Fünf Freunde brechen zu einer entlegenen Waldhütte auf, in der sie mit dem "Buch des Todes" unwissentlich Dämonen wecken, die in den nahen Wäldern leben.Fünf Freunde brechen zu einer entlegenen Waldhütte auf, in der sie mit dem "Buch des Todes" unwissentlich Dämonen wecken, die in den nahen Wäldern leben.Fünf Freunde brechen zu einer entlegenen Waldhütte auf, in der sie mit dem "Buch des Todes" unwissentlich Dämonen wecken, die in den nahen Wäldern leben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 20 Nominierungen insgesamt
Rupert Degas
- Demon
- (Synchronisation)
Bob Dorian
- Professor Knowby from the Original Evil Dead
- (Synchronisation)
Ellen Sandweiss
- Cheryl from the Original Evil Dead
- (Synchronisation)
Bruce Campbell
- Ash
- (Nicht genannt)
Jack Walley
- Billy Bob
- (Nicht genannt)
Empfohlene Bewertungen
The story is basically the same with a couple of differences. I like how the movie does a good job building up the atmosphere that is still effective. The movie contains brutal attack scenes that are both disturbing and painful to watch. Also the movie is still suspenseful throughout and I really like the climax too. Just like the original, the effects are really well made. The makeup effects on the demons looks really good, but I didn't like the eyes on them because it makes them less creepy. The practical and gore effects are still great in the movie. And the death scenes are both brutal and great.
Unfortunately this movie is kind of predictable and the opening feels unnecessary. The side plot about Mia drug problems doesn't go anywhere interesting. And I didn't like the dialogue that the demons said in the movie.
Unfortunately this movie is kind of predictable and the opening feels unnecessary. The side plot about Mia drug problems doesn't go anywhere interesting. And I didn't like the dialogue that the demons said in the movie.
I do understand that some people are angry with this movie for various reasons. People are eager for the Evil Dead series to continue, so while there was always talk of that happening (right now there is an entry for Army of Darkness 2 for a 2016 release), a remake came first. A remake that the director didn't want Bruce Campbell to be associated with, so he could do his own thing. Something some fans surely didn't appreciate either of course.
But cutting ties does make sense in this case. And while I'm a big fan of Bruce Campbell and would have loved to see him in here somewhere, I do respect the directors choice of not wanting that to happen. There is also the fact, that the movie tries to be as serious as possible. So it's more like the first Evil Dead than the movies that came after it. And it sort of works too, if you let yourself into it. Is there one particular character that is more than annoying and does things you could/should kill him for? Yes, but judging the whole movie just on that premise would be unfair to it and wouldn't help your viewing experience. Whatever the case, the movie has good effects, it's nicely told and acted too. Try to be open minded (not literally)
But cutting ties does make sense in this case. And while I'm a big fan of Bruce Campbell and would have loved to see him in here somewhere, I do respect the directors choice of not wanting that to happen. There is also the fact, that the movie tries to be as serious as possible. So it's more like the first Evil Dead than the movies that came after it. And it sort of works too, if you let yourself into it. Is there one particular character that is more than annoying and does things you could/should kill him for? Yes, but judging the whole movie just on that premise would be unfair to it and wouldn't help your viewing experience. Whatever the case, the movie has good effects, it's nicely told and acted too. Try to be open minded (not literally)
I have to start by saying that Sam Raimi's original EVIL DEAD trilogy has been a personal favorite since my teenage years. EVIL DEAD 2 stands out as the best of the three for me, striking the perfect balance between horror and comedy, while ARMY OF DARKNESS leans more into its goofy, cheesy charm. But it's the first EVIL DEAD that delivers a relentless, low-budget terror that still packs a punch today, even with its undeniably campy effects.
This remake, thankfully, shakes things up just enough in the story to keep even hardcore fans of the original on their toes. It manages to stay true to the spirit of the original film while adding a modern touch. The same suspense lingers throughout, that heart-pounding question of who's next to fall victim to the curse. However, it's all slicked up with a Hollywood polish that contrasts with the scrappy, zero-budget feel of the original.
What really took me by surprise was just how much the gore has been cranked up. This is one of the most brutal, visceral horror films I've seen in years, with several scenes so intense they're hard to watch. The chainsaw scenes teased back in the '80s? They're here in full, bloody force. The production values are solid, and the cast does a decent job with what they're given.
Is it as good as the original? No, it doesn't quite capture that raw, terrifying edge, but it sure does deliver on the gross-out factor. For modern horror fans, it's a blood-soaked thrill ride, mixing demonic possession with over-the-top violence in a way that won't disappoint.
This remake, thankfully, shakes things up just enough in the story to keep even hardcore fans of the original on their toes. It manages to stay true to the spirit of the original film while adding a modern touch. The same suspense lingers throughout, that heart-pounding question of who's next to fall victim to the curse. However, it's all slicked up with a Hollywood polish that contrasts with the scrappy, zero-budget feel of the original.
What really took me by surprise was just how much the gore has been cranked up. This is one of the most brutal, visceral horror films I've seen in years, with several scenes so intense they're hard to watch. The chainsaw scenes teased back in the '80s? They're here in full, bloody force. The production values are solid, and the cast does a decent job with what they're given.
Is it as good as the original? No, it doesn't quite capture that raw, terrifying edge, but it sure does deliver on the gross-out factor. For modern horror fans, it's a blood-soaked thrill ride, mixing demonic possession with over-the-top violence in a way that won't disappoint.
So I've read here and there that this remake lacks the camp of the original. And I look back over 20 years ago, watching The Evil Dead on a crummy rental VHS, in the dark of my teenage bedroom one night. The camp? The original Evil Dead was a terrifying experience, even with Bruce Campbell's over the top performance, the film was a scare-fest, a terrifying trip even nearly ten years after its release. The camp was in Evil Dead 2, an horror comedy remaking the original already, technically.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
I have to say, starting out, that Sam Raimi's original EVIL DEAD trilogy has been a favourite of mine ever since I saw it as a teenager. While EVIL DEAD 2 was the best of the three films, for me, a pitch-perfect comedy/horror, and ARMY OF DARKNESS was a funny, cheesy comedy, the first film was a gruelling terror flick made on a teensy budget...and it worked. Everything about it gelled, and it remains effective to this day, despite the cheesiness of the low-budget effects work.
This remake thankfully changes things around a bit story-wise, so that even the many fans of the original movie will find themselves guessing as to what's about to happen next. It's a film made very much in the spirit of the first film, and that makes it pretty good for a remake. The same suspense is there, the pulse-pounding question of who's going to be affected next by the curse, while at the same time it's given some Hollywood slickness to offset the original's grubby, zero-budget charm.
And, perhaps most surprisingly of all, the gore quota has been ramped up considerably. This is one of the most extremely vicious and nasty films I've seen in a long time, in which the various set-pieces of gore are difficult to watch; let's just say that the chainsaw stuff hinted at back in the 1980s is shown in full force here. Production values are more than adequate and the cast are pretty good, too. Is this as good as the original? No, it lacks the genuine fright-factor even if the ickiness is there...but at the same time it won't disappoint modern horror fans with its blend of demonic possession and outrageous violence.
This remake thankfully changes things around a bit story-wise, so that even the many fans of the original movie will find themselves guessing as to what's about to happen next. It's a film made very much in the spirit of the first film, and that makes it pretty good for a remake. The same suspense is there, the pulse-pounding question of who's going to be affected next by the curse, while at the same time it's given some Hollywood slickness to offset the original's grubby, zero-budget charm.
And, perhaps most surprisingly of all, the gore quota has been ramped up considerably. This is one of the most extremely vicious and nasty films I've seen in a long time, in which the various set-pieces of gore are difficult to watch; let's just say that the chainsaw stuff hinted at back in the 1980s is shown in full force here. Production values are more than adequate and the cast are pretty good, too. Is this as good as the original? No, it lacks the genuine fright-factor even if the ickiness is there...but at the same time it won't disappoint modern horror fans with its blend of demonic possession and outrageous violence.
Wusstest du schon
- WissenswertesAccording to reports in the press, the film used 70,000 gallons (equivalent to 264,978.82 liters) of fake blood. In an interview, Fede Alvarez said they used 50,000 gallons (189,270.59 liters) for the final scene alone. This is compared to the 200-300 gallons (757.08-1,135.62 liters) used in the original.
- PatzerAt the beginning of the film a woman is speaking a foreign language, according to the subtitles she is speaking Turkish, she is actually speaking in Welsh.
- Zitate
Abomination Mia: I will feast on your soul!
Mia: [revs the chainsaw] Feast on this, motherfucker.
[Mia shoves the chainsaw into the Abomination's face]
Mia: Die.
[Mia defeats the Abomination by slice the head in half as the creature begins to sink into the ground]
Mia: Go back to Hell, bitch.
- Crazy CreditsIn reference to a term coined by Sam Raimi after The Three Stooges, the actors which appear in bit parts as "really good people" (Bill Vincent, Judah Tapert, Terri Donaldson, and Alan Breslau) are credited as "Fake Shemps".
- Alternative VersionenWhile the theatrical release was uncut, the German DVD release was cut by ca. 1 minute to to keep its "Not under 18" rating from the FSK. The uncut version was released with a SPIO/JK approval (resulting in various sale restrictions).
- VerbindungenFeatured in Face Off: Mummy Mayhem (2013)
- SoundtracksBaby, Little Baby
Written by Fede Alvarez and Rodo Sayagues
Performed by Jane Levy and Shiloh Fernandez
Published by Fede Alvarez (ASCAP) and Rodo Saygues (ASCAP)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Posesión infernal
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.239.856 $
- Eröffnungswochenende in den USA und in Kanada
- 25.775.847 $
- 7. Apr. 2013
- Weltweiter Bruttoertrag
- 97.542.952 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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