Hinterland

Hinterland is a typical European-made drama. I didn't see much Aavstrian film at all, but Hinterland left a positive emotion. An interesting era of the "lost generation," about which so few films are made and so many beautiful literary works. The film has an interesting artistic style of espressionism, which conveys the entire curvature of the state of society and the main character of those years. In Hinterland, human psychology and human relationships are brought to the first place, there is no Hollywood gloss. The film will appeal to all lovers of detective stories and European cinema.

Hinterland is a great movie. You feel like you are watching a comic book.. The dialogues are great and the ambiance is awesome. Perg is an antihero that is why it is quite exciting to watch his life after his return from the prison camp. Murathan Muslu is a great actor. Liv Lisa Fries has been a favorite ever since I watched Babylon Berlin and she was awesome in this movie as well. Stefan Ruzowitzky must make TV series based on Perg and crimes in Vienna. Perhaps adding some flashbacks from the great war. I believe that a TV series based on Perg can be a great series like Babylon Berlin. There is a lot story to tell about him. In short, watch this movie !

Yes the background can be annoying - I have to point that out. Although I think I am pointing out the obvious. Something everyone can see - no pun intended. But something that hopefully won't bug you too much. Not sure if there was another (cheaper solution) to this, but the movie does concentrate on the ... story and the characters it has. Which is a good thing and should be the thing you should look forward to the most.

That said, the actors really deliver here. Even someone like Matthias Schweighöfer or anyone else who has a small (insignificant or not) role or a bigger one. This is a murder mystery ... one where our hero seems to have something hidden himself. Or something that haunts him from the past ... and not just the fact that he was in a war. The ghosts that haunt him from that are big too of course.

There is enough to sink your teeth in and relish in where the story takes us. You can't be squeamish though, because there are some scenes that can be called borderline and quite violent. But it is the nature of the movie and our main bad guy ... tough case to crack. A Sherlock Holmes would be a nice thing to have - but maybe the former police man is able to find the culprit too ... you have to watch to see! And also if his journey is ... well let's call it complete.

What I really liked about the film was the background story (espeacially the time frame) and the choice of the cast.

The plot itself sometimes feels draggy and some parts are completely unnessecary, whereas other fragments are not logical or didn't got enough of attention/development

The art style (or should I say the CGI) in the background sometimes is very distracting or doesn't mix well with the real life elements of the scene.

The last thing I want to mention is, that many aspects of the film feel very forced. Either the director/screenwriter didn't believe in his own creation/the cast or the producers were interfering in his work. What do I mean by that?

Giving or showing the audience extra scenes for things should've already figure out themselves (if they were paying attention) and the name dropping typical austrian/vienesse culutural speacialties, like locations, food or local terms.

All in all, it was an average film experience. Not very entertaining but far from bad.

Worth seeing historical thriller about the time shortly after the First World War! The world is out of joint in "HITLERs WIEN / Hitler's Vienna" (see the book of the same name by Brigitte Hamann). ACADEMY AWARD winner Stefan RUZOWITZKY ( DIE FÄLSCHER ) has made a brilliant film whose special style is reminiscent of the great Eric Rohmer film "La Anglaise et le Duc / Die Lady und der Herzog / The Lady and the Duke".

Murathan MUSLU plays a war returnee who returns to Vienna almost broken. A crazy series of murders soon begins, leading inexorably into the bowels of post-war VIENNA. Liv Lisa FRIES (BABYLON BERLIN), Aaron FRIESZ, EUROPEAN FILM AWARD nominee Margarethe TIESEL (PARADIES: LIEBE and DER GOLDENE HANDSCHUH) and the new global star Matthias SCHWEIGHÖFER impress in other roles. You won't see such a blast from German-speaking countries. It's a shame that only 10,000 tickets were sold at the German box office.