Im Londoner West End der 1950er Jahre werden die Pläne für die Verfilmung eines Erfolgsstücks abrupt gestoppt, nachdem ein wichtiges Mitglied der Crew ermordet wird.Im Londoner West End der 1950er Jahre werden die Pläne für die Verfilmung eines Erfolgsstücks abrupt gestoppt, nachdem ein wichtiges Mitglied der Crew ermordet wird.Im Londoner West End der 1950er Jahre werden die Pläne für die Verfilmung eines Erfolgsstücks abrupt gestoppt, nachdem ein wichtiges Mitglied der Crew ermordet wird.
- Nominiert für 1 BAFTA Award
- 4 Nominierungen insgesamt
Empfohlene Bewertungen
I don't know if it's the cozy cinematography, the many tracking shots, or two actors that have been in a lot of his films, but this movie has a real whimsical, wholesome, Wes Anderson vibe to it and I liked it. Saoirse Ronan is incredibly cute and comical in her role as a apprentice cop learning the trade and trying to solve the mystery. Her puns in the beginning are pretty funny, and she just has such a sweet aura throughout that weirdly fits with the movie.
The film moves at a leisurely pace, almost like a British afternoon tea on a rainy day. Or drinking hot cocoa while watching an Agatha Christie murder mystery as the snow falls outside. That kind of vibe, and I'm here for it.
Oh, and we get to see Adrien Brody in a Grand Budapest Hotel-like rich jerk role, and it's pretty great.
The film moves at a leisurely pace, almost like a British afternoon tea on a rainy day. Or drinking hot cocoa while watching an Agatha Christie murder mystery as the snow falls outside. That kind of vibe, and I'm here for it.
Oh, and we get to see Adrien Brody in a Grand Budapest Hotel-like rich jerk role, and it's pretty great.
I found this a really novel and almost throwback film with loads of great laughs and twists but never takes itself too seriously.
There is a really good cast with great characters, all bringing different things to the film. Having real life characters add something to the film as well.
I laughed a lot during the film with some of the characters and some of the jokes being very well done.
Its a reminder that there can be a great film made without the need for huge amounts of cgi, huge budgets and massive casts. This is just well written, well portrayed and with brilliant camera work, and just works really well.
There is a really good cast with great characters, all bringing different things to the film. Having real life characters add something to the film as well.
I laughed a lot during the film with some of the characters and some of the jokes being very well done.
Its a reminder that there can be a great film made without the need for huge amounts of cgi, huge budgets and massive casts. This is just well written, well portrayed and with brilliant camera work, and just works really well.
I try to avoid trailers and promos so much so that I thought this was going to be a movie involving trains somehow like a biopic of whoever invented them, all I knew was Saoirse Ronan was in it. She was one of the few upbeat characters in it so she lit up the screen whenever she was on.
It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.
It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.
It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.
It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.
It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.
It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.
It may not be the smartest or funniest whodunit out there but See How They Run is still a really fun murder mystery that succeeds at creating an engaging mystery and solid gag rate bolstered by some surprisingly dark and mature themes.
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
This movie had a great potential to be a better one.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
Wusstest du schon
- WissenswertesRichard "Dickie" Attenborough greets the detectives as "Darling." This was a real-life quirk of Attenborough's which he admitted he would often use if he forgot someone's name.
- PatzerAt the end, Inspector Stoppard is awarded the King's Medal for police etc. This movie is set in 1953; while Queen Elizabeth ascended to the throne in February 1952, the name of the King's Medals were not changed to Queen's Medals until May 1954, so it is accurate that the award Stoppard received would be called "King's."
- Zitate
Max Mallowan: Better make that eight for dinner, Fellowes, and let Agatha know.
Fellowes: Yes, sir.
Max Mallowan: And get a shovel to clear the path.
Fellowes: Yes, sir.
Max Mallowan: And do we have enough coal?
Fellowes: Yes, sir. Three bags full, sir.
- VerbindungenFeatured in 2023 EE BAFTA Film Awards (2023)
- SoundtracksPrendi, Prendi, Per me sei libero
From the opera "L'Elisir d'Amore"
Written by Gaetano Donizetti
Performed by Magyar Állami Operaház Énekkara és Zenekara (as Hungarian State Opera Chorus and Orchestra)
Conducted by Pier Giorgio Morandi
Courtesy of Naxos
By arrangement with Source/Q
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Mira cómo corren
- Drehorte
- Freemasons' Hall, 60 Great Queen Street, Covent Garden, Westminster, Greater London, England, Vereinigtes Königreich(The Ambassadors Theatre, bar)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.586.237 $
- Eröffnungswochenende in den USA und in Kanada
- 3.007.657 $
- 18. Sept. 2022
- Weltweiter Bruttoertrag
- 21.966.634 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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