The Harbinger

Monique breaks her family's strict Covid rules to visit her struggling friend Mavis. Mavis explains that she's been having vivid and terrifying nightmares, an empathetic Monique tries to help her friend, and it soon becomes a shared experience.

Better than I had expected, it's a well produced film with a pretty good storyline. Maybe Covid was generally a little less nightmarish in general, but it still served as an effective backdrop. Good use of surreal visuals and traditional, historical horror, The Plague Doctor in particular looks great.

It was well paced, I liked the characters, the family setup worked well, I also liked the way the scares were delivered, a few jump scares, but they weren't overdone. Well written, I liked how all of the loose ends tied together.

I thought the acting was very good, I thought Gabby Beans in particular was very good as Monique, her acting helped to elevate the film.

Enjoyable.

7/10.

This is a movie that will age like a good wine. Maybe it's too soon for some. The pandemic is still too much on our minds, there are things we prefer not to relive and it brings us anxiety. However, it has much more to say about the memories we leave in the world - or the fear of not leaving them - than just about the pandemic itself (in fact, it parallels those times so well that it didn't need so many direct references, falling a bit in overexposing that and being too much on the nose).

I'm afraid that the number of dreams in the film might turn off some viewers, but this is a film about dreams (or nightmares) and that's where the film lives. Think of Nightmare on Elm Street and think that here the fears that plague us while we rest also kill us. Perhaps because we are/were not really resting.

Many other themes are being explored (trauma, family, friends, support, fake news, isolation, depression...), but more importantly, the film never forgets to be a horror film, with very tense scenes, effective enough to have me clinging to my chair - the last one culminating in a brilliantly effective jump scare. Even when everything looks good, we must not let our guard down, and we must not stop fighting, because it is when we relax that we are most vulnerable. Great acting by Gabby Beans who is going to be a star.

On one level, this quite excellent film might be compared to "A Nightmare on Elm Street." City denizen "Mavis" contacts her old friend "Monique," who lives in a semi-rural enclave upstate. Mavis requests that Mo travel to her apartment for undisclosed, but serious, reasons.

When Mo arrives at the apartment, she learns that Mavis has been plagued by bad dreams that are increasingly violent and threaten to literally erase her, as if she had never existed. Key to these dreams, we learn, is a dark figure that controls the direction of the dream-narrative, as it were. Mo tries to help. But in so doing, she falls prey to the very dream "disease" that Mavis fell prey to. Much of the movie's balance, then, is concerned with Mo's dream world and her ideations.

On the other hand, the deep structure of the film is actually close to something like "It's a Wonderful Life" (or, heck, "Wild Strawberries"). The questions at the heart of it all: What if I depart now? What if I had never been? Erasure. We learn that these questions were already pertinent to Monique's life prior to her own "infection" by these disturbing dreams. But these questions also inform the general direction of a film that uses the isolation, impersonality and fear of the COVID 19 crisis as its backdrop and sensibility. In short, The Harbinger has ambitions beyond "the creepy."

To the extent the film meets these ambitions, Gabby Beans (Monique) deserves a lot of credit for carrying the central role from stern to bow. She is excellent. (Frankly, each of the actors was, at worst, very good.)

Mitton's writing also deserves a lot of credit. There are a few slow moments in the middle of the film. But in general, the Harbinger features tight, economical dialogue between the actors. And while the script owes more than one debt to its predecessors, it also avoids most of the expected horror movie cliches for a film in this genre (dream horror?), while playing on some familiar tropes (key among them, the "is the character imagining this, or is she really experiencing it" plot device).

Anyway, definitely recommended. Oh, and the closing scene was very well done in my opinion. A fine closer right up there with "Kingdom of the Spiders" or "Hereditary."

Desperate to leave her quarantined life, a woman jumps at the chance to visit a friend away from the safety of her family to help her deal with a series of troubling nightmares, but the longer they stay together the more she realizes her friend is haunted by an entity now targeting her.

This was a rather fun if somewhat problematic genre effort. One of the better elements here is the influx of topical material making for a strong commentary on the current climate. Focusing heavily on the various interactions some have way too many touches to real-life scenarios involving facial protection, social distancing, fear of germs permeating from the outside, and the general sense of loneliness that comes from being away from family and loved ones for extended periods, this part of the film is incredibly touching and rather enjoyable. It's quite intriguing to have this kind of setup that plays quite heavily on these topics while also building up this relationship between the two in this kind of environment which is a great touch with the overall setup present providing a great groundwork for the genre thrills to come later on. That becomes the other enjoyable facet of the film as the series of dreams and nightmares here becomes quite genuinely chilling. Employing a kind of nightmare logic to its scenes as the hypnotic nature of what's happening in concept plays out equally as adeptly as the visuals being created, the eeriness created here is enough to realistically drive the right person over the edge as it does here. Including a huge demonic figure in the shape of a deformed bird-like creature perfectly suited to this kind of environment helps to provide the last half with a solid mystery involving its origins and intentions of it. Sending them off on a quest to discover the truth behind what's happening to them and getting more than they bargained for, is all highly enjoyable and effective to provide quite a lot to like about it. There are some minor issues present but they're not big issues. The main issue here is that the films' topicality might not be the most immersive, which will get too many people involved. Rather than be something light and easy for people to get invested in, this one goes for a heavy-handed approach regarding how the pandemic is affecting people and the various subjects around the concepts at play here which leave this one to be at ease with something that others might not want to be reminded of. There's not a lot to like about the finale at play which is quite familiar and highly unoriginal since it's obvious to see where it's going from the very start. That it never really deviates from this setup and just plunges into that feels quite underwhelming being so predictable, which is what brings this down.

Rated Unrated/R: Violence and Language.

The movie does an artful job of playing on common C0V1D fears, then goes a little deeper with some fairly creepy nightmare sequences. What could be scarier than a global pandemic, you say? How about a demonic "plague doctor" who thrives on the illness, fear, and isolation of regular folks, and has the power to cancel people like they never existed, carelessly rewriting history on a whim? A "harbinger" of worse things to come? Yikes! Good thing there's no one like that in government, industry, or the media these days. The acting was a little better than expected for a horror movie, and the blending of supernatural elements with fears ripped from the headlines was moderately interesting.