IMDb-BEWERTUNG
7,6/10
10.440
IHRE BEWERTUNG
Ein Blick auf die Rockband The Doors aus den späten 60er und frühen 70er Jahren, einschließlich seltenem, exklusivem Filmmaterial.Ein Blick auf die Rockband The Doors aus den späten 60er und frühen 70er Jahren, einschließlich seltenem, exklusivem Filmmaterial.Ein Blick auf die Rockband The Doors aus den späten 60er und frühen 70er Jahren, einschließlich seltenem, exklusivem Filmmaterial.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Johnny Depp
- Narrator
- (Synchronisation)
John Densmore
- Self
- (Archivfilmmaterial)
Robby Krieger
- Self
- (Archivfilmmaterial)
Ray Manzarek
- Self
- (Archivfilmmaterial)
Jim Morrison
- Self
- (Archivfilmmaterial)
Pamela Courson
- Self
- (Archivfilmmaterial)
- (as Pam Courson)
The Doors
- Themselves
- (Archivfilmmaterial)
Murray Goodman
- Self - Judge
- (Archivfilmmaterial)
Jimi Hendrix
- Self
- (Archivfilmmaterial)
Lyndon B. Johnson
- Self
- (Archivfilmmaterial)
- (as Lyndon Johnson)
George S. Morrison
- Self - Jim's Father
- (as Admiral George S. Morrison)
Paul A. Rothchild
- Self
- (Archivfilmmaterial)
Adolf Hitler
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Janis Joplin
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
John F. Kennedy
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Robert F. Kennedy
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFor the first time in the band's history unprecedented access was granted, regarding the previously unseen footage of Jim Morrison.
- PatzerA mock newspaper clipping announces both that Sharon Tate and her friends have been found murdered and that Charles Manson and his "Family" are suspected. Manson and the "Family" were not identified as the Tate killers until December 1969, more than four months after the murders happened.
- Zitate
Jim Morrison: The music can't help but reflecting things that are happening around you
- VerbindungenEdited from Feast of Friends (1969)
Ausgewählte Rezension
"When You're Strange" recounts quite well the history of the 1960s rock band "The Doors" and its famous, charismatic vocalist Jim Morrison. Using archival and backstage footage, some early home pictures of Morrison, and integrating a history of the band's roots and rocky ride with then-current social upheavals, the film conveys all the chaos, change, and creativity that marked that turbulent era.
Some of the narrative retells information that the band's devotees have known for decades, like the origin of the name "The Doors", a reference to Aldous Huxley's 1954 book "The Doors Of Perception". And the very first song Robby Krieger wrote was "Light My Fire". But old details can be informative to new fans.
The film's choppy structure probably had some symbolic significance. But the first five minutes seemed unnecessary. And I could have done without the scenes of Morrison driving a car through the desert, which seemed irrelevant and out of context.
As someone who has been mesmerized by The Doors for a long time, I don't think I learned anything new. Yet, the never-before-seen visuals, Morrison's on-stage performances and backstage personality, combined with all that strange music, at times carnivalesque and at other times bluesy, were enormously interesting. About midway through, Morrison comes across best, as he sings "Touch Me", accompanied by an orchestra.
What's disconcerting is the change in Morrison. He starts out innocent and shy, then quickly morphs into an outrageous showman. His indulgence in drugs and hard drinking did him no favors. However, that over-the-edge artistic style was common in the 1960s. And death arrived at the early age of 27 not only for Morrison, but also for Janis Joplin, Brian Jones, Jimi Hendrix, and Morrison's girlfriend, Pamela Courson.
Forty years after his death, Jim Morrison still fascinates people. Part of that derives from his untimely death. But I think he and The Doors resonate today because they were musical poets, social revolutionaries who saw the inhumanity and evil in the world, and tried to change it, through music. With maybe a couple of exceptions, we do not now have comparably influential poets. Jim Morrison and The Doors call to us from the past.
Some of the narrative retells information that the band's devotees have known for decades, like the origin of the name "The Doors", a reference to Aldous Huxley's 1954 book "The Doors Of Perception". And the very first song Robby Krieger wrote was "Light My Fire". But old details can be informative to new fans.
The film's choppy structure probably had some symbolic significance. But the first five minutes seemed unnecessary. And I could have done without the scenes of Morrison driving a car through the desert, which seemed irrelevant and out of context.
As someone who has been mesmerized by The Doors for a long time, I don't think I learned anything new. Yet, the never-before-seen visuals, Morrison's on-stage performances and backstage personality, combined with all that strange music, at times carnivalesque and at other times bluesy, were enormously interesting. About midway through, Morrison comes across best, as he sings "Touch Me", accompanied by an orchestra.
What's disconcerting is the change in Morrison. He starts out innocent and shy, then quickly morphs into an outrageous showman. His indulgence in drugs and hard drinking did him no favors. However, that over-the-edge artistic style was common in the 1960s. And death arrived at the early age of 27 not only for Morrison, but also for Janis Joplin, Brian Jones, Jimi Hendrix, and Morrison's girlfriend, Pamela Courson.
Forty years after his death, Jim Morrison still fascinates people. Part of that derives from his untimely death. But I think he and The Doors resonate today because they were musical poets, social revolutionaries who saw the inhumanity and evil in the world, and tried to change it, through music. With maybe a couple of exceptions, we do not now have comparably influential poets. Jim Morrison and The Doors call to us from the past.
- Lechuguilla
- 21. Juli 2010
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Doors - Das Phänomen
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Box Office
- Bruttoertrag in den USA und Kanada
- 246.078 $
- Eröffnungswochenende in den USA und in Kanada
- 66.833 $
- 11. Apr. 2010
- Weltweiter Bruttoertrag
- 1.194.182 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was The Doors - When You're Strange (2009) officially released in India in English?
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