The Harbinger

Monique breaks her family's strict Covid rules to visit her struggling friend Mavis. Mavis explains that she's been having vivid and terrifying nightmares, an empathetic Monique tries to help her friend, and it soon becomes a shared experience.

Better than I had expected, it's a well produced film with a pretty good storyline. Maybe Covid was generally a little less nightmarish in general, but it still served as an effective backdrop. Good use of surreal visuals and traditional, historical horror, The Plague Doctor in particular looks great.

It was well paced, I liked the characters, the family setup worked well, I also liked the way the scares were delivered, a few jump scares, but they weren't overdone. Well written, I liked how all of the loose ends tied together.

I thought the acting was very good, I thought Gabby Beans in particular was very good as Monique, her acting helped to elevate the film.

Enjoyable.

7/10.

The movie does an artful job of playing on common C0V1D fears, then goes a little deeper with some fairly creepy nightmare sequences. What could be scarier than a global pandemic, you say? How about a demonic "plague doctor" who thrives on the illness, fear, and isolation of regular folks, and has the power to cancel people like they never existed, carelessly rewriting history on a whim? A "harbinger" of worse things to come? Yikes! Good thing there's no one like that in government, industry, or the media these days. The acting was a little better than expected for a horror movie, and the blending of supernatural elements with fears ripped from the headlines was moderately interesting.

On one level, this quite excellent film might be compared to "A Nightmare on Elm Street." City denizen "Mavis" contacts her old friend "Monique," who lives in a semi-rural enclave upstate. Mavis requests that Mo travel to her apartment for undisclosed, but serious, reasons.

When Mo arrives at the apartment, she learns that Mavis has been plagued by bad dreams that are increasingly violent and threaten to literally erase her, as if she had never existed. Key to these dreams, we learn, is a dark figure that controls the direction of the dream-narrative, as it were. Mo tries to help. But in so doing, she falls prey to the very dream "disease" that Mavis fell prey to. Much of the movie's balance, then, is concerned with Mo's dream world and her ideations.

On the other hand, the deep structure of the film is actually close to something like "It's a Wonderful Life" (or, heck, "Wild Strawberries"). The questions at the heart of it all: What if I depart now? What if I had never been? Erasure. We learn that these questions were already pertinent to Monique's life prior to her own "infection" by these disturbing dreams. But these questions also inform the general direction of a film that uses the isolation, impersonality and fear of the COVID 19 crisis as its backdrop and sensibility. In short, The Harbinger has ambitions beyond "the creepy."

To the extent the film meets these ambitions, Gabby Beans (Monique) deserves a lot of credit for carrying the central role from stern to bow. She is excellent. (Frankly, each of the actors was, at worst, very good.)

Mitton's writing also deserves a lot of credit. There are a few slow moments in the middle of the film. But in general, the Harbinger features tight, economical dialogue between the actors. And while the script owes more than one debt to its predecessors, it also avoids most of the expected horror movie cliches for a film in this genre (dream horror?), while playing on some familiar tropes (key among them, the "is the character imagining this, or is she really experiencing it" plot device).

Anyway, definitely recommended. Oh, and the closing scene was very well done in my opinion. A fine closer right up there with "Kingdom of the Spiders" or "Hereditary."

Really well done, psychological horror that plays on real fears, especially those present with Covid. Kinda gothic, made me think of The Yellow Wallpaper. My brother and I both enjoyed it a lot. Acting was great, writing was great, nothing to complain about. Low budget high value horror done great. Loved the main actress, loved the writing for her too. Definitely worth the time and the watch. Really sweet moments full of kindness which was unexpected for a horror. But it's not just a horror is the thing, it's so much more. Everyone in this had so much personality, I look forward to seeing them in more.

Covid wasn't a horror for the majority and this film tries to make lockdown seem like one. The actors do their best with what has become a boring subject and the two points are for their performances alone. But as an entertaining horror, it fails abysmally with all the cliches of a horror that relies solely upon atmosphere with a boring subject. There aren't many actors due to when it was made and rules. 2020-2022 will go down as filmmakers worst efforts for making films and this film is testament to that fact. I honestly cannot think of any film made during the covid period that is excellent. It's as if they continued making drivel throughout that period thinking lockdown would never end and the public would be grateful for anything. Yawn fest.