IMDb-BEWERTUNG
5,3/10
4946
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.A teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.A teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.
- Regie
- Drehbuch
- Hauptbesetzung
Alex Poletti
- Young Boy
- (as Alexander Poletti)
Empfohlene Bewertungen
"People need to figure out how to find their success." Joshua (Hutcherson) has been abandoned by his mother in a hotel room and is on his own. After finding an open house he sneaks in for food and a bed. He stumbles on a secret room with painting supplies and his real talent is discovered by the owner (Molina) in the morning. Giving Josh a choice to stay with him in return for helping him forge paintings Josh thinks he has found his calling. Then he meets Anne-Marie (Bacall) and everything changes. This overall is not a bad movie but just a little slow. Molina and Bacall are a great choice for these roles and really helps the movie have a more legitimate feel and takes it above made for TV status. For a movie about forging paintings I do have to say that this was a really tough subject to stay interested in. For the most part I was entertained but during quite a bit of it I found myself not really caring and losing interest. Then Molina or Bacall showed up and got me back again. It seems like I'm bashing the movie, which I'm not trying to do. This movie isn't terrible just a little slow moving and hard to stay focused on. Overall, not bad but has the feel of a made for TV movie. I give it a B-.
Terrible B style movie. Premise is predictable and stupid. The 15 year old actor is antagonistic, inconsistent, and irritating. They did not give much thought to the introduction of Josh's character or the way he was introduced into the art world....in real life he probably would have been shot at the first house he broke into....if not that one, the second. Is this really more believable than if he was discovered working at McDonald's and living in a homeless shelter? At least that would have given his character some redeemable value. Yes....we need to be shown that he is young and naive (WAAAAY too naive for a kid who's been living on the street!). It would have been a much better movie if they modeled the kid more after "Catch me if you Can", rather than making him an *sshole/wimp.
I new nothing about this movie when I picked it up at a local Red Box. Judging by the cover, I expected a feel good romantic drama with all the excitement that young love and forgery schemes contain. I will say that I somewhat enjoyed this movie, but overall it was a disappointment. It was a B movie that I could easily imagine appearing on the Hallmark channel. It was predictable, cliché, and the characters were unrealistic. Also, for a movie staring as many talented people as it was, the acting came across as a bit lazy. It was not one of the better movies I've seen, but it certainly wasn't the worst. I give it 4 out of 10 stars.
At first sigh, a film for see only for actors. or for location. in fact, this is not the only motif. but the story. sure, simple, nice, full of flaws. but working. in nice manner. a film about choices. and, maybe, about art. about refuges. and about the way to define yourself and the others. not special. just beautiful. and that is enough for see it. for the not bad reflection of feelings, first.
Once I realized this movie seemed familiar, I decided to go back to the computer to make sure I hadn't reviewed it. I never did that before. I'm glad I did because I discovered this was the last film of the great Lauren Bacall. She's still got it. And she doesn't seem old here. Her quirky rich woman is a little unrealistic (too trusting?) but quite likable and intelligent.
Also good is Alfred Molina, who is deceptively nice but later shows he can be mean if he's not getting what he wants.
And the cute girl was Hayden Panettiere, who was so good in "Nashville". She is quite likable here but will let you know if she's not happy with something. Her first scene with Joshua didn't seem realistic, because she's not that naive, but if she's just friendly, that's fine.
Billy Boyd was so obviously gay and more sophisticated and cultured than his boss. Also quite good.
I didn't know Dina Eastwood until I saw the credits, but I've seen her before. Not up to the standard set by her husband, but she had her good scenes. She was determined to make sure Joshua had proper supervision.
Josh Hutcherson at least made us like him and root for his success, but I won't say he was close to the best actor.
The real star of the movie is William Rose (didn't he change his name to Axl and sing for Guns 'n Roses? No, probably a different man). I finally saw the artist's name in the credits. And yes, in an unusual move, the credits showed a drawing of each character beside the actor's name, rather than the character's name, which was nice but not helpful if I didn't recognize someone. His amazing drawings are shown throughout the movie, starting on the wall and ceiling of Joshua's motel room. Some of the drawings are disturbing, such as the ones that suggest Joshua was abused by his mother. I assume he did the Winslow Homer forgery (magnificent) and the other painting that was sold (that was supposed to be talent?).
A lot of work goes into making a convincing forgery, and this film attempted to show us that. Realism isn't a priority because of course Joshua is a genius.
There is great looking architecture and other scenery, and nice art on the walls in galleries.
Family friendly? Some words were missing, but the version I saw seemed okay. I won't call it violence, but just schoolyard scuffles with some blood. Don't look for high moral standards here. Most people here do what they have to in order to get by, or to have more than their talent will legally allow them to do. But there is a sort of redemption late.
The music varied a lot. At sophisticated events, I liked the music. Young people listen to music I don't like, or music I don't like is played for their scenes. A pleasant song was played during the credits.
Not great art, but you get to see some.
Also good is Alfred Molina, who is deceptively nice but later shows he can be mean if he's not getting what he wants.
And the cute girl was Hayden Panettiere, who was so good in "Nashville". She is quite likable here but will let you know if she's not happy with something. Her first scene with Joshua didn't seem realistic, because she's not that naive, but if she's just friendly, that's fine.
Billy Boyd was so obviously gay and more sophisticated and cultured than his boss. Also quite good.
I didn't know Dina Eastwood until I saw the credits, but I've seen her before. Not up to the standard set by her husband, but she had her good scenes. She was determined to make sure Joshua had proper supervision.
Josh Hutcherson at least made us like him and root for his success, but I won't say he was close to the best actor.
The real star of the movie is William Rose (didn't he change his name to Axl and sing for Guns 'n Roses? No, probably a different man). I finally saw the artist's name in the credits. And yes, in an unusual move, the credits showed a drawing of each character beside the actor's name, rather than the character's name, which was nice but not helpful if I didn't recognize someone. His amazing drawings are shown throughout the movie, starting on the wall and ceiling of Joshua's motel room. Some of the drawings are disturbing, such as the ones that suggest Joshua was abused by his mother. I assume he did the Winslow Homer forgery (magnificent) and the other painting that was sold (that was supposed to be talent?).
A lot of work goes into making a convincing forgery, and this film attempted to show us that. Realism isn't a priority because of course Joshua is a genius.
There is great looking architecture and other scenery, and nice art on the walls in galleries.
Family friendly? Some words were missing, but the version I saw seemed okay. I won't call it violence, but just schoolyard scuffles with some blood. Don't look for high moral standards here. Most people here do what they have to in order to get by, or to have more than their talent will legally allow them to do. But there is a sort of redemption late.
The music varied a lot. At sophisticated events, I liked the music. Young people listen to music I don't like, or music I don't like is played for their scenes. A pleasant song was played during the credits.
Not great art, but you get to see some.
Wusstest du schon
- WissenswertesThis was Lauren Bacall's final film before her death on August 12, 2014 at the age of 89.
- PatzerWhen Everly Campbell and Bernie are in the basement talking about Joshua doing the forged painting a crew member wearing a headset is reflected in the glass cabinet behind the two men.
- SoundtracksMoanin'
Written by Bobby Timmons
Performed by Art Blakey And The Jazz Messengers
Courtesy of Second Floor Music
Used with Permission
Courtesy of Blue Note Records
Under license from EMI Film & Television Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Farben der Liebe - Carmel-by-the-Sea
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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