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The director says for this first film he gave his all, sold his house and spent $500,000 to make it with mostly non-actors in a beautiful part of Andalucia. Noel is good with the camera, with landscape, with improvisation, and with music, which he composed (he plays guitar). He uses simple elements, a mysterious man arriving with a broken-down car, a 13-year old boy missing a father, a flirty girl, a nosy postman--but the drama becomes quite complicated.

I'm not sure all the dots get connected or all final tragedies are necessary, but the ambiguous situation of the boy bonding with the man and the suspicious villagers feels original.

The director came to Spain (from where?) and settled in Andalucia 13 years ago to study Flamenco guitar. He has a recording studio, composes and plays multiple instruments, and also teaches music and drama in schools. The young actors in the film including his talented teen star Gonzalo Sanchez Salas, he trained in acting workshops for months before shooting the film.

'En tu ausencia' was in some festivals including Vancouver (2008) and Palm Springs (2009) but went straight to DVD in the US. It would be nice if Noel were able to make more features after this promising beginning.

Wonderfully absorbing film, beautifully shot in southern Spain with some subtlety simple performances from what are by all accounts local people. The landscape compositions are that of a painter and the use of light outstanding. Yes, I really love this film.

It is a shame therefore to have to make adverse criticisms. The film was shot over a period of one year. That is a long time but especially so when your lead actor is eleven years old. Couple that with some glaring continuity errors: The boy's socks change colour within the same scene on several occasions.

As for the ambiguity I would not criticize that; it forces the viewer to think. I don't understand Spanish so I suspect I'm missing out on quite a lot, but then the film couldn't really have been made anywhere else, such are the locations so integral to the whole.

As a lover of the Andalusian countryside and people 'En Tu Ausenia' was an essential movie to see and I was not disappointed. The photography and rawness of the actors (all novices, I believe) added to a delicate coming of age storyline of family and human awareness, sensitively directed by Ivan Noel. The cast of locals brought such a natural realism to the story that at times I felt I was actually there! The music interpreted and complimented each scene so perfectly.. (I hope the music is one day released on CD) The visual beauty of the movie, along with the engaging storyline and creative directing (is Sr. Noel a cinematic disciple of Monet?)makes 'En Tu Ausenia' a must see ..especially for the followers of independent Spanish movies.

Movies' today are the results of someone's quest for entertainment. However, they can also reveal the universal search for truth which leaves an indelible impression on the human soul. Of all the inner virtues which have a duel purpose, Love is one which can either comfort or destroy those who seek it. And yet, it's the one power we have the least control over. This remarkable film was written and directed by the very talented Ivan Noel. The movie tells the moving story of Pablo Benitez (Gonzalo Sanchez Salas) who one day encounters a stranded stranger named Paco, (Francisco Alfonsin) who's car breaks down near his tiny village. Were it not for a very nosy postman (Antonio Sanchez) who begins to circulate rumors, few would know of the man's arrival. As it is, within days the entire population becomes aware of him. Adding to Pablo's daily life is Julia (Ana Tutor) who amuses herself with his friendship and sexual education. However, Paco's real reason for the arrival concerns Pablo's mother, (Anabel Azuar) one which Pablo is unaware of. The entire misunderstanding is sure to confuse the viewing audience, unless we pay close attention. The movie allows us to share the inner conflicts of youthful adolescence, challenged by life's decisions concerning Love, hate and the trapping of innocent mistakes. This being Salas' first movie, it is easy to understand how he gives such a powerful performance with such youthful exuberance. Indeed, the entire cast should be proud of their efforts. Their combined talents with the guidance of their creative, masterful and artistic director have assured us with a visual Masterpiece which in time will be seen as a true Classic. ****

In the context of the "world wide cinema" intellectual recession - this film stands out as a gem. The movie must not be told in any details prior to watching it-is my view. Comments around the technical aspect of movie making should be harmless though: Having to disposal high tech digital equipment these days - I would have expected more of an art work/play around the nude scenes, body shapes and more attention to lighting elsewhere. At this level of an art - more play with lights would further benefit the overall appearance of the movie which otherwise is well outside of the guttersnipes' consumption anyway. At times the contrasts on faces were on the "sharp side of things". Employing "counter soft" lighting would give that extra feel of excellently made portraits. That's on technical side of things. The film stands still firm at 10 points though since “Rambo” style movies gets also the same scores :-). Majority of films on the subject are made based on the far reaching consultations with the psycho/sociological professional teams. The result of such “out of touch with reality” studies is always a sterile movie. Such movies are indeed analytical at best. To describe this movie as such ( as i read here and there) is a brave business to provoke to be laughed at. In my view, it is not possible to make this movie without the natural inspiration on the theme flowing from within the director's heart. It almost feels as if it is an autobiographical story although the director doesn’t say that. How otherwise one could know what is inside an adolescent ripped apart by the fate. And all of it in such minute details? This film is what an art is all about and it is great news to hear that the director is working on another movie around the same theme. In the event - I can’t wait to see his "Brecha". ”En tu aucencia” is an absolute must to see. Well, at least by the better part of our society members.