcore action enthusiasts.
The lighting was awful too, CGI was shockingly bad. Most of the city night sequences looked like cheap video game cutscenes rather than a real movie. At times I honestly forgot I was watching a film and not some low budget game from a decade ago.
After the opening chase, I seriously considered turning it off. It felt like a bad video game come to life - unpolished, incoherent, and completely lacking any real atmosphere or tension even the car physics looked so bad and video game likish
Disappointing is an understatement.
Story is predictable and you start to understand the whole narrative in the first 30 mins and characters are too one dimensional to even slightly care about them.
Tom Hardy gives a slightly better performance here than he did in Venom, his character is gruff, gritty and jaded and he manages to somewhat sell it, but he shines in his fight choreography which is simply put glorious and over the top.
Gun violence on the other hand seems too gratuitous, characters suffer multiple injuries yet somehow are still left standing and are able to one shot someone else. Precision is completely thrown out the window in some segments of the movie, in one scene a character is shot through a car window with a shotgun blast that barely scratches him and in the next a character riding a train is shot down multiples times from a big distance with a pistol.
The entirety of the traffic in the movie is for some reason almost completely computer generated, cars move unrealistically and really look out of place, ruining the immersion and making the whole viewing experience seem really cheap. Pistols sound epic but not in a realistic way as every pistol fired sounds like a cannon being shot and a lot of pistols in the movie seem to have rapid fire capabilities in one scene then suddenly becoming single shot in the next. Submachine guns firing sounds like miniguns.
You really have to suspend your disbelief when watching this movie as it's so hilariously unrealistic.
Tom Hardy Through the Years
Tom Hardy Through the Years
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- WissenswertesCardiff Bay streets were transformed to resemble snowy American cityscapes for the production.
- PatzerThe characters use firearms that seemingly have unlimited ammunition, firing hundreds of rounds, even from handguns, without ever reloading.
- Zitate
Lawrence Beaumont: Get him back.
Walker: And I never see your fuckin' face again?
Lawrence Beaumont: You heard me.
- VerbindungenReferenced in Film Junk Podcast: Episode 990: Sinners (2025)
- SoundtracksThe Mysterious Hiace
Written by The Low Mays & Bakerie
Performed by The Low Mays & Bakerie
Courtesy of CWA Records Limited
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