Planet der Affen: Prevolution

I had extremely low expectations for Rise of the Planet of the Apes (2011). I loved the original 1968 classic, but every sequel/remake after it sucked. I was surprised they were going to make a prequel of the classic and I thought it was a good idea. But still after so many bad sequels and remakes, I still had my big doubts. Also I didn't like how the monkeys were made by CGI/Special Effects, why not use a robotic monkey or a real one, it would look more real.

After my viewing of the film, I was pleasantly surprised and I liked it overall. But there were definitely flaws in the movie, no doubt about it. The characters were a bit uninteresting at times, there were subplots that went pretty much nowhere and indicated that there could sequels in the works, but it all depends on how much money it makes. The movie, at some points turned to an average summer blockbuster with all the action scenes and explosions, but it redeems itself later on.

However there are plenty of positive qualities, the movie has. Andy Serkis delivers a great performance as the lead ape in the film and is pretty much the star of the film. James Franco and Freida Pinto, both did a good job portraying their characters. The movie also poses ethical/moral questions, which I found very interesting. The movie is easily on of the most thrilling films we've had this summer. Finally a movie that pays respect to the 1968 original science fiction classic!

If you're like me, you will be completely fascinated by the story of this film. I'm a big fan of Planet of the Apes and to get to see its origins is really great. Out of the entire series of movies, I think this one truly is the best. It was just absolutely spectacular! The actors delivered fine performances for their well developed characters; the writers, Rick Jaffa and Amanda Silver, didn't miss a beat with their fantastic and intelligent script; and the story was compelling, exciting and emotionally touching.

The star of the film is an ape named Caesar (whose emotions were brought to life brilliantly by Andy Serkis) who is the baby of an ape that was tested on for scientist Will Rodman's (James Franco) research in an effort that resulted in a way for the brain to heal itself, and what could possibly be the cure for Alzheimer's; a disease very personal for him because his father (John Lithgow) suffers from it -- even though Rodman is warned not to let personal issues get in the way of science. The drug also had another affect... it lead to the development of intelligence in apes. As Caesar grows older and smarter, though, he becomes more aware, questioning who and what he is. It is during an incident that causes Caesar to be separated from Will, in a feeling of abandonment, and then being mistreated by Dodge Landon (Tom Felton) at a shelter that ultimately leads to a hurt and confused Caesar plotting for revenge.. what becomes a war for primacy.

Unlike the Planet of the Apes films from the past, this one did not have people running around in ape suits but instead presented us with CGI primates, emotional performances captured from actors. If I hadn't known it were CGI, though, I would have sworn that they were real apes. They were brilliant! Director Rupert Wyatt did a wonderful job of connecting this prequel to the first film, really catching every little detail and even littered respectful homages to the original throughout the entire film. Honestly, I just loved finding out what lead to the great ape takeover. And as I mentioned before, the script was just wonderful and made for a thought provoking and emotionally driven thrill ride!

When Rise of the Planet of the Apes was announced, expectations were not high. As a prequel to an awful remake of a movie that wasn't exactly an all time classic, its pedigree was sketchy to say the least. Thus came as a shock to nearly everyone when it became one of the biggest summer hits of the. Rise wasn't just watchable, or even pretty good; it's one of the best "B" movies of recent, entertaining and surprisingly human.

The series of events that will one day cause a time displaced astronaut to gaze despairingly upon the ruins of the Statue of Liberty begins not surprisingly with science. Medicine to be exact. Young researcher Will Rodman, played by James Franco is on the cusp of developing a drug that can cure Alzheimer's, his father's included. It just so happens that this drug not only repairs damage to the brain, but makes the subject smarter, as shown in trials with chimpanzees. Due to unexpected complications these trials don't exactly work out in the end, and the test subjects are put down. But one of them had a child, Caesar Raised like a son by Rodman, Caesar shows remarkable intelligence beyond even his mother, learning hundreds of words in sign language, understanding human speech, even scoring higher on intelligence tests than human children of the same age. There seems no limit to how much he can learn, or to what the drug that gave him his intelligence can do for humans. But this isn't an inspiring story of medical breakthroughs. A tragic misunderstanding and Caesar's own animal nature result in him being separated from his family, a prisoner among his own kind. He is not happy with his new situation, and he has a plan to change it.

The plot is hardly more complicated than I've described it, and is somewhat over reliant on coincidence and bad human decisions. Thankfully Rise is not driven by its plot, but by its central character. Caesar is quite simply a miracle of special effects. In only a decade CGI and motion capture technology has advanced to a degree that makes Lord of the Ring's Gollum seem almost listless by comparison. Caesar looks so real he could pass for a live chimpanzee if he didn't do things that no real chimp could ever be trained to do. Although he only speaks a few words late in the film, his facial expressions and gestures say more than enough.

Early on you can tell that Caesar is not only a thinking being, but a feeling one as well. Like a human he feels love, anger, desire, and fear. He understands the concept of family, and based on one overly sappy scene he seems to have a fair understanding of human mating rituals. When he finds himself caged in a primate sanctuary, he understands just enough of the situation to feel betrayed. And we can't help but feel sympathy for him. As he establishes his leadership over the other primates and plans his uprising, part of us roots for him, even though we know what it will eventually mean for humankind.

The first half is admittedly slow for an action movie, but when the action starts it really gets going. The sight of Caesar and his followers rampaging through downtown San Francisco makes for a wonderfully entertaining spectacle, which only gets better as the humans start fighting back. Much of what takes place is naturally ludicrous if you stop to think about it. Even with human level intelligence there's no way a hundred apes could overcome a major city police department, but their battle is so fast paced and cleverly staged that we're willing to suspend disbelief. If the ewoks could defeat the Empire then why can't Caesar's cohort make monkeys of the cops? Rise of the Planet of the Apes is by no means perfect. As mentioned the plot is standard B movie fare, and calamity could have been avoided if a few people hadn't taken unnecessary risks or just not been complete jerks. The human characters also aren't as well developed as their simian co-stars. Franco's boss in particular comes off as one dimensional and the film's attempt to make him something of an antagonist never really works.

That said, Rise is well paced and more emotionally engaging than any Planet of the Apes movie has a right to be. Coming on the heels of Avatar it also further showcases what the latest in FX tech can contribute to storytelling when used properly. And it delivers all the excitement a summer blockbuster should. Even if you were never a fan of the originals, this one is worth checking out on DVD or streaming.

To begin on a tangent before evaluating the film, before summer 2011, I had not seen a decent prequel film. Prequels to films are often made when there is either a rich back story behind the originals or the producers are wanting a little more money from a particular franchise (see the Star Wars prequels). The problem they present is that film- makers have to construct their work, with the knowledge that the audience knows how it ends. One of the greatest things about seeing a film for the first time is the surprise and anticipation, to removing that can detract a lot from the overall impact of the film. But this summer I have had the pleasure of seeing X-men First Class, and now Rise of the Planet of the Apes - two excellent prequels to series that I didn't care for previously.

Rise of the Planet of the Apes (RPA from now on, I can't bear typing it) is not only a triumph in CG animation, but as a stellar science fiction film, that remembers that films are infinitely more engaging when the audience actually cares for the characters on screen. Too often do I see films with a high premise that forget to flesh out their characters, leaving us to run around in mindless, weightless explosions with nobodies who we know less than 3 things about (cough, Transformers 3). Yes, RPA is about super intelligent apes that ransack cities and take on armed forces with little more than what surrounds them, but before we get to that there is an enormous amount of development from the main protagonist; Caesar. Although the advertisement trumpets James Franco, John Lithgow etc, the real star here is Andy Serkis, along with millions of dollars worth of CG animation to create the most expressive animated creatures on film. Even with Avatar, using real humans, pales in comparison to the amount of detail going into every single one of these apes; there is not one second in the film where you cannot understand one of the primates intentions - you could practically vocalise them yourself with the refined eye movement, body language that clearly separates Caesar from his more primitive relatives. Needless to say, Caesar's performance is flawless; after all this is the man who brought Gollum to life, but he captures the screen with an entirely wordless performance, which to me is the greatest part of the film. I felt for Caesar more than any other character in this film, and he did it without saying a word. Eat that Michael Bay. I was almost in tears at one point during one of Caesar's more emotional scenes for Christ Sake - although a chimp, the heightened intelligence really gives him just enough human characteristic to be above the uncanny valley while still behaving like an animal.

The humans in the film were what I considered weakest in this film; not any of the performances were bad, but a little more development in some minor characters and some tweak in the writing here and there would have made this a perfect 10. Tom Felton (Draco Malfoy) felt a bit off to me; he was cruel but almost in a cartoon way, though I suspect that's more to do with ill writing than any personal issues. The main cast are good, though at it's current length, I think more development with James Franco's character wouldn't have gone amiss, but then again, this might have thrown off the pacing.

Another thing I love about this film is that while taking a sharp diversion from its roots in terms of gradual characterisation, it does a superb job of delivering what everyone inevitably came for. A massive Chimpocalypse. A simian uprising that sees the downtrodden apes taking up arms against humanity, and in three words: it's f - ing cool. Made all the more exciting by the anticipation and the feel for these characters, the marvellous point about Caesar's character is that we sympathise with him, we understand why he leads an ape army AND WE SUPPORT HIM. A super intelligent ape is rallying a chimp attack force to free themselves from their confines, cause mayhem, disrupt order and ultimately rule humanity AND WE WANT THEM TO. And for that I applaud.

I love a film that makes us look inwards at ourselves and question our own moral codes and attitudes to events in life (this one clearly representing a case of animal cruelty) that make us conclude that WE are indeed the bad guys, and we need to change. Living in a small, rural middle-class society (like myself) or a well-developed area often makes mainstream audiences forget about those less fortunate than themselves, and what it drives them to, or in this case, what having too much drives us to, and it's refreshing to see something that reminds us of how much of a plague we are to the rest of the planet.

Overall, I would say a strong 9/10, perhaps not quite reaching the highs that First Class did, but by God, was it more consistent - definitely watch this one, and stay after the credits.

Disaster movies are a dime a dozen now a days. We have seen an influx of Alien takeovers recently and it is getting a bit stale I must admit. Don't get me wrong, I love films about ET's taking over, but Hollywood has beaten that horse to death. "Rise of the Planet of the Apes" is a welcome change to this trend pitting us measly humans against our closest ancestors, Great Apes. Directed by Rupert Wyatt ("The Escapist") and supported by the unbelievable WETA Digital ("King Kong", "Lord of the Rings", "Avatar") for special effects. "Apes" is a wonder of motion capture, an intelligent heart felt script with great direction. Unfortunately, the human actors left a lot to be desired. But this film isn't about the humans, it's all about the Simians.

As plots go, this is pretty basic. James Franco plays Will Rodman, a brilliant scientist with a breakthrough drug that just may cure Alzheimer's. Rodman and his team are using chimpanzee's to test this new drug and in the process find out that it increases intelligence as well as repair cells in the brain. One of the test subjects gets loose in an intense sequence and ultimately put down. It turns out that she had just given birth to a beautiful baby chimp who inherited this new "altered" gene. Rodman decides the only moral thing to do is to take the baby home while a co-worker tries to find a sanctuary but once Rodman finds out that this little ball of fur has the intelligence of a human child twice it's age he decides to keep and raise the chimp as a child. It's only a matter of time that our chimp Caesar figures out he is not like the other children in the neighborhood. Rodman is forced to give up Caesar to an "Ape Sanctuary" and there begins some of the most exhilarating revolutionary action I've ever seen.

Technically, this film is massive. The work WETA Digital did with motion capture (mo-cap) is truly a wonder to behold. Visual Effects Supervisor with WETA Digital Joe Letteri stated that they built on the technology used in "Avatar" to produce the most realistic and accurate portrayal of the actors suited to play the Simians. Andy Serkis (Gollum from "Lord of the Rings" and Kong from "King Kong") plays chimp Caesar. Serkis manages to fool all of us into believing he is a real animal with super intelligence. His facial emotions and mannerisms should most certainly nominate him for an Oscar. There is a real connection that the audience feels with Caesar and it is all thanks to Serkis' work. Without such an experienced mo-cap actor, this film would not have been such a success.

Not only is the technology used to create the revolution amazing, the action is top notch as well. Many times I found myself with my jaw on the floor from the intense sequences put to screen. Everything from a simple terrifying look from an angry ape to the full out battle on the Golden Gate Bridge was pulled off without a hitch. Many points to the pacing of the films action as it could have been the crutch that killed this beast of a film. One of the most amazing scenes in my opinion is when a group of apes are fleeing over top a suburban neighborhood through the trees. While this is going on we see some people on the street while leaves upon leaves are falling to the ground. This level of detail is apparent in every shot, brilliant work by the production team.

My only problems with this film is the acting from Franco and Freida Pinto, who plays the love interest. They both seemed to "phone it in" as it were. They were not overly impressive and just seemed stale. Maybe the director wanted them to tone it down so that Serkis would have more of an impact acting as a voiceless chimp. Either way, as I said in the beginning, this film wasn't about the humans. It's about compassion, freedom and understanding and on those levels the film is a grand success.