Psychoville

I know that is a harsh title for my comment, but I felt hugely let down by The League of Gentlemen. After a hilarious, and frankly genius first series, the show went quickly downhill with a messy second series that was neither comedy nor horror, and a third that relied on a format change as a rescue attempt. As for the movie - don't get me started.

If you felt like me, then even the title of 'Psychoville' may have conjured up the idea of a desperate attempt to be funny and scary at the same time.

Thankfully, 'Psychoville' IS funny. The weirdness is there, and it still makes you feel uncomfortable, but it is always played for laughs, and after 30 minutes you feel like you actually watched a comedy show. Yes I DO understand the concept of black comedy - but the balance has to be right, and so far (2 episodes in) this show is getting it right. Where 'League' struggled to decide what kind of show it was going to be, it's successor looks set to be the kind of show the writers always wanted.

Psychoville is the brainchild of two League of Gentlemen members, Reece Shearsmith and Steve Pemberton. If you like this sort of thing...comedy that plays off the grotesque and horrific...don't bother reading any reviews, just get your hands on this series and watch!

Season One has many memorable moments, but perhaps none more than the episode that pays homage to Hitchcock's movie Rope, being filmed in one long, continuous take without edits. It's brilliant stagecraft, and includes a guest appearance by fellow Leaguer Mark Gatiss.

The Halloween Special follows, a one-off that can be watched independently, but also links the two full seasons. It's an homage to those cheesy horror anthology movies of the 1970s, with horrific vignettes featuring the Psychoville characters. Brilliantly done.

And Season Two is even better, with a corker of a plot that steadily builds to a stunning climax. Imelda Staunton joins the cast and creates an indelible impression as the high-tech villain. She's got to be one of the greatest actresses in the English-speaking world.

Alas, the latest word has it that there will be no Season Three, and Psychoville has come to an end. But what a wild ride it was!

Brings me back to the days of Roald Dahl's Tales of the Unexpected. No other shows have that effect, that underlying menace, the unknowing, the uncertainty of where you're being dragged. Love it. Same with Inside No 9.

OK. So it's not the League, but it maintains all the best bits and continues to disgust and mesmerise as if it is being beamed into your skull from a malign planet of terror.

The first episode opens with some of the most delightful characters; a hook-handed clown who arrives at the kids bash in a hearse, the midwife who delights in the pain of childbirth and many more sikos. Where does the humour come from? I'm sure it comes from being unbalanced by a knowledge that I've met these people in rural England.

The performances are strong and suited, the script and comedy timing is near perfect, mostly because it all been lifted from other successful hits like Murder Most Horrid, League of Genltemen and the premise of I Know What You Did Last Summer. This is why I recommend you get a return ticket to PSYCHOVILLE!!!!! Mooohahahahahaha.

Psychoville is the TV series actor/writers Reece Shearsmith and Steve Pemberton devised between The League of Gentlemen and Inside No. 9. Like those others it also has that very specific mixture of black comedy and horror that these guys are so at home with. For my money though, Psychoville is probably the lesser of the three series, although it is still very good. Despite what its title initially suggests, and unlike 'League', its characters are located in various places around England and the action is not confined to a single location. The title seems to refer more to a state of mind than anything geographic. Anyway, the cast of disparate characters are slowly drawn together by an ominous secret from their past which is initially communicated to them via mysterious sinister letters.

First off, this is another bit of work that once again showcases Shearmsith and Pemberton's considerable abilities as character actors as well as writers. They both play a selection of very different people who populate this dark story. They are even joined by former 'League' colleague Mark Gatiss in what to me was the best episode of all, 'David and Maureen', which pays very direct homage to Alfred Hitchcock's experimental thriller Rope (1948), in that it shares the conceit of having its whole story told in one single unbroken take. The series also references other films too, such as another Hitchcock classic Strangers on a Train (1951), in less obvious ways.

Of the three series Shearsmith and Pemberton have done, this is the most story-based. It has a mystery underpinning it and the characters do have story arcs that progress in a more traditional manner. The first season probably did this best, in that we knew less of what was going on, so the element of surprise worked more strongly in the series favour. As it progressed I felt it sometimes gave the impression of running out of strong ideas though. The characters are a strong point as you would expect, however, with, amongst others, a misanthropic clown, a psychologically damaged midwife and a sinister manifestation of the mind known as the Silent Singer. The ending to season two quite clearly looks to have been devised with the hope of winning a third season, as it is not really a proper ending at all, with certain plot threads left in the air and the finale really no more than a cliff-hanger of sorts. Evidently the BBC thought otherwise and that was it as far as Psychoville went.