King on Screen

This is a documentary that I saw on Shudder. The concept intrigued me. What is interesting is that Stephen King, like others, is my favorite author. He was my introduction into adult horror literature. I own all his older works and am someone that eventually picks up his newer titles as well. Seeking out the adaptations of his works was something else I did when expanding my horror knowledge from what we already owned. This was a documentary that I watched at work, treating it like a podcast, watching when something truly caught my attention and listened to the rest.

What is a shame here is that they couldn't get King himself to be a part of it. What I do like though is that the people who are interviewed are filmmakers who have adapted his works. There is charm there, because as a fan of King, it is fun to see that the likes of Frank Darabont, Tom Holland, Mike Flanagan, Mick Garris and Greg Nicotero are the same. It makes me feel like I'm part of a club. It is truly amazing to hear how many books/short stories/screenplays that King has and then even crazier the number that have also been adapted.

I do have issues here and it falls in line with others that I saw review this on Letterboxd. It focuses quite a bit on the fact that King hates Stanley Kubrick's adaptation of The Shining. We also have all these people who are interviewed here who are on the side of King. This is an argument and a stance that has grown tiresome. I did find it more interesting hearing Flanagan say how he swayed King to his vision for Doctor Sleep, blending Kubrick with the source for both books.

Another issue I have is that this focuses on work more than others. Keeping it more balanced would be preferred. I get that not every production would be as interesting. Hearing Darabont talk about The Shawshank Redemption is something that I enjoyed, but that seems more for a special feature for that film. Including stories or more information for other adaptations would be something I'm more intrigued by.

This is still impressive to see all the people that were involved. I thought this was well-made, including the editing of footage to help visually show what people were talking about. What they did here was fine, but I do think that a bit different approach would make this work better personally. Still worth a watch for King fans, whether it is his writing or his films.

My Rating: 7 out of 10.

The documentary King On Screen is a celebration of King's fiction on the big (or small) screen as told by over twenty different filmmakers who were fortunate enough to adapt a King story. King On Screen tells their story.

Of the many different personalities interviewed here (Mick Garris is always a joy) there are some shockingly notable absences. No Rob Reiner (Stand By Me, Misery). And no Brian DePalma, who holds the distinct honor of directing the first Stephen King adaptation, Carrie (1976).

There are few gripes or regrets conveyed throughout the interviews. No real discussion of failure be it artistic or box office. Baiwir safely captures a positive exuberance. But make it a little shorter with some clever editing? King On Screen could have been a Blu-Ray special feature extra - or an all-star episode of "The Kingcast" podcast.

Whether you've always wanted to bike through Derry with the Losers or mistakenly confuse "Christine" for "Carrie", King On Screen is a delight to watch. Especially when the lights are off.

Taking a seemingly endless number of writers, directors and technicians, this documentary looks back at pretty much every film and series since Carrie and attempts to look at the themes that King brings forth around America's dark side (even Trump gets a mention) which has proved so successful over the years.

The documentary is a smorgasbord of interviews, behind the scene / making of clips and particularly insights by those who have adapted King's work, including interestingly the considerable amount of average and down right awful adaptations - so for every 'Carrie', there is a 'Thinner' given equal amounts of reverence. Overall it is a little scattershot with no clear direction as to what it's trying to say until the conclusion and the best bits are the more in depth stories - Frank Darobont talking 'Green Mile' or why King famously didn't like Kubrick's 'The Shining'. So so as a documentary but plenty to enjoy for King / Horror Movie fans.

I watched this film tonight on Apple TV. I really enjoyed the interviews, particularly those with Frank Darabont and Mike Flanagan, and it was obvious that all of the contributors admire King and his work as much as I do. My only gripe was the soundtrack, which at times made it very difficult to hear the interviews, I'm not sure why if was necessary to superimpose music at a volume higher than the speaking voice of the interviewee. Perhaps this was a problem with Apple and my TV set up, but if not then the film would really benefit in having its soundtrack remixed.

Apart from the issue above I would have watched many more hours of this material.

Stephen King is an author who doesn't quite do it for me. He has some great ideas, but I find that many of his stories don't do them justice. I'm also one of those who has a problem with many of his endings. I have however enjoyed several screen adaptations of his work, particularly Salem's Lot (1979 - my favourite), Creepshow (1982), It (1990), Misery (1990), and The Mist (2007). This documentary (first shown at the Fantastic Fest film festival, Texas, in September 2022) focuses on the transposing of King's tales from page to screen, and is told almost entirely by various directors involved (such as Frank Darabont, Mike Flanagan, Mick Garris, Taylor Hackford). Their tales of the processes involved in bringing established written words to life really break down the work involved, and the professionals needed to produce these glossy, spectacular extravaganzas that are often taken for granted. Also interesting are their accounts of liaising with King himself, and his views (sometimes initially resistant) on the filmmakers' visions. However, it does feel overly drawn-out at times, and is bookended by a dramatised mini-story that feels oddly out of place.

I may not be a huge King fan, but I am a huge horror fan, and this film has plenty to interest. 7/10.