Limbo

This is a dark Chinese black and white film noir which is vicious. I would put it in a category with both Seven and Kalifornia. Two detectives, a rookie and a salty veteran investigate the murders of junkie prostitutes. The killer has cut off their hands and the police are stumped by the crimes. The cinematography is excellent and the two leads credible. A completely unpredictable ending make this a must watch film.

A very dark and grim thriller filmed in black & white, mostly in the slums of Hong Kong. This movie is so atmospheric with a soundtrack that compliments it to perfection.

This really is one of the best thrillers I have ever seen. Emotions run high in this true masterpiece of a movie!

From the locations, to the camera work this film is a joy to look at. In Fact i say a big draw to this film is how it presents itself with the choice to make it black & white (even though it was filmed in color). A choice that really makes the location feel more filthy/chaotic and hard to find the finer details. The actors did a good job at playing their specific archetypes, with the woman serving the better performance.

The weaker parts are in the action and time. Some of the action feels goofy, especially when a gun is involved and not used or certain actions should be taken by the cops but they leave it unattended. Other scenes feel unneeded and could have been cut short and arrive at the same point at a concise time. Lucky the bad action bits are at the end and don't hurt it too much.

Excellent crime thriller drama. Yes, the characters could have been a bit more fleshed out, but overall the tone, directing, cinematography and acting were outstanding. Gordon Lam is seriously one of the most under-rated HK actors. After an alphabet soup of "Storm" movies starring the same-old same-old familiar actors in the lead, I had almost given up on HK cinema, but this gives me new hope.

Two dim-witted, bad-tempered, violent cops - one of them with a toothache - run around the rubbish-strewn back alleys of Kwun Tong looking for a violent killer with some serious mental health issues. Some triads run up some stairs. Then they run down again. Among all this silliness, two street-tough young women are put through some deeply harrowing experiences. Yase Liu as Wong To gives by some distance the best performance in a story that provides very limited context or background to the characters. It all just about makes sense despite each character acting inexplicably to help move the plot along. But, hey, it all looks absolutely stunning. No HK film I've seen has looked this magnificent since Wong Kar Wai's heyday. 10/10 for the production design, 4/10 for everything else. Let's call it a 5.