Issiz adam - Einsam

Director Cagan Irmak had moved his audience to tears with his beautiful, semi-political, semi-melodramatic "Babam ve Oglum" only a few years ago. Now, here he is with a much more mature and deeper depiction of a tortured soul of our times. At a certain point, it is reminiscent of Allen's "Annie Hall" and there is a gentle, sly nod to Scorsese's "Taxi Driver", and this film deserves comparison to both of these films; no need to be modest. The main character is a handsome, young restaurant owner, a chef in Istanbul and his casual relationships with a large variety of women say something about his actual loneliness. On the other hand, she is a lively, lovely young woman with a pretty little costume shop and when they meet, it's not love at first sight, but a love that grows and is woven with their efforts, especially hers. But this is not an ordinary, straightforward womanizer-turned-romantic-by-true-love-kind-of story. It is the sad story of a man who has alienated himself from all emotional human contact because of a life in "the big city". It is all the more sad because he is aware of it, he wants to open up and get rid of it, but he just can't. And she was just about to make it easier for him... Anyway, this is definitely a movie worthy of seeing. It is not just a local story, I'm sure people all around the world will identify with the characters in this film. I hope little films like these are seen by large and different audiences and get the praise they deserve.

What I heard from most watchers is that everybody found somethings from their own life in Issiz Adam. They say that the movie is amazing just because catches you from your heart and mind like it tells your own life but not Alper and Ada's.To be honest, I definitely do not have the same feeling. What I think is that the movie is purely simple and that is why everybody finds somethings in it. Most of us try to find the real meaning of the scenes, speeches etc in movies but with Issiz Adam; many people do overlook while trying to find somethings deep.

I could not understand what Alper wants also why his actions are always fulsome. What he wants and why? You find no answer in the movie. On the other hand, Ada looks like well experienced on relations with men but how she could fall in love with that bombastic guy? Can we just say that "because the love is somethings like this"? Sorry I do not agree.

Well, besides the story and acting, the scenes and songs are really beautiful. So I recommend this movie to the lovers of oldies and to the people who feel lonely in their life.

I am very much certain that this is the most under valuated film ever made! Surprisingly daring as it comes from a country where not even real love kisses were ever shown on screen, it could -far as its realism is concerned - come from any western country, my own included, where no barriers are put when it comes to presenting the real world in a movie picture. Furthermore the film goes far beyond a love story, as its goal is to show how some men – here represented by Alper, the main character of the film- get caught in the sly ambush called "life style" modern society puts for them, which in turn means "plenty" to satisfy a man's greedy and never ending luster for "freedom" "good times", and consequently, "sex"! When he meets Ada, Alper does realize that she is really worth to be with, therefore for the first time in his life he tries hard to make it with her. Yet, as time goes by, and in spite of something strong inside him telling him that he is in the right way, -for he does realize that this relationship has upgraded his life standard -, he finally gives in to luster calling him like the sirens called Ulysses, so, out of the blue, he breaks up with her, hurting her badly.Soon he has to deal with the consequences! Well, these consequences and the way they are illustrated in the film, is something I have never ever seen on screen before!!! As a person myself who is very much aware of the hard dilemmas a man has to face in his life, especially if he is very much absorbed by his life style of "plenty", I was like never before touched by the character of the "lonely man" portrayed in this film. And I have never ever cried this much as when watching it!!! To me this is an anthem to the men who become victims to their –seemingly – "welfare" ("freedom-independence-sex!")! And there are certain hints in the film that this "welfare" is strongly mastered by the man's libido. So, behind the surface, which is telling the story of an unfulfilled love, a lot in "Issiz Adam" reminded me of Steve McQueens's "shame" only, that one, by illustrating an extreme case, is focused even more specifically on what being ruled by his sexual libido really means to a man, and where this possession of mind may eventually lead him to. As in "shame", so in "Issiz adam" a man comes to realizing the catastrophic consequences of his choices when it's too late! Here, the inability of Alper to stay together with Ada in spite of the fact that he does love her after all, deals with his addiction to "being free" , in a "freedom" sexual fun is very much included! Playing Alper, Cemal Hunal, builds in a most heartbreaking way, the portrait of a tragic hero who falls victim to his own choices! The rest of the cast too, contributes to an amazing extend to keeping the film up to a level of really very high quality. I should mention the "mother" who, representing the values of a sweet tradition, feels the dangers of her son's way of thinking and tries to warn him about the no way out of his choices, and the bitterness the route to sweet loneliness may take him to. Beautiful songs and music -mostly Turkish - from the romantic 70's and 80's, serve as the perfect sonic background of the story and as a unique amplifier of its -at some points really very dramatic- sentimental power. Last but not least to mention: The unique, original,innovative way the director shows in the last 18 minutes long scene the ultimate desperation and devastation that rule the souls of the main two characters is really unprecedented, and make this film as much a realistic masterpiece, human, sad and heartbreaking as it takes!In this magic scene, the director manages to turn into motion picture not only what is visible, and not only the things the two x-lovers are allowed to say to each other framed by the restrictions of their present life conventions after 4 years of separation, but also their hidden, unspeakable,inexpressible and therefore extremely painful thoughts! The bleeding wound of –willingly or unwillingly – losing each other and the shock of all by chance meeting again -a meeting that obviously had often repeatedly happened in their dreams-, is absolutely eloquent in their faces, in their movements, in their words, and this shock combined with the desperation of dying to express feelings they are not allowed to show to each other, does inevitably reach the spectator and leaves him fully participating and thus devastated too! Their final embrace will break your heart! To make a long story short, do "discover" this piece of art! Especially if you are "lonely men" yourselves!

Differently from his primal films, director Cagan Irmak dishes out a drama with using Expressionist cinema language on a romantic theme. Originally written for the screen his movie accuses the modern social conventions of the couples' relationships. A considerably usual plot brings two adverse social characters to light. Despite the Expressionist components, characterization is at a very low-degree. It doesn't attract any attention of how do these people live or what do they do for a living. Lovers meet for the first time in a pessimistic mood. The dialogues they use when they meet are coarse. Their communication coarsens even more and more until the guy tenders flowers to the girl. None of them could have implied any emotion wholeheartedly. Basically, they never fell in love. But at the end, they realized that they meant for each other, even though they are not in love.

In order to direct a romance, a director should let the couple do their magic. Screenplay and the script was fruitful, yet the directing was poor. Quite evidently, there was never been a chemical accord between the lovers. They just acted as two toneless product of Expressionism. Story carried us to an ending of a man's meaning of life, which got us crushed under a heavy melancholy. At the final we took a deep breath when the secret melodrama was revealed. Foolishly we became a witness of this pointless melodrama by director Cagan Irmak.

The selected soundtrack for this movie was praiseworthy. Although, even the songs that played during the corresponding scenes couldn't fix the lack of the acting. Synchronization turning out to be voice overs is used at the final scene with an influential mix of the editing of brainstorms and voice overs. At least the success of editing saved the film.

Issiz Adam is a remarkable film because of its seeking for the relief of hopeless relationships of broken couples.There awaits a relationship movie far away from being considered as a romance. A wise well-known old saying says: "You can build relationships just with anybody, though you can only find the love within only one person".

I have never been feel spotted in the life, exposed like this film made me feel. Name of Cagan Irmak was enough reason for me to watch the movie because his name is more than "not disappointing me". His stories and the language he uses in his movies to transmit these stories the way he sees to us like he did in 'Babam ve Oglum', 'Mustafa Hakkinda Hersey' and his other films... It's amazing. So, even before I saw the film, I knew that I was gonna like it, or may be like it too much - which i did, too much. But it's not something about liking or not. Have you ever felt like grabbed by something and thrown like a stone to the sky like you're nothing? It was exactly how i feel when the film was over!

It's story of Alper and Ada. Alper is owner of a restaurant in Istanbul. He lives alone. He likes to live nice. One night stands are part of his life. And freedom is something not to be sacrificed. Then Ada shows up with all her charming, beautiful manner. A body and soul with full of life... Will she be able to manage to take him to the surface of the life? Is this passionate love powerful enough to lead its way? Is freedom really something not to be sacrificed? What is freedom? Is it being able to be lonely when you need it, or does it have another meaning?

It took time to catch myself again when the film was over. Irmak did it again... He dazzled me with his epic story of a modern life. But maybe because I found myself in this story, "Issiz Adam" (means "Deserted Man" in Turkish language) will be the most special one among his other films, maybe among all the other films. I also have to mention about the music. Mostly 70's and 80's old Turkish songs are used in the film. But each of them used in the movie is made you feel that it was made for the scene used. And director let us know about the characters as much as we should. Neither less, nor more than that, you don't have to deal with too much details.

It has been 5 days since I watched it and it's hard to say that i'm totally free of its influence. But I think I'm volunteered to be in this situation. I don't have a rush! Thank you whoever it goes...