Als Keller Dovers Tochter und ihr Freund vermisst werden, nimmt er die Sache selbst in die Hand, da die Polizei mehrere Spuren gleichzeitig verfolgt und der Zeitdruck wächst. Doch wie weit w... Alles lesenAls Keller Dovers Tochter und ihr Freund vermisst werden, nimmt er die Sache selbst in die Hand, da die Polizei mehrere Spuren gleichzeitig verfolgt und der Zeitdruck wächst. Doch wie weit wird ein verzweifelter Vater gehen, um seine Familie zu beschützen?Als Keller Dovers Tochter und ihr Freund vermisst werden, nimmt er die Sache selbst in die Hand, da die Polizei mehrere Spuren gleichzeitig verfolgt und der Zeitdruck wächst. Doch wie weit wird ein verzweifelter Vater gehen, um seine Familie zu beschützen?
- Für 1 Oscar nominiert
- 10 Gewinne & 38 Nominierungen insgesamt
- Forensics Guy
- (as Robert Treveiler)
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This film doesn't use jumpscares (often precluded by suspenseful music to build-up the tension and are often abused in this genre) in order to thrill the audience, but rather, moments of silence and stillness. Its calm and cold vibe stirs up the kind of anxiety it wants its audience to feel, and naturally, the audience would want to get rid of that uneasiness by knowing what's going on, thus, cleverly forcing them to watch the entire film which runs about 2 hrs and 33 mins.
The director, Denis Villeneuve, incorporates his "less is more" style of using soundtracks in this movie (just like what he did with Blade Runner 2049) to emphasize the scenes, especially with the ending (heavens know how much I liked that ending). It's not rocket suspense but the simplicity of it makes your mind wander to other possibilities which I think is often a good indication of a brilliant film since it's open for other interpetations.
However, one thing that won't make me rate this a perfect 9 or 8 is the fact that I'm not entirely convinced on the motivation of the antagonists for doing the things they did. It felt a bit rushed (for the lack of a better word) and while it makes sense, it doesn't leave me satisfied
**** (out of 4)
Incredibly well-made and intense mystery about two little girls who go missing and the detective (Jake Gyllenhaal) put on the case to find them. When the original suspect (Paul Dano) is let go, one of the girl's father (Hugh Jackman) decides to take justice in his own hands. I really had high hopes going into PRISONERS and my expectations for a great film were met but I must admit that it wasn't anywhere near the type of great film I expected. A lot of thrillers these days are limited on talk and emotions and instead we just get one big, staged action scene after another. That's certainly not the case here because the film takes its time (153-minutes) telling its story and there are so many quiet moments where we just see the characters losing their grip and emotions as they try to make sense of not knowing where these two girls are. What really pushes the film over the edge are the terrific performances with Jackson leading the way in what's the best performance I've seen from him. This isn't your "loving" father in the traditional sense. Instead he's someone quite scary from the first time we see him and we see how much worse he gets as the picture goes along. While on one hand you sympathize with his situation, on the other hand you really can't support what he's doing and often wonderful about his own involvement in things. Jackman really comes off like a man full of emotion and rage and he just doesn't know how to properly let it out. The anger he shows throughout the film is something so raw that you really do feel as if you're watching a man who has a daughter missing. Gyllenhaal also deserves a lot of credit for the way he played the detective role. I really loved the various obstacles that his character gets put through and especially the own weakness and at times stuck-up approach. The supporting cast includes wonderful performances by Dano, Melissa Leo, Terrence Howard, Maria Bello and Viola Davis. The screenplay isn't going to give you a lot of easy answers and there are many times where you hate the lead characters and can't find anything in them to root for. I thought it was quite brave that the film was willing to take so many chances and it asks the viewer to ask themselves many questions about how they would react to what's going on. I can't say I agreed with all the choices but it's great that a film actually makes you think as that's something quite rare these days. PRISONERS isn't exactly an "enjoyable" film as it has you feeling dirty throughout the running time but if you stick with it the thing is certainly very rewarding.
It simply raises the question: When your kid's life is at stake, how far are you willing to do to protect your family? It explores the likelihood of human behaviour when such crime is happening to us, blurring the lines between good and bad people.
For a 153 minute movie, the story does unfolds at a slow and solemn pace (which hurts the film and might bore some audiences) but the dramatic scenes performed by the main cast members in the film will keep you engaged. Hugh Jackman and Jack Gyllenhaal both giving intense, Oscar-worthy performances here, defining and developing their characters with various layers of emotions: affection, anger, grief, empathy, guilt...throughout the film.
The film's atmosphere, heavy rains, stormy days and icy cold winter managed to create a dark, dreadful environment to make up the dreary and haunting mood in the film. Every violent action taken by the characters are acts of desperation given that they are running out of time.
However, the film is not perfect. Despite some plot problems from the various twists and turns shown in the film, the superb performances from the casts was sufficient enough to make the story succeed and believable.
Highly recommended for those who wanted to watch a serious drama thriller with powerful, engaging acting performances from its talented casts.
http://yjcool.blogspot.com/2013/09/movie-review-prisoners.html
The director masterfully weaves the haunting atmosphere, and I was at the edge of my seat. The plot is a wonderful puzzle, unraveling slowly to reveal hidden layers of depth and complexity. The acting was wonderful, emotional and nuanced, with some unforgettable moments (The two leads - Gyllenhaal and Jackman - give their career best performances, but the biggest achievement in my opinion is Paul Dano's). The musical score contributes to a sense of dread, as well as the rich sound design and the chilly color palette of the breathtaking cinematography.
All those parts add up to a rare, gut-wrenching, dark and fascinating masterpiece - the kind that lingers with you long after the credits roll.
Hugh Jackman and Maria Bello play the parental figures of the Dover family. They are your average hard-working blue-collar family who begin their story by visiting neighbours Franklin and Nancy Birch (Terrence Howard and Viola Davis) for a Thanksgiving dinner. The Franklins and the Dover's each have two children, the youngest of which (Anna and Joy) head out from their home on a November afternoon to play only to mysteriously disappear.
Upon a frantic search, the Franklins and the Dover's suspect the worse. Especially when their elder children tell them of a mysterious camper that was parked just down the street. Police soon find the camper with Alex Jones (Paul Dano) behind the wheel. Alex has the mentality of a 10-year-old and tries fleeing when surrounded by authorities. But when Detective Loki (Jake Gyllenhaal) begins to interrogate Alex, he is less convinced that Alex was a part of the abduction. As days pass, Loki and Keller Doller work in opposite directions on the investigation. Keller is convinced that Alex Jones was a part of the abduction and kidnaps the frail and challenged Jones and tortures him for days in an attempt to extract answers. Meanwhile, Detective Loki follows leads that open up possibilities of a crime where multiple persons may be involved. And Oscar nominee Melissa Leo appears in a supporting but pivotal role that will assist in the closure.
The trailer for Prisoners may have audiences hearkening back to Ron Howard's Ransom, but this is hardly the cookie-cutter kidnapping film that Mel Gibson lead back in 1996. Prisoners instead is an engulfing drama. One with a superb performance by lead Hugh Jackman that challenges how far someone would/should go in an effort to locate their stolen child.
The script, from writer Aaron Guzikowski (Contrband) takes audiences down many different paths and emotional rides and Jackman's performance will have you rooting for his quest for answers even though his methods are unorthodox and highly illegal.
The film is gritty and full of realistic characters and situations culminating in a perfect ending that goes 9/10ths of the way in giving its audience full closure. Not as much an edge-of-your seat thriller as it is a Zodiac type of crime drama where the stakes are the lives of two small children.
Denis Villeneuve's last effort, Incendies, was nominated for an Academy Award for Best Foreign Film in 2011. Prisoners shows that he can move solidly into big star larger scaled films with the ease of a well worn slipper. And Prisoners catapults Villeneuve into not just a director to watch, but a director whose work should be awaited with palpable excitement.
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- WissenswertesDetective Loki's tattoos, Freemason ring, and facial tics were all Jake Gyllenhaal's ideas.
- PatzerLoki finds a victim he believes has been injected with a drug. He looks at the vial briefly before throwing it on the ground and taking the victim away for treatment. Nobody with his training would have thrown the vial away; the label would identify the drug and strength, and give a clue as to the amount used, all helpful for successful treatment.
- Zitate
Keller Dover: Pray for the best, but prepare for the worst.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #21.212 (2013)
- SoundtracksPut Your Hand In The Hand
Written by Gene MacLellan
Performed by Ocean
Courtesy of Buddah Records
By arrangement with Sony Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Intriga
- Drehorte
- Porterdale, Georgia, USA(The Old Mill on the Yellow River)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 46.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 61.002.302 $
- Eröffnungswochenende in den USA und in Kanada
- 20.817.053 $
- 22. Sept. 2013
- Weltweiter Bruttoertrag
- 122.127.446 $
- Laufzeit2 Stunden 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1