Magazine Dreams

Toxic masculinity is a topic that has garnered increased attention in recent years, addressed in various outlets from TV talk shows to social media to myriad print resources. And now, in the latest offering from writer-director Elijah Bynum, the subject has made its way to the big screen (although it almost didn't - see below). This character study of amateur bodybuilder Killian Maddox (Jonathan Majors) follows the life of this highly disciplined competitor who's little known in the field but is determined to one day win major titles and fulfill his dreams of gracing magazine covers devoted to the sport. However, try as he might, Killian never seems to fully realize his aspirations, a tremendous source of personal frustration, particularly when his chiseled physique is (at least in his mind) unduly criticized. He's obsessed with trying to figure out what he's doing wrong, not only in sculpting his physical prowess, but also in his interpersonal dealings. It's an exasperating exercise that often subsequently leads to angry outbursts, exaggerated responses to his circumstances and fits of emotional self-flagellation. To compensate, he earnestly engages in internet searches about ways to get others to like him and to find the means to be remembered, efforts that feed his many personal demons and contribute to an ever-downward spiral of his health, self-esteem and grasp on reality, all of which bring out the toxic masculinity festering within him. His unsettling lack of fulfillment, combined with his considerable pent-up physical strength, makes for quite a volatile mix, raising serious questions about whether he can ultimately contain it. While the film tries to cover a little too much ground at times and features some script elements that come across as wholly implausible, the picture nevertheless offers valuable insights into the nature and source of where this behavior comes from, as well as the hope for redemption, no matter how seemingly remote. The narrative also pays homage to other pictures that chillingly profile the lives of troubled loners like Killian, very much in the same vein as the works of writer-director Paul Schrader, most notably "Taxi Driver" (1976) and "First Reformed" (2017). To be honest, though, I was quite stunned to see this offering actually make its way into release. Having been originally scheduled for opening during the 2023 awards season, "Magazine Dreams" was dropped from its distributor's schedule when troubling allegations about Majors' offscreen abusive behavior began to surface, incidents that would eventually land him in court. In short order, one of Hollywood's fastest-rising stars suddenly became one of the movie industry's biggest pariahs. And, with that, it seemed that this picture - a hot contender for awards consideration at the time - would forever vanish into the ether, relegated to the ranks of films that would never again see the light of day. However, this offering has since managed to secure a new distributor, and it is now playing theatrically (and rather widely at that). It's arguably regrettable that Majors' fortunes have faltered as they have, because he turns in a phenomenal performance here in what would have almost assuredly earned him awards season accolades. This release thus provides a potent cautionary tale about the perils and consequences of toxic masculinity. Indeed, it's understandable how moviegoers might want to shun this release in light of the controversies surrounding its protagonist. At the same time, though, if we as a society ever hope to understand what drives this kind of behavior, we'd be wise to take a good, hard look at it so that we can see how it arises, find ways to dispel it and keep it from inflicting any further harm on those it victimizes - and those who fall prey to it in the first place.

Magazine Dreams is weird movie experience. It is similar to watching something like Requiem For A Dream in that it is not supposed to make you feel good. The main character is stricken with bad luck after bad luck from circumstance and you can't help but feel bad for him. This movie made me feel for the character and also uncomfortable that resonated with me after the movie. If you are expecting a body building glorification this is not it. Instead we get a movie on mental illness and an obsession that takes a toll on ones life. I do not recommend this movie to people for it is not of the faint of heart. Why I do want people to watch this movie is to understand a different perspective in that life is unfair in some cases and we are all a product in combination of how we react to things and what happens to us. The main character can teach us a little bit of humanity in a dark way that creates some understanding of people we encounter in our own lives and what their mindset and history is. That maybe this person is the way he is because of his childhood or mental illness and while we can be quick to judge there is always a deeper narrative that we do not see.

Jonathan Majors is incredible in this. His performance is so powerful, it pulls you in and makes you really feel what his character is going through. There are a bunch of scenes that hit hard emotionally, and it's all because of how committed he is.

The movie dives into some really heavy and complex themes, and when it works, it really works. But the last act gets a bit messy. It tries to cover too much at once, especially when it comes to unpacking such a complicated and violent character. It feels like the movie loses focus a bit near the end.

Still, it's absolutely worth watching for Majors alone and the bold ideas it tries to explore.

What an incredible journey this film takes you on. It's one of those rare cinematic experiences that manages to surprise, challenge, and move you - all while telling a deeply personal and character-driven story. This is not your typical sports movie. It's a raw, emotional, and honest portrayal of what it really means to chase greatness. The highs and lows, the ego and insecurity, the pressure, the silence, and ultimately - the cost.

At the center of it all is Jonathan Majors, delivering what is arguably the best performance of his career so far. He completely transforms for this role, not just physically, but emotionally. He embodies a man who is both incredibly gifted and painfully flawed - and it's that duality that makes his performance so captivating. You can feel the weight he carries in every glance, in every breath. He doesn't just act - he becomes the character.

From the opening scenes, the film establishes a tone that feels both intimate and intense. It's not a flashy, feel-good sports drama with choreographed triumphs and a tidy redemption arc. Instead, it takes its time exploring the mental and emotional space of someone who has been built up to be exceptional - and is now unraveling under that weight. The storytelling is nuanced, and the character development is rich. There are twists and turns, but they're not thrown in for shock value. They reflect the internal chaos of a man torn between legacy, identity, and his own destructive habits.

One of the things I appreciated most is how original and grounded the script felt. It would've been easy to fall into formulaic patterns, but this story refuses to do that. It's not a documentary, but it carries the emotional truth of one. It feels like a realistic blend of many athletes' experiences - the pressure to perform, the fear of irrelevance, the search for meaning beyond the sport. It's a fictional story, but it reflects a very real world of complex, high-performing individuals whose personal struggles often go unseen.

The message here is powerful: greatness doesn't come without sacrifice - and sometimes that sacrifice is your peace, your relationships, even your sense of self. But within that message is also something hopeful - the idea that redemption is possible, but only when you stop performing and start facing yourself honestly.

The visual storytelling is excellent. The cinematography manages to capture both the brutal physicality of the sport and the quiet, reflective moments that shape the character's internal journey. The soundtrack is subtle but effective, complementing the emotional beats without overplaying them. The direction is smart - confident without being heavy-handed, allowing the story and the performances to breathe.

Majors' performance is undeniably the anchor, but the supporting cast deserves recognition as well. Each character adds a layer of texture to the protagonist's life - from the strained relationships to the people who challenge him to change. These dynamics deepen the emotional stakes and keep the film grounded in reality.

Ultimately, this is a film for anyone who has ever chased a big dream - especially those who've discovered that success can be both exhilarating and isolating. It speaks to the athletes, the performers, the high achievers, and anyone who's ever struggled with identity in the shadow of ambition. It's a mirror, a warning, and a source of motivation all at once.

I was genuinely and pleasantly surprised. I came in expecting a solid sports drama - but I got something so much richer. A psychological portrait. A cautionary tale. A meditation on self-worth, ego, and the search for purpose. And above all, a reminder that behind every legend is a human being - messy, complicated, and searching.

Thank you to the filmmakers for telling a story that doesn't shy away from the hard truths. And thank you to Jonathan Majors for a performance that will stay with me for a long time. This film doesn't just entertain - it resonates. It makes you think, reflect, and, if you've ever aimed for something big, it might even make you feel seen.

Highly recommended. Not just for sports fans, but for anyone who's ever dared to want more - and wrestled with what that truly means.

This is one of those films one should be prepped for an intense experience and I'd compare it to Tom Hardy in Bronson or Deniro in Taxi Driver.

The main reason to see this film is the star Jonathan Majors that carries this film beyond the obvious Art imitates Life which is sad because the guy can act.

The subject and plot is all over the place on this twisted journey but it's worth it.

The director Elijah Bynum is definitely talented even if the plot meanders it still keeps one bolted to your chair witnessing vast layers of body obsession, mental illness, child abuse and steroids abuse but much like downward spiral films like Bad Lieutenant there is a point to this mad journey.

The dream hallucinations mixed with violent reality creates a bizarre scenery that might feel scattered to some yet this director has talent. And Jonathan Majors carries this film along with deep emotional expressions with eye and vocal detail that makes one either believe this is his true self or one heck of an acting job.

Hopefully this actor gets his personal issues in check and balances his anger as he might be the next Tom Hardy / Denzel Washington.

Go into the film with some expectations of a wild emotional rollercoaster ride as it's definitely not light weight film.

Very curious to see what this director does next as he seems to have a talent for attracting great actors esp his last film Hot Summer nights with Timothee Chalamet and Maika Monroe was also well done.

7 stars for star actor.