Agatha Christie: Mörderische Spiele

Amazing casting and production. Attention to detail is very impressive...and what about the era cars? Wow The interpretation of Agatha Christie's stories is unique with french flair. What a treat to watch .

For production values (cinematography, directing, acting, casting, etc. - especially the period settings and wardrobes) this is a top notch series. Absolutely top notch. As for the plots, well... they are based on Christie mysteries - which you either like or not. But so loosely that it doesn't really matter. The characters are over-the-top and the whole thing is done with humor in mind. Took me, however, about 4 or 5 episodes to really appreciate this series. Initially, Laurence's coldness, his male model handsomeness, his creaseless suit is a caricature of a male chauvinist cop. Again, part of the humor. But, with Season 2 he really showed a very different side of himself. The acting by all the characters is just superb. But, it does take awhile for this series to grow on you (or did for me). And the mysteries themselves are usually actually pretty good.

And the very last (wrapup) episode of the last season is one of the best shows I've ever seen: they made it a musical - and I hate musicals - but this was so clever and enjoyable and funny that I've watched it multiple times.

First, for the answer to expectations. Because it is a real smart serie. Preserving the spirit of Agatha Christie, giving a seductive chain of stories and beautiful performances.And proposing an interesting humor and few clever used taboos. Commisaires and women. Cases and wise manner to solve them. Especially, the French flavor gives seduction to each episode. The result - almost fascinating, surrely charming.

Agatha Christie: The Queen of Crime. Although popularised by TV movies starring Peter Ustinov, and later David Suchet, as the Belgian super-sleuth, Hercule Poirot, her page- turners have been adapted for the silver screen since 1928. This long-standing celebration of her work raises the question: is there anything left to explore?

Transpose British tales of bloody murder amongst decadent elite social circles into the quaint rural landscape of late 1930s France and we realise there is plenty of room left for investigation.

Never would the foreign location in France 2′s Les Petits Meurtres d'Agatha Christie (The Little Murders of Agatha Christie) alienate Christie fans as her work comes back to life in the coastal Calais region – one of many nods to the narrative's culturally British origins, and a tactic favoured by New Wave filmmaker Claude Chabrol. The 1930s setting also delivers nuances of anxiety to an already foreboding atmosphere.

Eccentric Commissaire Larosière (Antoine Duléry), and reluctant apprentice, Inspecteur Lampion (Marius Colucci) replace Christie's iconic sleuths in these re-imagined adaptations while providing the series' greatest quality that separates it from her original work: the womanising Larosière, a relic of the old world, soon discovers that Lampion is gay. Yet, despite homosexuality being a highly taboo subject during the period, Larosière not only accepts it but their unspoken bond blooms into an endearing father-son relationship.

In 2012, the Larosière/Lampion duo sadly came to an unexpected close. However, last year we were introduced to the new unlikely couple, this time set in the Rock'n'Roll 1950s: another womanising detective, Commissaire Laurence (Samuel Labarthe) and meddling reporter, Alice Avril (Blandine Bellavoir).

While this odd-couple's relationship has yet to mature to the same depth as their predecessors, their chemistry is unblemished. Although both highly entertaining, the true hero of this comeback series is Laurence's pin-up secretary, Marlène (Elodie Frenck), an enchanting yet somewhat dim Marilyn Monroe à la Française.

Not only does Les Petits Meurtres d'Agatha Christie successfully navigate the perilous terrain of adapting a celebrated British institution abroad, but it makes for a revitalising experience all while remaining loyal to the genre's conventions. If it somehow makes it across the Channel, it is certainly worth a watch.

Agatha Christies Criminal Games is a total delight despite the fact any relation to reality is purely coincidental. How many Police Inspectors have a beautiful, huge private office with a private secretary who bears a passing resemblance to Marilyn Monroe? None in the many other TV series I've seen. (Sorry, I don't know any Police Inspectors personally.)

Basically, this French series adapts Agatha Christies mysteries to fit three characters wholly made up for the series. Thus Piorot, Marple, et. Al. Are replaced by Inspector Swan Laurence (Samuel Labarthe), a rather somber, often insufferable, caricature of a 1950s male chauvinist. If he was the only major character there is no way I would have called the series delightful. Luckily there are two major female characters who give the show its sparkle. First off, Blandine Bellavoir as Alice Avril, a newspaper advice columnist turned reporter, who manages to insinuate herself into every case Laurence is investigating, sometimes by accident, sometimes on purpose. If that challenges reality so does her frequent barging into his office at all times a day, seemingly having free reign at Police Headquarters, something even in France would seem out of bounds to a reporter. But, make no mistake, those scenes and her and Laurence's frequent bickering help make the series endearing. Certainly Ms. Bellavoir performance as Alice Avril is the highlight of the show. Then there's Elodie Frenck as Laurence's secretary, also a caricature, in her case, that of a dumb blonde. Her role got bigger as the series progressed and soon she too became endearing. Both actresses deserve accolades for lifting the series above the norm.

The mysteries are nicely adapted to fit these characters. Though light-hearted, and at times almost a semi-comedy, be warned some of the murder scenes can be gruesome. If you, like me, love mysteries, this series can be addictive.

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