End of the Rope

If you are willing to overlook the 'Cellphone Camera' cinematography and the some what harsh lighting and editing, this film does stand tall in script, the Actors give both an honest and respectful truth to the disturbingly real life event script with a dialog that stands out as actually human, rather than the cut and paste dross one has come to expect over the past decade of paint by numbers Hollywood ... sadly I doubt this film will ever get the 'box office' respect it deserves in terms of effort made as there are no Marvel Superheros in the real world, only true tales seasoned by the likes of Truman Capote, Cormac McCarthy and as it now seems, Daniel Bielinski and Co.

I can't get over all the movies lately where the music is so loud. This movie the music is louder than the people talking as though it's some kind of musical and the dialogue isn't important! It's a historical account, can the music already! I read the information about the movie on Wikipedia. I was really hoping to get an accurate depiction of the course of events. Once again, though, the music is too loud! Why do the movies always have to do that? I would have given this movie a better review except for that major distraction. It's quite sad about this history of this town and how tempers flare.

I am so happy to have stumbled on this little gem. Always on the lookout for worthy Western dramas, too often I find cheesy costume dramas with paper thin screenplays and stuntmen pretending to be actors.

This Depression era crime drama is set in a rugged little hamlet in the hinterlands of North Dakota. It's a true story told with uncommon sensitivity. The setting is reminiscent of Year of the Dog, but IMHO this is a far superior film. The characters are very well developed and surprisingly complex, and all of the acting is superb.

Although it's onviously not a big summer tentpole movie, the production values are impressive. Aside from the odd habit of several male characters wearing their fedoras indoors (which I guess might be a real thing in the chilly Dakotas) all of the costumes were appropriate to the era and the characters, right down to the fabrics of their clothes.

The music track and cinematography were perfect for the subject matter. There are some nifty vintage autos and one nifty antique tractor, which add some welcome color to the bleak country setting.

Overall this is the kind of indie movie the world could use more of. Maybe regional production is the last hope of serious cinema as foreign filmmakers latch onto Hollywood's genre traditions and Hollywood wallows in juvenile action fantasies and cookie cutter action flicks.

Bravo!

It'd be curious that a journalist who covered the case in person at the time was entirely written out of this 'based on a true story' film (they have one guy show up with a camera and he gets shooed off right away - twice, and speaks no lines.), except that this is, at the least, a half-fictionalized account. Meanwhile, it spends a languorous amount of time showing a mob gin itself up with hate-rage inside a church.

There are also no historical facts recorded that 22-yr-old Bannon burned down a family home with three children in it. None. This is adding an extra justification for the hanging that never existed.

The pacing is somewhat uneven, with a few needless stretches of filler content. That stuff could've been replaced by scenes depicting the murdered family members' characters instead. But nope, the victims are totally invisible in this. Any of the action and drama that lead to the crimes being committed is also left out. Was this done out of respect or neglect?

So, it's rather poorly written, and has silly dialogue at times. And, while it's hardly unlikely to have occurred, it just seems ridiculous to hand out badges and guns for a manhunt to what are clearly depicted as a bunch of unruly townie hotheads. One of the actors in the posse couldn't even ride a horse right during the chase scenes.

Also, are they kidding?: The sheriff hands the prisoner a sliced open can with the jagged lid still on it?! Suicidal/homicidal opportunities much? I mean, yeah, they totally didn't protect the accused while in jail IRL, which lead to his death instead of a trial, but Come On!

Sadly, the production overall just isn't very good. It's noticeably amateurish on many levels, but most markedly in the script, direction, and the acting. Chris Bylsma as state attorney Sam Taylor, and Joseph Bezenek as the town's alcoholic, sexist crap-stirrer, Jarvis, give noticeably uneven performances that are less than believable throughout. Joseph Gray is quite good when not directed to be overly stone-faced, anguished, or aggressive.

After watching a disaster last week I was very cautious this week... this time the Western was watchable and I could say: a pleasant one to watch, regardless the low budget and the length!

In spite of the somewhat harsh lighting and editing, Charlie Griak's cinematography was not too bad, and the actors in this film give a respectful and honest rendition of a disturbingly real-life event, with dialogue that feels genuine rather than the paint-by-numbers dross that has become the norm in Hollywood over the past ten years.

Unfortunately, I doubt that this film will ever receive the 'box office' respect that its effort deserves... so, enjoy it while it's still out there...