Girls Girls Girls

Told over a trio of Friday evenings, this follows the story of three lifelong pals who are entering the exciting new world of adulthood and discovering things about their bodies and themselves that director Alli Haapasalo has knitted into one hundred minutes of light-hearted drama. "Mimmi" (Aamu Milonoff) and the figure skating-obsessed "Emma" (Linnea Leino) have always been joined at the hip and appear destined to take their relationship to the next level, whilst "Rönkkö" (Eleoonora Kauhanen) is more into finding out just to get her juices (quite literally) flowing. What now ensues sees these three girls go through some of the turbulence of adolescence, exploring their sexuality and questioning their priorities as they go - whilst causing some mayhem with the equally hormonal boys whom "Rönkkö", especially, seems to manage to frustrate at every turn as she rather methodically searches for her own "tingle". It's quite a quirkily coming of age sort of story, this, with a candidness to it that is quite refreshing at times. It's not often that we get films that deal with the feminine side of the coin when it comes to initial sexual encounters - some more successful than others. The writing and acting, though, is all rather underwhelming and it loves a stereotype as it's initial innovation gives way to an Hollywood-esque sisterhood exercise that can be quite cringemaking to watch at times. There's something entirely superficial about the whole thing and after half an hour I just felt that we were being presented with a series of scenarios straight (or not) from the teenage pop-up Kamasutra. It's not bad and at times is quite revealing of attitudes and that physical passion we all felt in our teens, but that quickly gives way to the routine and it loses it's punch.

There's nothing wrong with clichéd teen movies; I often enjoy such films. However, the screenplay is quite poor. Somehow, the plot feels rushed yet dull. The character development is very shallow.

Just with a quick shallow hasty conversation, you managed to win the heart of someone who didn't like you at the first meeting, leading to an intimate relationship with them. After that, you both became a couple in deep love and inseparable from each other. Like????? What just happened?

I had to rewatch some parts because I thought I missed some important scenes. But no, I didn't miss any important parts but this is what the story looks like. It's very fast-paced without strong character development.

Screenplay 4/10 Scoring 6/10 Acting 7/10.

It doesn't do anything radically different; it's pretty much your standard coming of age movie... but by the end, I'd bought into, believed and come to love these characters - just as much as they loved each other, when all was said and done... Girl power.

Movies about teenagers are difficult, since adults make them and commercial distributors are part of the financial decisions. So, they can tend to be exploitative or even just adults imposing their own perceptions of what it means to grow up. Not this film. It's really brilliant and reminds me of John Hughes' groundbreaking THE BREAKFAST CLUB. Each of these three girls are flawed in her own way, but all remain relatable throughout the movie. The dialogue is often startling in its candor and performances are passionate, poignant--especially when the girls are confused or mistaken, which I think is the point of the movie.

A rather frank Finish feature of girls deciphering hormonal urges as they mature into adulthood. The matter of fact sex talk is blunt, refreshing, insightful and often funny, as director Alli Haapasalo avoids the sensationalistic and exploitative Hollywood pratfalls of bedroom romps. These are kids, experimenting, exploring, learning, fumbling, growing and most importantly, discussing. A talkie, not a humpy.

Mimmi and Ronkko swap sex tales whilst serving up ridiculously named smoothies ("It Takes Two To Mango") at the local food court, when clique preppie figure skater Emma disrupts their world. The punky, cynical and rebellious Mimmi (Aamu Milonoff) argues with, then falls for the forbidden fruit, and we have story. A story that feels natural, flows true, views like a diary.

Milonoff is sensational in the lead, owning the screen at every emotional turn: burning embarrassment at her mother's neglect, seducing her target on the dance floor, and lashing out physical for attention. Though this is a three girl story across three Friday nights, and Haapasalo splits the plot pie in equal portions, Milonoff as Mimmi steals the show. "Girl Picture" is her movie.

Watch out!

• hipCRANK.